Cell Project Space, 258 Cambridge Heath Road, London E2 9DA
Columbidae probes the effect of work on our body and mind, dispersing the subjects into a rolling narrative of anxiety-induced productivity with neither start nor finish. Review by Louisa Lee
Division of Labour at Edel Assanti, 74A Newman Street, London W1T 3DB
A rich pattern of interlocking reflections on the peripheral technologies of sculptural display, from colour, to plinths, backdrops and photographic documentation - Tom Overton reviews Andrew Lacon's current exhibition at Edel Assanti.
Contemporary Art Society, London
A fantastic opportunity to hear about the work of Ed Atkins in the artist’s own words.
Hauser & Wirth, 23 Savile Row, London W1S 2ET
Isa Genzken’s punkish sense of humour is alive and kicking in her current exhibition of paintings and sculptures at Hauser & Wirth. Helena Haimes reviews
Serpentine Gallery, Kensington Gardens, London W2 3XA
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The impression that the unspeakable of Leon Golub’s violence corresponds to an unaddressable in his form is slight but difficult to shake. Bite Your Tongue is reviewed by James Gormley.
Greengrassi, 1a Kempsford Road, London, SE11 4NU
Greengrassi presents its fifth solo exhibition of Frances Stark - a California based artist known for her playful and intimate exploration of social media networks.
The Artist's Institute, 163 Eldridge Street, New York, NY 10002
For Part Two of The Artist’s Institute season with Carolee Schneemann, the Institute presents a new three slide-projector installation of Schneemann’s ABC—We Print Anything—In The Cards (1976–77).
Stedelijk Museum Amsterdam, Museumplein 10, 1071 DJ Amsterdam, Netherlands
British artist Ed Atkins' twists tired CGI into full-blooded self-questioning with his first major solo exhibition outside the UK. There's piss, there's booze and there's Johann Sebastian Bach. Review by Rich Thornton
Baltic 39, 31-39 High Bridge, Newcastle Upon Tyne, NE1 1EW
There is no real doubt as to the subject of the latest exhibition at Baltic 39. Downstairs one is confronted by an assortment of vinyl records affixed to the wall, while the main exhibition space offers a choice of two halves. Review by J.D.A Winslow
New Museum, 235 Bowery, New York, NY 10002
Like its two predecessors, ‘Surround Audience’ showcases the work of emerging artists, collecting together the works of fifty-one practitioners from over two dozen countries with the purpose of investigating the relationship(s) between human beings, media, and art within an increasingly globalised and technologically-advanced world. Review by Arthur Ivan Bravo
AirSpace Gallery, 4 Broad Street, City Centre, Stoke-on-Trent ST1 4HL
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Indefinable Cities provides an international dialogue between two artistic sensibilities and practices married by one multidimensional theme: the city and its possibilities. Review by Dominika Mackiewicz
IMT Gallery, Unit 2/210 Cambridge Heath Road, London E2 9NQ UK
Gordon Shrigley critiques our political climate through intervention, appropriation and exposition, standing as a prospective Member of Parliament for Hackney South and Shoreditch in the 2015 General Election. Review by Cathy Wade.
von Bartha, Kannenfeldplatz 6 CH–4056, Basel
Von Bartha, Basel presents its first solo exhibition with Copenhagen based art group SUPERFLEX, who are renowned for their playful, subversive analysis of our economic and social structures.
MOSTYN, 12 Vaughan Street, Llandudno, LL30 1AB
'We’ve Got Mail II' is one in a series of exhibitions at MOSTYN which respond to the context in which they are placed – a former postal sorting office into which MOSTYN’s galleries were expanded in 2010.
