CFCCA, Market Buildings, 13 Thomas Street, Manchester M4 1EU
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Clemens Wilhelm engages with the game of fakes, copies and mechanical reproductions that is making society increasing synthetic. The exhibition is reviewed by Dominika Mackiewicz.
Tintype Project Space, 107 Essex Road, London N1 2SL
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The Book of Exodus; sixteenth century triumphal processions; shamanism and medieval frescoes are all chewed up and spat out in the artist’s own, distinctive visual language. Holly Slingsby's Behind the Curtain is reviewed by Helena Haimes.
Austrian Cultural Forum London, 28 Rutland Gate, London SW7 1PQ
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In Oliver Laric's exhibition, Google is practice. His work addresses and operates through the mechanisms of contemporary image circulation, limitless reproduction included. Review by Debra Lennard
Whitechapel Gallery, 77-82 Whitechapel High St, London E1 7QX
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A mass of small children holding placards and voicing aspects of their lives they want to change: Cathy Wade reviews Peter Liversidge's Notes on Protesting.
Thkio Ppalies Artist-led Project Space, 2B Kissamou Palouriotissa, Nicosia 1040, Cyprus
Phanos Kyriacou presents a collection of videos at recently-opened Thkio Ppalies Artist-led Project Space in Cyprus which expose his methodology as an artist and thinker.
Bosse & Baum, Copeland Park Industrial Estate, 133 Copeland Road, Peckham, SE15 3SN
Chloe Dewe Mathews presents ‘Congregation’, a video installation exploring collective religious experience - specifically, the nature of expressive worship in south London’s African churches.
The Hepworth Wakefield, Gallery Walk Wakefield, West Yorkshire WF1 5AW
The survey of Benglis’ work at The Hepworth Wakefield has material process at its core and charts her career through New York, New Mexico, Ahmedabad in India and Kastellorizo in Greece. Review by Rebecca Senior
The Tetley, Hunslet Road, Leeds LS10 1JQ
Whilst we have become accustomed to the idea of painting masked as sculpture or made through performance, the current exhibition at The Tetley investigates the relationship between time and contemporary painting, staking a claim for painting as a time-based medium. Review by Matthew Hearn
LONG MUSEUM, No.210, Lane 2255, Luoshan Road, Shanghai.
On the occasion of the first anniversary of its inauguration, the Long Museum (West Bund Branch) will host the grand opening of Xu Zhen Solo Exhibition on March 28, 2015. Xu Zhen is an iconic, leading figure within the realm of contemporary Chinese art, and moreover he is the most sought-after international contemporary artist currently. Surveying art ancient and new, the artist marshals Chinese and Western cultures and fuses the quintessence of both. Through his meticulous treatment and distinctive integration of global knowledge and information, he generates an infinite degree of creativity.
Chisenhale Gallery, 64 Chisenhale Road, London E3
David Price responds to Happy Together: Collaborators Collaborating. Taking the form of an opening event, a filmed central discussion event, and finally the presentation of the film which forms an exhibition, the project does not lend itself to straightforward explanations.
Centrala, Unit 4 Minerva Works, 158 Fazeley Street, B5 5RT Birmingham and Redbridge Central Library, Clements Road, Ilford, Essex IG1 1EA
An unexpected collision between art and life occurred when artists They Are Here, recognised a classified advert as a poetic act: a work fully formed and awaiting a response. Cathy Wade reviews.
narrative projects, 110 New Cavendish Street London, Fitzrovia W1W 6XR
Turning a critical yet humorous eye to her own Russian culture, Taus Makhacheva presents a series of sculptural and film works at Narrative Projects exploring language and history. Review by Katherine Jackson.
DRAWING ROOM, Tannery Arts, 12 Rich Estate, Crimscott Street London SE1 5TE
DE. FI. CIEN. CY examines a shared concern with the failure, or the ‘deficiency’, of pictorial representation.
