Fondazione Prada, Largo Isarco, 2, 20139 Milano MI, Italy
Lizzie Fitch and Ryan Trecartin’s new commission at Fondazione Prada is a trip in hyper-reality through means of immersive installations and role-play video performances. The multimedia exhibition unfolds as a journey into different physical and psychosocial spaces - from Milan to the core of contemporary (American) culture, via Ohio’s countryside. Review by Giulia Civardi
Pirelli HangarBicocca, Milan, Via Chiese, 2, 20126 Milano MI, Italy
Curated by Vicente Todolí, Pirelli HangarBicocca Milan is currently presenting the iconic Igloos of Mario Merz (1925–2003) - a key figure of Arte Povera, and considered to be one of the most important post-war Italian artists; the exhibition brings together his most iconic oeuvre of work, the igloos, which date from 1968 until the end of the artist’s life. Review by Paul Black
Renata Fabbri Gallery, Milan
In her text "Perhaps cultivating touch can still save us" Luce Irigaray proposes a contraposition between sight and touch...
Gió Marconi, Via Alessandro Tadino, 20, 20124 Milano
iPhones, cameras, computers, consumer-grade Epson printers… American artist Wade Guyton’s practice surrounds the digital universe of our daily lives. Guyton’s process-based approach consists of an apparently simple method, focused on an authorial use of technology. The limitations of a large-format Epson UltraChrome inkjet printer create stutters and miss-fires on his large-scale canvases challenging the notions of painting and photography. Review by Marialuisa Pastò
La Triennale di Milano, Viale Alemagna 6, 20121 Milano
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‘Maybe Metafisica’, Marc Camille Chaimowicz’s solo show at the Triennale di Milano, is an encounter between Milan’s institutional and historical context on one hand and the circularity defining the artist’s long-standing practice on the other. Review by Bianca Baroni.
Tile Project Space, Via Garian 64, Corner Viale Misurata, Milan
In her solo show at TILE Project Space Lucia Leuci reflects on the construction of identity during childhood and within the parental model. 'Bad mothers and creole kids' is a mise en scène of social behaviours through the construction of a incubator - a symbolic place where different experiences can live together without dominating each other.
kaufmann repetto, Via Di Porta Tenaglia 7 20121, Milan
For her third solo show at kaufmann repetto, Judith Hopf presents a new body of work including sculptures, installations and a four-minute video animation.
Fondazione HangarBicocca, Via Chiese 2, 20126 Milano
These are not sculptures to be stumbled upon in a shoddily lit corner of a labyrinthine museum; these figures must be spied from afar, wondered about, then investigated. Review by Rich Thornton
Giò Marconi, Via Tadino 20, I-20124 Milan
To celebrate their new gallery space and its twenty fifth year of business, Giò Marconi has designed a group exhibition showcasing works by twenty-seven of its own artists. Review by Marialuisa Pastò
Lisson Gallery, Via Zenale, 3 Milan
There is a glaring sense of order in German artist Jorinde Voigt’s works; a sober elegancy that permeates all of her drawings. Review by Marialuisa Pastò
