Viewing articles tagged with 'Group'

Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

3-Phase

Nicola Singh, Sweet Spot, 2017 – installation view. Commissioned for 3-Phase, a partnership between Jerwood Charitable Foundation, WORKPLACE and Eastside Projects.

For this second edition of '3-Phase', artists Larry Achiampong, Mark Essen and Nicola Singh have been selected by an independent panel to develop and present new works through three exhibition moments. Following the first at Jerwood Space, the artists will exhibit at WORKPLACE Gallery in Gateshead and Eastside Projects in Birmingham in 2018. Review by Giulia Ponzano

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Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

States of America

Lee Friedlander, Mt Rushmore, South Dakota, 1969, gelatin-silver print.

Nottingham Contemporary’s ‘States of America’ sweeps across the shifting social and political landscape of the USA between the 1960s and early 1990s, capturing the rise of popular culture and suburbia, declining city centres, the Civil Rights Movement, wealth disparity, urban life and the fading American Dream. Viewed through the lens of seventeen different photographers, we are offered a necessarily prismatic picture of American culture that is particularly compelling given current events. Review by Hannah Newell

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Austrian Cultural Forum, 28 Rutland Gate, Knightsbridge, London SW7 1PQ

Emotion + the Tech(no)body

Emotion + The Tech(no)body, Ulla Rauter

Hosted at the Austrian Cultural Forum, the exhibition brings together works which evoke and unveil emotions dealing with technology as a subject or a tool. The show challenges our cultural attachment to data and the relationship of our bodies to technology, offering points of view on artistic practices that on the one hand bring these notions together, and on the other convey the tension within them. Review by Fiorella Lanni

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Bonner Kunstverein and Artothek, Hochstadenring 22 D-53119 Bonn Germany

The Policeman´s Beard is Half Constructed: Art in the Age of Artificial Intelligence

Installation view, The Policeman's Beard is Half Constructed: Art in the Age of Artificial Intelligence, Bonner Kunstverein 2017

Titled after the first book written by a computer, The Policeman’s Beard is Half Constructed surveys art engaged with the age of artificial intelligence. The exhibition includes both historical and contemporary artworks made between 1961 and 2017. Comprising over 100 works by 36 artists from 14 countries, the exhibition is the largest to be held at the Kunstverein in 30 years.

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Castlefield Gallery, 2 Hewitt Street Manchester, M15 4GB

AND A 123

Aand a 123 installation view

The title for Castlefield Gallery’s exhibition, AND A 123, suggests a pace and a child-like playfulness that is experienced throughout this cohesive group show. Review by Eli Regan

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Kestle Barton, Manaccan, Helston, Cornwall. TR12 6HU

Togetherness: Notes on Outrage curated by South Kiosk

About Togetherness: Notes on Outrage installation view

In a converted Cornish farmstead situated just ten miles from the southernmost point of mainland Britain, a group show, Togetherness: Notes on Outrage, curated by London gallery, South Kiosk, that started out in London in the summer offers a considered response to – and celebration of – architecture critic Ian Nairn’s 1955 edition of Architectural Review, entitled Outrage. Review by Trevor H. Smith

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Various locations, Coventry

Coventry Biennial of Contemporary Art

Bermuda Collective, Alcoholism '65

The walk from the station establishes the context for this first biennial: hoardings and lightboxes promote Coventry’s bid to be the UK’s City of Culture in 2021. In parallel the council has promised ten years of support for cultural growth regardless of the bid’s outcome. For artists and curators in the city, here was an opportunity, not just to take stock of what has recently been achieved, the partnerships already instigated, but to begin plotting the parts they will play in the years to come. Review by Kit Webb

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The Edge, University of Bath, Bath BA2 7AY

Parallel (of Life and) Architecture

The edge parallel (of life and architecture) installation view 1

It would be easy to label Parallel (of Life and) Architecture, currently on show at The Edge gallery, Bath, as part of the growing trend for Brutalist revivalism and fanaticism. But far from a familiar fetishisation of the movement, this is exhibition is ambitious, setting out to engage with the ideas of Alison and Peter Smithson, the husband and wife architectural duo who were central to the development of British Brutalism. Review by Stanley Portus

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15th Istanbul Biennial

a good neighbour: 15th Istanbul Biennial

Wonderland

There’s a certain irony to the theme of this year’s Istanbul Biennial. As Donald Trump promises to build a wall between the US and Mexico, Kim Jong-Un fires missiles over Japan, and Teresa May negotiates Brexit, the title, ‘a good neighbour’ seems, well…laughable. Yet, when the curators - Danish artist duo, Elmgreen and Dragset - initially set the subject of the exhibition, how were they to know that this worthy attempt at exploring our universal endeavour to establish a sense of place, would be so timely? Review by Wilhemina Madeley

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The Miller’s House, Three Mill Lane, London E3 3DU

Changing Places

Changing Places at the House Mill - Residue by Desire Machine Collective.

‘Changing Places’ is a touring exhibition of recent film and video work from South Asia. Curated by Mariam Zulfiqhar and Film and Video Umbrella, the show has been supported by the Canal and River Trust and is being shown in heritage buildings and sites along its network across England. The intention of this in the 70th anniversary of the end of British rule in India is to make a link between sites in the UK that developed through imperial trade and the contemporary experience of South Asian artists in order to reflect upon the legacy of colonialism and globalisation. Review by Piers Masterson

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Tate Modern, Bankside, London SE1 9TG

Soul of a Nation: Art in the Age of Black Power

Faith Ringgold, America People #20 Die

Covering the period 1963 to 1983 the choice of theme for ‘Soul of a Nation: Art in the Age of Black Power’ is a timely move, bringing together a disparate selection of work around the theme of artistic responses to the American civil rights and Black Power movements, and the specific experiences of artists as activists for or from the African-American community. Review by Piers Masterson

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David Roberts Art Foundation, Symes Mews, London NW1 7JE

(X) A Fantasy

Installation view of (X) A Fantasy at DRAF, 2017

‘(X) A Fantasy’ is David Roberts Art Foundation’s 10th year anniversary exhibition, its final in the current Camden space. The show brings together twenty-five paintings, photographs, friezes, sculptures, installations and videos by close to twenty artists. Series are rife, their repetitions and alterations mirroring the mechanisms of fantasies. Review by Edmée Lepercq

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KELDER, Basement of Mercer & Co., 26A Chapel Market, London N1 9EN

I Want My Ideal Paste

Col Self & Body Drift, BLK Vapour Purity Ritual, 2017

‘I Want My Ideal Paste’ takes the viscous semi-state of slime as its focus, bringing together artists, practitioners, youth workers and filmmakers to investigate the potentials held in all things that creep, shudder, stretch and burst. Review by Freddie Mason

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Folkestone Triennial, various locations

Folkestone Triennial

Bob and Roberta Smith, FOLKESTONE IS AN ART SCHOOL.

Folkestone Triennial is a story within a story. It beckons the visitor to open the book of Folkestone with its historical tales of Roman Villas, bustling ports, French connections and abandoned trade routes. Beyond chapters of the past, it's also a place actively grappling with its identity and future. Review by Jillian Knipe

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