Marian Goodman Gallery, 24 West 57th Street, New York, NY 10019
At a time when populations, cultures and the environment are fighting to resist conservative thinking and political assault, Sunset Décor puts into perspective the instrumentalization, now as then, of nature, the individual and the land for the production of a symbolic order in the name of freedom, civilization and democracy.
Lodos gallery, García Icazbalceta #30, Colonia San Rafael Mexico City, Mx. 06470
Lodos presents Korakrit Arunanondchai's first exhibition in Mexico and Latin America. The show features a single piece installation which houses his recent video 'Painting with History in a Room Filled With People With Funny Names 3.'
Carlos/Ishikawa, Unit 4, 88 Mile End Road, London, E1 4UN
The lighting, music and layout are such key parts of Richard Sides' work that 'Invisible World' is an exhibition to experience rather than see. João Abbott-Gribben reviews Sides' solo show at Carlos/Ishikawa gallery in London.
South London Gallery, 65-67 Peckham Rd, London SE5 8UH
Whether affixed to other structures or lolling on the floor, Dean's oversized, weighty and flaccid things convey the muscular effort of communication, pushing forward an idea of language as material process and bodily struggle. They return, heaped on the floor, in ‘Sic Glyphs’, an exhibition of new work by Dean currently on display in the South London Gallery, an exhibition for which the artist has been nominated for the Turner Prize. Luke Naessens reviews
Museum of Contemporary Art San Diego (MCASD), 700 Prospect St, La Jolla, CA 92037, United States
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The Museum of Contemporary Art San Diego (MCASD) fills its Downtown location with works by artist Do Ho Suh, featuring large-scale architectural installations, sculptures, works on paper and video. Operating within a distinctly twenty-first century global mode, Suh crafts evocative works that reflect ideas of home, identity, and personal space.
CHEWDAY’S Ltd, 139 Lambeth Walk, London, SE11 6EE
Less interested in a prescriptive rhetoric on consumer culture than exploring how the poetic and the personal can be addressed under contemporary conditions, Beveridge sits on the line between ambivalence and celebration – investigating a fascination between the lure of consumer images and objects and the values that they preserve and perpetuate.
MOCA, 250 South Grand Avenue, Los Angeles, CA 90012
In this Vertovian factory of pure light, our bodies kill, are killed, respawn, fight, pop, lock, and boogie. Review by Hyunjee Nicole Kim
Stuart Shave/Modern Art, 4-8 Helmet Row, London EC1V 3QJ
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'Thames Water' continues Deshayes' idiosyncratic use of industrial materials and processes by positioning cast iron sculptures that function as radiators around the perimeter of the gallery. Review by William Rees
Petzel Gallery, 456 W 18th Street, New York 10011
Regularly describing his own work as a form of fan art, Simon Denny’s practice revolves around new technology narratives: from Kim Dotcom to the NSA. In ‘Blockchain Future States’, he takes on the enigmatic Satoshi Nakamoto as his subject. Review by William Rees
Hauser & Wirth, 23 Savile Row, London W1S 2ET
Piers Masterson reviews Mike Kelley's large-scale installation at Hauser & Wirth, exploring issues surrounding the reproduction and dissemination of cultural heritage.
Public Exhibitions, Black Gates, Hassard Street, London, E2 7RD
Public Exhibitions proudly presents a physical solo show and an online exhibition by Kitty Clark, curated by Valentina Fois.
H.M.Klosterfelde Edition, Berlin
In their first joint solo exhibition, artists Cécile B. Evans and Yuri Pattison revisit the Eames’ legendary collaboration with the computer company IBM.
BALTIC Centre for Contemporary Art, South Shore Road, Gateshead NE8 3BA
The BALTIC Artists’ Award is a clear attempt to combat some of the issues associated with prize exhibitions through a format that provides an actual and equal opportunity for four artists to develop and showcase significant new bodies of work. The award has no limit on age or nationality, is selected by some of the world’s leading contemporary artists (who also mentor the shortlisted artists) and has no ‘winners’ or ‘losers,’ with prize money (totalling £30,000 per artist) shared equally amongst the four. Review by Amy Jones
