Viewing articles tagged with 'Nottingham'

Bonington Building, Nottingham Trent University, Dryden St, Nottingham NG1 4GG, UK

Sara MacKillop: One Room Living

One Room Living, installation view

One Room Living presents a series of works and interactions that reference the wide variety of spatial uses that directly surround Bonington Gallery – analysing not only the gallery’s site and situation, but also how the wider institution’s function is represented across a multitude of spaces.

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Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

States of America

Lee Friedlander, Mt Rushmore, South Dakota, 1969, gelatin-silver print.

Nottingham Contemporary’s ‘States of America’ sweeps across the shifting social and political landscape of the USA between the 1960s and early 1990s, capturing the rise of popular culture and suburbia, declining city centres, the Civil Rights Movement, wealth disparity, urban life and the fading American Dream. Viewed through the lens of seventeen different photographers, we are offered a necessarily prismatic picture of American culture that is particularly compelling given current events. Review by Hannah Newell

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Bonington Gallery, Nottingham Trent University, Bonington building, Dryden Street, Nottingham, UK, NG1 4GG

It’s Our Playground: Artificial Sensibility

Installation view

A solo exhibition of new work by Paris-based artist duo It’s Our Playground (IOP), comprised of Camille Le Houezec and Jocelyn Villemont. Artificial Sensibility continues the duo’s ongoing reflection on artificial intelligence – when technology mimics human cognitive behaviour. Artificial Sensibility reveals a hybrid learning process of automated principles of recognition and basic human methods of education.

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New Art Exchange, 39-41 Gregory Boulevard, Nottingham, NG7 6BE

UNTITLED: art on the conditions of our time

UNTITLED: art on the conditions of our time, installation view at New Art Exchange, 2017

UNTITLED provides a number of guilty pleasures. Opening with Harold Offeh's video Covers Playlist (2016), in which a slightly over the hill man works on his disco diva moves, the show manages to maintain that identity politics can be playful as well as a serious subject. Review by Piers Masterson

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Primary, 33 Seely Rd, Nottingham NG7 1NU

Anna K.E.: Leaving the Rock Stage

Leaving the Rock Stage (2016)

Pivotal to the exhibition, through physical dominance and content, are photographs supported by stage trussing. These are structures that would, as the exhibition title suggests, be at home within the context of large stadium gig. Review by Alice Gale-Feeny

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Nottingham Contemporary, Weekday Cross, Nottingham, NG1 2GB

Marguerite Humeau: FOXP2

Marguerite Humeau, FOXP2, 2016. Exhibition view, Nottingham Contemporary. Courtesy the artist, C L E A R I N G New York/Brussels, DUVE Berlin.

The galleries of Nottingham Contemporary are taken over by the relentless echoes of human civilization and the emotional turmoil of elephants - now the dominant species on Earth. Marguerite Humeau’s exhibition, ‘FOXP2’, comprises two immersive installations that exist in the blurred space where science ends and fiction begins. Review by Laura-Jade Vaughan.

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Nottingham Contemporary Weekday Cross Nottingham NG1 2GB / Backlit, Alfred House, Ashley Street, Nottingham NG3 1JG

Simon Starling

Simon Starling, La Source (demi-teinte), 2009. © Simon Starling, courtesy neugerriemschneider, Berlin

Starling's exhibitions at Nottingham Contemporary and Backlit show the artist’s fixation with objecthood, authenticity and changes of state that permeate his conceptually dense, yet ever graceful, practice. Review by Alex Borkowski

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New Art Exchange, 39-41 Gregory Boulevard, Nottingham NG7 6BE

Doug Fishbone’s Leisure Land Golf

Doug Fishbone's Leisure Land Golf, New Art Exchange, Nottingham, April 2016, photo by Bartosz Kali

As Doug Fishbone importantly points out, “[mini-golf is] socially inclusive and egalitarian - more so than any ‘real’ golf course”. Both 80-year old Grandmother and 5-year old Granddaughter who were seen competing together, seemed to back up this claim. Review by Alice Gale-Feeny

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TG, c/o PRIMARY, 33 Seely Road, Nottingham NG7 1NU

Samuel Jeffery

Installation view of Samuel Jeffery

Samuel Jeffery's white monochrome paintings are explored by Alice Gale-Feeny. In these she finds connections to landscape, Ben Nicholson and De Stijl.

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TG, Primary 33 Seely Road, Nottingham NG7 1NU

Occasional Table

Installation view of Occasional Table #1: Chora organised by Géraldine Beck & Benjamin Rosenthal, November 21st - December 6th.

In the recent programme at TG, the ‘Occasional Table’ is both the title of an expanded exhibition and a presentation device for the work contained within it. Review by Niki Russell

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