Viewing articles tagged with 'Performance'

In Between Time, Knowle West Media Centre and surrounding area, Leinster Avenue, Bristol BS4 1NL

Mammalian Diving Reflex: Nightwalks with Teenagers

Nightwalks with Teenagers

In the first of two reviews of Bristol's In Between Time festival, Bob Gelsthorpe reviews Nightwalks with Teenagers by Canadian artists Mammalian Diving Reflex on his own terms.

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Workplace Gallery, The Old Post Office 19/21 West Street, Gateshead NE8 1AD

EXHIBITION

EXHIBITION, installation view at Workplace Gallery (2015)

EXHIBITION delves into the structures, exchanges and mechanisms that manifest in the gallery space, and refreshingly, the main recourse is not bloated theory, but humour. Review by Thomas Hopkin

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Carroll / Fletcher, 56 - 57 Eastcastle St, London W1W 8EQ

Helen Carmel Benigson: Anxious, Stressful, Insomnia Fat

Installation view, Anxious, Stressful, Insomnia Fat

Benigson's exhibition is an investigation into a paranoid state of mind bordering on hysteria. It's a condition that contemporary culture offers to its women and traps them within. 'Anxious, Stressful, Insomnia Fat' is reviewed by Beverley Knowles.

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Matt's Gallery, 42-44 Copperfield Road, London, E3 4RR

REVOLVER II, Part Three: Perform

Patrick Goddard, Free Radicals (2013).

It’s the final leg of Revolver II at Matt's Gallery, with work by Patrick Goddard, Jaki Irvine and Lucia Nogueira in the galleries and Craig Barnes' ‘Centre for Remote Possibilities’ streaming worldwide. Review by Beverley Knowles.

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MoMA PS1, 22-25 Jackson Avenue, Long Island City, NY

Xavier Le Roy: Retrospective

Retrospective by Xavier Le Roy

Le Roy’s choreography can seem at once elegant and weighted, elevated and foolish, and in this context they enclose their spectators within an active and dynamic aura. Review by Gemma Sharpe

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Hayward Gallery, Southbank Centre, Belvedere Road, London, SE1 8XX

MIRRORCITY

Installation view, 'MIRRORCITY' at Hayward Gallery 2014

MIRRORCITY shows recent work and new commissions by key emerging and established artists working in the capital today. These artists seek to address the challenges, conditions and consequences of living in a digital age. Review by Karl Musson.

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Ronchini Gallery, 22 Dering Street, London, W1S 1AN

All That Matters Is What’s Left Behind

Installation view, 'All That Matters Is What's Left Behind, Ronchini Gallery, 2014

All That Matters Is What’s Left Behind explores the act of the artist ‘leaving their mark’ as a work of art. Encompassing performative gestures, these works are neither final nor complete and instead focus on the process of painting or sculpture alongside the completed art form. Review by Louisa Lee.

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Festival Hub @ The Edge, 79–81 Cheapside, Birmingham B12 0QH

Fierce Festival, Club Fierce: Algorave

Club Fierce: Algorave

Club Fierce: Algorave re-casts the dancefloor as a series of performative acts via a human glitter ball and live coding. Cathy Wade reviews this Fierce Festival Late.

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