Viewing articles tagged with 'Film'

Workplace, The Old Post Office, 19-21 West Street Gateshead, Tyne & Wear NE8 1AD

Emily Hesse: The Taste of this History: A Church in my Mouth

Emily Hesse The, Shedding: The Glass Ceiling, 2018, Collage on found photograph, 43.25 x 57.5 x 3 cm

Hesse’s questioning of her own proximity to the notional centre of the art is illustrated by the circle drawn on the gallery floor that the pin hangs above - is she inside or outside the circuit of acceptance? The artist can be heard reading from her book ‘Black Birds Born from Invisible Stars’ which details touchingly her frequently disenchanting encounters with art institutions. Review by Piers Masterson

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Thomas Dane Gallery, 3 Duke Street, St James's, London SW1Y 6BN

Amie Siegel: Backstory

The Noon Complex, 2016, three-channel HD video installation, colour/sound, edition 2 of 5 + 2AP

Amie Siegel’s exhibition ‘Backstory’ at London’s Thomas Dane Gallery opens with an unassuming series of works on paper. ‘Body Scripts’ (2015) consists of framed pages from a novel by Italian novelist Alberto Moravia that was the inspiration for Jean-Luc Godard’s classic film ‘Contempt’ (1963). Using only pages that feature the female protagonist, the artist uses sea-blue paint to erase phrases and sentences that don’t directly refer to the character. The result is an architectural geometry that flows from frame to frame and creates a visual context for the actions of the protagonist. Review by Anna Souter

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ICA,The Mall, St. James's, London SW1Y 5AH

Metahaven: VERSION HISTORY

Metahaven, Eurasia (Questions on Happiness) 2018. Installation view of Metahaven: VERSION HISTORY at Institute of Contemporary Arts, London, 3 October - 13 January 2019

For ‘Version History’, their current exhibition at the ICA in London, the collective have brought together three recent films and a digital essay to reflect on the loss of truth that arises from our collective immersion in digital technologies. Review by Bernard Hay

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Rennes

Rennes Biennale 2018: Cries and Echoes

Pauline Boudry & Renate Lorenz, 40m Cube, Les Ateliers de Rennes

Siham and Hafida are two singers of the Aita, a musical genre of the Chikha. Their intergenerational conversations throughout the film give insight to how lived experience is transmitted and challenged by the fact that the younger generations learn the treats of the Aita through clips on youtube. Review by Helena Julian

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Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

Still I Rise: Feminisms, Gender, Resistance

Installation view of Still I Rise: Feminisms, Gender, Resistance, Oct 2018 - Jan 2019, Nottingham Contemporary.

‘Still I Rise: Feminisms, Gender, Resistance’ is the first act of an exhibition showing a kind of history of resistance through the means of feminisms and intersectional queer thinking. The curators started to build the exhibition as an idea two years ago. Then, we didn’t have #metoo and #timesup, Trump wasn’t yet the POTUS, women’s marches weren’t so much in the news ... Review by Gulnaz Can

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Auto Italia, 44 Bonner Road, London E2 9JS

Gran Fury: Read My Lips

Kissing Doesn't Kill, Gran Fury, 1990, vinyl wall poster

‘Read My Lips’ is a powerful retrospective of agitprop collective Gran Fury, an autonomous unit stemming from the New York caucus of radical international direct action group ‘AIDs Coalition To Unleash Power’ or ACT UP. Review by Sophie Risner

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Austrian Cultural Forum, 28 Rutland Gate, Knightsbridge, London SW7 1PQ

Newstalgia

Elisabeth Molin, Ate Chocolate, (edible monuments) 2018

‘Newstalgia’ is shifting common ways of memorialisation into question. It does this through exposing attempts to activate social and cultural habits that remember and question contemporary ways to fulfil civil duties – to re-evaluate economic, cultural and societal operations. Review by Alexandra Gamrot

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South London Gallery, 65-67 Peckham Rd, London SE5 8UH

KNOCK KNOCK: Humour in Contemporary Art

Installation view of KNOCK KNOCK at South London Gallery (22 September - 18 November 2018) Pictured: She (2017) and KEEP OUT OF REACH OF CHILDREN (2018) by Danielle Dean

Despite the show’s title, which has been taken from Roy Lichtenstein’s ‘Knock, Knock Poster’ (1976) and which appears in the main gallery, the exhibition refuses the monotony of formulaic joke-telling and instead employs irony and cynicism to create moments of discomfort and menace. Review by Olivia Aherne

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Puck Verkade: A Vortex of Considerations

Puck Verkade Breeder Episode 1, 2017

When I encountered the work of Dutch artist and film maker, Puck Verkade, a few weeks ago, it was the kind of experience that trailed behind me for a few days afterwards as I tried to untangle it all. There were parts that made me laugh, that struck me, that made me uncomfortable and I had an overwhelming feeling that it was laughing at me trying to make sense of it. So, I stopped, and decided to speak to the artist behind it. Text by Kit Edwards

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Museum Frieder Burda | Salon Berlin, Auguststraße 11-13 10117 Berlin

Candice Breitz: Sex Work

TLDR (Featured here: Connie, Nosipho Vidima)

The film feels more like a piece of entertainment than it should, and it left less of an impact on me than the interviews themselves. One, in which a woman describes a horrifying act of rape by a police officer, will linger with me for a long time. Review by Siobhan Leddy

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Survey

Installation View of Survey at Jerwood Space, London, 3 October - 16 December 2018.

An assembly of work from fifteen early career artists who have been nominated from across the UK, ‘Survey’ is an exhibition comprising a wide range of disciplines. From film, performance and drawing, to painting, ceramics and installation, it gives rising voices within the sector the opportunity to stand out and stand up. Review by Alexandra Gamrot

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Amos Rex, Mannerheimintie 22–24, 00100 Helsinki, Finland

teamLab: Massless

Black Waves

Massless, teamLab’s first exhibition in the Nordic countries of Europe, celebrates the transformation of Helsinki’s Amos Anderson Art Museum into Amos Rex by filling the majority of the institution’s newly minted subterranean home with a series of immersive, multimedia installations. Review by John Gayer

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Dublin City Gallery The Hugh Lane, Charlemont House, Parnell Square North, Dublin 1, D01 F2X9, Ireland

Amanda Dunsmore: Keeper

Amanda Dunsmore, John Hume, 2005; installation view, Dublin City Gallery The Hugh Lane

In light of seismic political events, and the failed attempts to square the circle that is the Irish Border, Amanda Dunsmore’s exhibition ‘Keeper’ in Dublin’s Hugh Lane seems increasingly vital and brings the Good Friday Agreement into sharper focus. Review by Aidan Kelly Murphy

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Gropius Bau, Niederkirchnerstraße 7, 10963 Berlin

Covered in Time and History: The Films of Ana Mendieta

Sweating Blood

Ana Mendieta remains a significant artistic figure of the 1970s and 1980s because of her radical practice encompassing performance, gender and geo-political identity. The extensive self-documentation of her performances (which were often enacted alone) on primarily Super 8 film has allowed for her works to survive to this day. Review by Joan Lee

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