Viewing articles tagged with 'Group'

Centrala, Unit 4 Minerva Works, 158 Fazeley Street, Birmingham B5 5RT

SEVENTEEN

Olga Grotova, One (2016)

The centenary of the Russian Revolution is being celebrated in various exhibitions and cultural events this year. ‘Seventeen’ at Centrala more obliquely explores what a centenary of such significance might mean through the work of three UK-based Russian artists, Olga Grotova, Yelena Popova and Nika Neelova. Review by Jessie Bond

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Wysing Arts Centre, Fox Road, Bourn, Cambridge, CB23 2TX

All Channels Open

Lawrence Lek, FABRICK, 2017. Two video loops, 12 min, Stereo sound, Architectural model, Lasercut MDF, HD Screens, Raspberry Pis, LED Strip. 65 x 25 x 15 cm.

‘All Channels Open’ is similar to a compilation played within a subdued, minimally lit dance floor. An imaginable mic is passed to each artist in an effort to amplify her or his voice and position in the space. Review by Jaime Marie Davis

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Frith Street Gallery, Soho Square (60 Frith Street), London

Adrian Paci / Giuliana Racco: Another Place

The Guardians

Informed by Adrian Paci's personal history of exile from Albania to Milan in 1997 during an armed uprising, he is characteristically drawn to dislocating the viewer and exploring the ambiguities of space, and the intersection between fact, fiction, reality and fantasy. His work has found a suitable counterpart in Giuliana Racco. Review by Cleo Roberts

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New Art Exchange, 39-41 Gregory Boulevard, Nottingham, NG7 6BE

UNTITLED: art on the conditions of our time

UNTITLED: art on the conditions of our time, installation view at New Art Exchange, 2017

UNTITLED provides a number of guilty pleasures. Opening with Harold Offeh's video Covers Playlist (2016), in which a slightly over the hill man works on his disco diva moves, the show manages to maintain that identity politics can be playful as well as a serious subject. Review by Piers Masterson

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Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow G2 3JD

Forms of Action

Asuncion Molinos Gordo, Contestador (Answerphone), 2016, installation view at Forms of Action, CCA Glasgow

‘Forms of Action’ presents the work of seven artists whose actions in society are the core of their practice. Each with rich cultural, historical and political backdrops, this assembly of artists is, in itself, a timely form of action. Review by Kate Self.

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J Hammond Projects, Unit 2B2 Bomb Factory, Boothby Road, London N19 4AJ

Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight)?

Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight) J HAMMOND PROJECTS

The objects we choose to accumulate and surround ourselves with represent a manicured veneer, and what we throw away is more revealing. Isn’t it more exciting to think about how someone would rather not be perceived? Liam Hess considers group exhibition 'Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight)?'

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Breese Little, Unit 1, 249 - 253 Cambridge Heath Road, London E2 6JY

Parallax scrolling

Parallax scrolling, Nicholas Hatfull, Lauren Keeley and Jackson Sprague, Installation View

‘Parallax scrolling’ is an exhibition that proposes a series of visual tactics by artists Nicholas Hatfull, Lauren Keeley and Jackson Sprague. These invite viewers to engage with perception and perspective by utilising simple optical devices, drawing our attention to the process of representation. Review by Cristina Ramos González

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Tenderpixel, 8 Cecil Court, London WC2N 4HE

Tropical Hangover

Tropical Hangover, installation view.

In the hot, damp climate of the rainforest, no sooner than an animal or plant dies, it begins to decay, feeding the maggots and soil from which new life grows. The tropics are an uncompromisingly ugly environment. The notion of nature’s immutable beauty is a human construction; one, as Tenderpixel’s group show ‘Tropical Hangover’ reveals, perpetuated by art. Henry Broome reviews

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Haus der Kulturen der Welt, John-Foster-Dulles-Allee 10, 10557 Berlin

alien matter

alien matter, installation view at Haus der Kulturen der Welt, 2017.

The exhibition 'alien matter' aims to examine new relationships between man and machine through the work of thirty artists brought together around four thematic focal points: artificial intelligence, plastics, infrastructure and the internet of things. Review by Anaïs Castro.

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IMT Gallery, 2, 210 Cambridge Heath Rd, London E2 9NQ

you were high when I was doomed

Installation view, you were high when I was doomed, IMT Gallery

The walls of the gallery have been spray painted to resemble some kind of toxic sky, with poisonous greens and billowing hues of black and purple. It creates a trail of changing colours like some kind of Romantic painter’s nightmare, through to its charred end. Review by Theo Turpin

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Emalin, Unit 4 Huntingdon Estate, Bethnal Green Rd, Shoreditch E1 6JU

Condo: Emalin hosting Galerie Gregor Staiger

Installation View, Condo: Emalin hosting Galerie Gregor Staiger

Carolina Mostert responds to a group exhibition at Emalin, as part of the multi-sited project 'Condo'. She finds a series of curious forms layered with myth, history and a variety of technologies.

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Rodeo Gallery, 123 Charing Cross Rd, Soho, London WC2H 0EW

Condo: Rodeo Gallery hosting Supportico Lopez: Franziska Lantz: Expanding Arid Zones

Installation view, Condo: Franziska Lantz, expanding arid zones, Rodeo hosting Supportico Lopez, Rodeo, London, 2017.

In the corridor of Rodeo Gallery’s reception, fragments of material hang in an assemblage of abstracted male and female forms. Lurking silently, the figures observe my arrival. The assemblage is part of a new body of work by Franziska Lantz on show in the first floor gallery space. Laura Mansfield reviews Lantz within the context of 'Condo'.

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Jerwood Solo Presentations 2017

Jerwood Solo Presentation - Anna Bunting-Branch

The second edition of ‘Jerwood Solo Presentations’ showcases three separate, newly commissioned bodies of work. These works, whilst not unified by a curatorial theme, share a political pertinence and urgency, exploring ideas of privacy and visibility, what connects and unites us, and what is imposed to keep us divided. Jessie Bond reviews

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