Viewing articles tagged with 'Film'

South London Gallery, 65-67 Peckham Rd, London SE5 8UH

KNOCK KNOCK: Humour in Contemporary Art

Installation view of KNOCK KNOCK at South London Gallery (22 September - 18 November 2018) Pictured: She (2017) and KEEP OUT OF REACH OF CHILDREN (2018) by Danielle Dean

Despite the show’s title, which has been taken from Roy Lichtenstein’s ‘Knock, Knock Poster’ (1976) and which appears in the main gallery, the exhibition refuses the monotony of formulaic joke-telling and instead employs irony and cynicism to create moments of discomfort and menace. Review by Olivia Aherne

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Puck Verkade: A Vortex of Considerations

Puck Verkade Breeder Episode 1, 2017

When I encountered the work of Dutch artist and film maker, Puck Verkade, a few weeks ago, it was the kind of experience that trailed behind me for a few days afterwards as I tried to untangle it all. There were parts that made me laugh, that struck me, that made me uncomfortable and I had an overwhelming feeling that it was laughing at me trying to make sense of it. So, I stopped, and decided to speak to the artist behind it. Text by Kit Edwards

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Museum Frieder Burda | Salon Berlin, Auguststraße 11-13 10117 Berlin

Candice Breitz: Sex Work

TLDR (Featured here: Connie, Nosipho Vidima)

The film feels more like a piece of entertainment than it should, and it left less of an impact on me than the interviews themselves. One, in which a woman describes a horrifying act of rape by a police officer, will linger with me for a long time. Review by Siobhan Leddy

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Survey

Installation View of Survey at Jerwood Space, London, 3 October - 16 December 2018.

An assembly of work from fifteen early career artists who have been nominated from across the UK, ‘Survey’ is an exhibition comprising a wide range of disciplines. From film, performance and drawing, to painting, ceramics and installation, it gives rising voices within the sector the opportunity to stand out and stand up. Review by Alexandra Gamrot

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Amos Rex, Mannerheimintie 22–24, 00100 Helsinki, Finland

teamLab: Massless

Black Waves

Massless, teamLab’s first exhibition in the Nordic countries of Europe, celebrates the transformation of Helsinki’s Amos Anderson Art Museum into Amos Rex by filling the majority of the institution’s newly minted subterranean home with a series of immersive, multimedia installations. Review by John Gayer

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Dublin City Gallery The Hugh Lane, Charlemont House, Parnell Square North, Dublin 1, D01 F2X9, Ireland

Amanda Dunsmore: Keeper

Amanda Dunsmore, John Hume, 2005; installation view, Dublin City Gallery The Hugh Lane

In light of seismic political events, and the failed attempts to square the circle that is the Irish Border, Amanda Dunsmore’s exhibition ‘Keeper’ in Dublin’s Hugh Lane seems increasingly vital and brings the Good Friday Agreement into sharper focus. Review by Aidan Kelly Murphy

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Gropius Bau, Niederkirchnerstraße 7, 10963 Berlin

Covered in Time and History: The Films of Ana Mendieta

Sweating Blood

Ana Mendieta remains a significant artistic figure of the 1970s and 1980s because of her radical practice encompassing performance, gender and geo-political identity. The extensive self-documentation of her performances (which were often enacted alone) on primarily Super 8 film has allowed for her works to survive to this day. Review by Joan Lee

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National Portrait Gallery, St. Martin's Pl, London WC2H 0HE

Tacita Dean: PORTRAIT

Mario Merz, 2002 by Tacita Dean. 16mm colour film, optical sound, 8 minutes, 30 seconds. Film still.

The glance, with its speed and lack of resolution, is probably the defining characteristic of contemporary vision. We see people with the same lack of depth, quickly skimming across their seemingly shallow surfaces. The experience of viewing Tacita Dean’s ‘PORTRAIT’ at the National Portrait Gallery, on the other hand, is more like the process of reading than the ways in which we usually contemplate visual art; the whole show seems to provide a slow, even still, contemplative corrective to the incessant pace of modern life. Review by Matthew Turner

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Jerwood/FVU Awards 2018: Unintended Consequences

15 days by Imran Perretta as part of Jerwood / FVU Awards 2018: Unintended Consequences exhibition at Jerwood Space until 3 June

This year’s Jerwood/FVU Awards sees Maeve Brennan and Imran Perretta engage with the theme of ‘Unintended Consequences’ by considering, in very different ways, the complex nexus of vision, knowledge and representation. Review by Anya Smirnova

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Serpentine Sackler Gallery, West Carriage Drive, London W2 2AR

Sondra Perry: Typhoon coming on

Sondra Perry, Installation view, Typhoon coming on, Serpentine Sackler Gallery, London, 6 March - 20 May 2018

‘Typhoon coming on’ is the first solo presentation of Sondra Perry’s work in Europe. For those unfamiliar with the artist, one may find themselves swimming against the purple ocean waves projected across the gallery walls in search of Sondra – in search of healing that feeling of uncertainty in an art gallery, amplified by the disorientating, dizzying, environment we’ve found ourselves trying to navigate. Review by Cairo Clarke

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Cubitt, 8 Angel Mews, London N1 9HH

Hardeep Pandhal: Liar Hydrant

Hardeep Pandhal, Liar Hydrant Mood Board detail, Cubitt Gallery, 2018.

The video works layer lurid cartoons, psychedelic narratives and deadpan rap music; they are accompanied by production drawings and a sculpture. Edmée Lepercq reviews Hardeep Pandhal's solo exhibition at Cubitt.

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Assembly Point, 49 Staffordshire Street, London SE15 5TJ

Lilah Fowler: nth nature

Lilah Fowler: nth nature, 2018

The city is striated into manifold ordered grids that similarly control our movements. The Nevada desert on the other hand, one of the locations Lilah Fowler explored for her show at Assembly Point, has no such boundaries and borders – it has an order more in common with a modulating weather system than any Cartesian geometry. Review by Matthew Turner

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Zabludowicz Collection, 176 Prince of Wales Rd, Belsize Park, London NW5 3PT

Zabludowicz Collection Invites: Hazel Brill

Hazel Brill, Woke Up in Spring, 2018, Mixed media video installation, 9 mins. Solo Invites exhibition, 1 March - 8 April 2018.

Hazel Brill’s new video installation ‘Woke Up in Spring’ presents a compendium of media and cultural references that build up a layered picaresque of the artist’s exploration of her environment. Review by Piers Masterson

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Museum of Contemporary Art Australia, 140 George St, The Rocks NSW 2000, Australia

21st Biennale of Sydney: SUPERPOSITION: Equilibrium & Engagement

21st Biennale of Sydney, SUPERPOSITION: Equilibrium & Engagement installation view

Artistic Director Mami Kataoka utilizes the concept of Superposition as a metaphor for the 21st Biennale of Sydney. Superposition is a theory borrowed from quantum mechanics, it posits that different, even seemingly conflicting, components are held in suspension - equal in their difference and vital to the whole. This metaphor seeks to bring the different threads, directions, contradictions and loose-ends that exist in our contemporary world into a (utopian) balance. Review by Kathleen Linn

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