Viewing articles tagged with 'Installation'

Bonington Building, Nottingham Trent University, Dryden St, Nottingham NG1 4GG, UK

Sara MacKillop: One Room Living

One Room Living, installation view

One Room Living presents a series of works and interactions that reference the wide variety of spatial uses that directly surround Bonington Gallery – analysing not only the gallery’s site and situation, but also how the wider institution’s function is represented across a multitude of spaces.

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Plymouth Arts Centre, Peninsula Arts, KARST, Plymouth College of Art, The Council House, Plymouth

We The People Are The Work

More Than A Pony Show, Matt Stokes.

A partnership between Plymouth’s major visual arts venues, 'We The People Are The Work' is comprised of five new commissions installed across the city. With each involving varying degrees of collaboration with the city’s inhabitants, at the core of the work is how each artist navigates the complexities of ‘social engagement’. Review by Rowan Lear

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Bergen Kunsthall, Rasmus Meyers allé 5, 5015 Bergen, Norway

Magali Reus: Hot Cottons

Hot Cottons, Installation view

Hot Cottons is Dutch artist Magali Reus’ first solo exhibition in Scandinavia, and her largest solo exhibition to date. The artist creates sculptural objects that are seemingly recognizable, often appropriating the symbolism of ordinary objects from our immediate surroundings. Throughout, there is a flourish of mechanisation relocated to the hand-touched. The result is objects that appear with an unclear, unsteady identity; between the commonplace and the hyper real.

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The Rotunda, Memphis Brooks Museum of Art, 1934 Poplar Ave, Memphis, TN 38104, USA

Lisa Hoke: Pie In The Sky

Pie In The Sky, installation view

The Memphis Brooks Museum of Art is proud to present New York-based sculptor Lisa Hoke as the third artist in the museum’s Rotunda Projects series. Her installation Pie in the Sky, designed especially for the Brooks’ rotunda, will be completed Wednesday, October 25. Museum visitors are invited to watch Hoke create this dazzlingly colourful and richly textural abstract installation—of plastic cups, cardboard boxes, paper flyers, drink cartons, and molded Styrofoam, all suspended from the rotunda’s dome

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Peles Empire, Karl-Marx-Straße 58, 12043 Berlin, Germany

Shannon Bool: Cathedral/Castle

Installation view

At Peles Empire, Berlin, Shannon Bool’s works address the power of visual representation and manages to challenge authority by means of re-appropriation and exposure to forms once more unfamiliar. Review by Joan Lee

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Austrian Cultural Forum, 28 Rutland Gate, Knightsbridge, London SW7 1PQ

Emotion + the Tech(no)body

Emotion + The Tech(no)body, Ulla Rauter

Hosted at the Austrian Cultural Forum, the exhibition brings together works which evoke and unveil emotions dealing with technology as a subject or a tool. The show challenges our cultural attachment to data and the relationship of our bodies to technology, offering points of view on artistic practices that on the one hand bring these notions together, and on the other convey the tension within them. Review by Fiorella Lanni

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Gasworks, 155 Vauxhall Street, London SE11 5RH

Zach Blas: Contra-Internet

Zach Blas, Jubilee 2033, film still, 2017. Commissioned by Gasworks; Art in General, New York; and MU, Eindhoven.

The prefix, ‘contra-’ designates the oppositional, the illicit. The title of Zach Blas’ show, ‘Contra-Internet’ then, affirms the internet as the hegemonic network, the principal arena of political control where social possibility is dictated, mediated and constrained. ‘Contra-Internet’ asks: how can we think beyond or outside the internet? What happens when the internet dies? Review by Alex Bennett

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Division Gallery, 45 Ernest Ave, Toronto, ON M6P 3M7

Nicolas Baier: Asterisms

Vanité (bureau astro)

Division Gallery is pleased to announce Asterisms, an exhibition of new works by acclaimed Quebec artist Nicolas Baier. His past work consisted of a self-reflexive examination of the camera’s possibilities, focusing on the medium’s transformation in the digital age. Baier’s experimentation compelled us to pay attention to the perspectival changes engendered by photography: how the technology alters both the Real and our direct reality.

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Bonner Kunstverein and Artothek, Hochstadenring 22 D-53119 Bonn Germany

The Policeman´s Beard is Half Constructed: Art in the Age of Artificial Intelligence

Installation view, The Policeman's Beard is Half Constructed: Art in the Age of Artificial Intelligence, Bonner Kunstverein 2017

Titled after the first book written by a computer, The Policeman’s Beard is Half Constructed surveys art engaged with the age of artificial intelligence. The exhibition includes both historical and contemporary artworks made between 1961 and 2017. Comprising over 100 works by 36 artists from 14 countries, the exhibition is the largest to be held at the Kunstverein in 30 years.

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Index, The Swedish Contemporary Art Foundation, Kungsbrostrand 19 11226 Stockholm

Beth Laurin: Provisorium

As its title, Beth Laurin: Provisorium, suggests, this exhibition functions as a provisional retrospective, the contents of which have settled, but are not yet final. The word provisorium also has a more everyday meaning in Swedish as ‘makeshift’. This word falls short of the fine delicacy with which much of Laurin’s work is realized, but does perhaps account for the way that the work meshes together the everyday life and environments in which she lives and works. Review by David Price

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Museum Boijmans Van Beuningen, Museumpak 18, 3015 CX, Rotterdam, Netherlands

Academy of Tal R

Academy of Tal R, Installation view

Academy of Tal R offers the first in-depth exploration into the artistic journey of one of the most visually exciting painters of our time. Featuring roughly 170 works, consisting of new pieces made especially for this exhibition and work spanning the past twenty years, this mid-career retrospective is the largest survey of his oeuvre to date. Academy of Tal R highlights how, from the outset, the artist has been a storyteller with a special eye for the overlooked, hidden and repressed spaces of modern life.

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Kestle Barton, Manaccan, Helston, Cornwall. TR12 6HU

Togetherness: Notes on Outrage curated by South Kiosk

About Togetherness: Notes on Outrage installation view

In a converted Cornish farmstead situated just ten miles from the southernmost point of mainland Britain, a group show, Togetherness: Notes on Outrage, curated by London gallery, South Kiosk, that started out in London in the summer offers a considered response to – and celebration of – architecture critic Ian Nairn’s 1955 edition of Architectural Review, entitled Outrage. Review by Trevor H. Smith

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Various locations, Coventry

Coventry Biennial of Contemporary Art

Bermuda Collective, Alcoholism '65

The walk from the station establishes the context for this first biennial: hoardings and lightboxes promote Coventry’s bid to be the UK’s City of Culture in 2021. In parallel the council has promised ten years of support for cultural growth regardless of the bid’s outcome. For artists and curators in the city, here was an opportunity, not just to take stock of what has recently been achieved, the partnerships already instigated, but to begin plotting the parts they will play in the years to come. Review by Kit Webb

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University of Brighton Gallery, 154-155 Edward Street, Brighton BN2 0JG

Natasha Caruana: Timely Tale

Natasha Caruana, from the series, Timely Tale, 2017

Based on the theme of excess, ‘Timely Tale’ invites the audience into the private world of the artist’s mother, Penny. Caruana examines the difficulties of her mother’s life, as she deals with decisions regarding her health, her love of expensive designer clothes and the search for ‘Mr Right’. Review by Fiorella Lanni

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