Viewing articles tagged with 'Performance'

Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

Still I Rise: Feminisms, Gender, Resistance

Installation view of Still I Rise: Feminisms, Gender, Resistance, Oct 2018 - Jan 2019, Nottingham Contemporary.

‘Still I Rise: Feminisms, Gender, Resistance’ is the first act of an exhibition showing a kind of history of resistance through the means of feminisms and intersectional queer thinking. The curators started to build the exhibition as an idea two years ago. Then, we didn’t have #metoo and #timesup, Trump wasn’t yet the POTUS, women’s marches weren’t so much in the news ... Review by Gulnaz Can

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LADA

LADA Screens - Instant Dissidence

Instant Dissidence/Rita Marcalo’s One Last Dance – An Chéad Damhsa, a perambulating dance taking place between Guildford (the place Rita lived in when she arrived in the UK as an Erasmus student in 1994) and Cloughjordan (the rural Irish village that she is moving to post-Brexit).

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Survey

Installation View of Survey at Jerwood Space, London, 3 October - 16 December 2018.

An assembly of work from fifteen early career artists who have been nominated from across the UK, ‘Survey’ is an exhibition comprising a wide range of disciplines. From film, performance and drawing, to painting, ceramics and installation, it gives rising voices within the sector the opportunity to stand out and stand up. Review by Alexandra Gamrot

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Kettle’s Yard, University of Cambridge, Castle Street, Cambridge CB3 0AQ

fig-futures, WEEK 1 / EVA ROTHSCHILD + JOE MORAN

Eva Rothschild & Joe Moran, A Setup, 2018. fig-futures at Kettle's Yard, University of Cambridge.

In tight financial times, it is good to see this kind of generous programming, and the more concentrated format’s strength lies most especially in its potential for more intense, focused conversations between artists, artworks and disciplines as well as the opportunities for experimentation that such a short run provides. Review by Clare Robson

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LADA

LADA Screens - Nicola Fornoni

Selected as part of the 2018 LADA Screens Open Call, “Overshoot Day” is a film shot in vast marble quarry, featuring artist Nicola Fornoni using his mouth to keep a glass with a drop of water in it raised in the air for an hour and a half.

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Chisenhale Gallery, 64 Chisenhale Rd, London E3 5QZ

Paul Maheke: A fire circle for a public hearing

Paul Maheke, A place you only go through (2018). Produced by Chisenhale Gallery, London. Commissioned by Chisenhale Gallery and Vleeshal Center for Contemporary Art, Middelburg

When A Fire Circle For A Public Hearing opened at Chisenhale Gallery last April, it was quite frustrating to learn that Paul Maheke was not going to perform live for the whole duration of the exhibition. Despite being completely absent from the stage, Maheke’s body is still present through a video work that plays on a continuous loop. Review by Fiorella Lanni

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Turf Projects, 46-47 Trinity Court Whitgift Centre, Croydon CR0 1UQ

LOW BATT.

LOW BATT. installation view

The exhibition’s text opens with a quote from the film Dawn of the Dead, where a group of survivors find refuge from the zombie apocalypse in a shopping mall. The exhibition seeks to problematize our reliance on technology and looks for alternative forms of survival, asking ‘What tools might expedite shopping mall survivalism?’ For Turf projects, who are being evicted from this space at the Whitgift at the end of the year to make way for a shiny new Westfield, the question of survival has never been more urgent. Review by Amy Jones

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The Tetley, Hunslet Rd, Leeds LS10 1JQ

Material Environments

Material Environments installation view

Inspired by Yorkshire’s cult status as a UFO hotspot, Serena Korda has created a new immersive and raw sound work, ‘Clairaudience’ (2018). Korda’s research process is mapped across three galleries. Review by Jack Welsh

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Barbican Centre, Silk St, London EC2Y 8DS

Yto Barrada: Agadir

Yto Barrada: Agadir, Installation View with performers Nick Armfield, Rory Francis, Tallulah Bond and Jonny Lavelle, Yto Barrada: Agadir, Installation View, The Curve, Barbican Centre, 7 February - 20 May 2018

Commissioned by the Barbican as part of the ‘Art of Change’ programme, Moroccan-born artist Yto Barrada has taken over the Curve gallery with a display of loss, separation and re-emergence. Referencing the novel ‘Agadir’ by Mohammed Khaïr Eddine, the artist reworks the spinal layout of the gallery as a fragmented timeline. Using photography, film, performance and collage, Barrada guides us through a history of colonialism, political subversion and the failure of a Modernist architectural utopia, all wrapped up in an event – an earthquake – that all but destroyed the city in fifteen seconds in 1960. Review by Rosanna van Mierlo

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