Viewing articles tagged with 'Performance'

Glenfeshie, Cairngorms National Park

Simone Kenyon: Into the Mountain

 Mountain: Into The Mountain

High in the Cairngorm Mountains, a remarkable artwork was performed over four days. ‘Into the Mountain’ is a unique response to ‘The Living Mountain’ (1977) by Nan Shepherd, a lyrical text describing a sensuous exploration of the Cairngorms. Through a rich fusion of dance, music, literature and walking, the performances invited audiences to explore more-than human connections with mountain environments and ecologies. Review by Anna Fleming

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17-19 Triton Street, Regents Place

CLIMATE: CHANGING OUR CULTURE, RESTORING OUR ENVIRONMENT

PANEL: Sol Bailey-Barker, Nissa Nishikawa, Daniel Hudson, Extinction Rebellion & Colin Tudge. Chaired by Gabriella Sonabend. A panel discussion organised as part of exhibition 'Sisyphus in Retrograde' at 17-19 Triton Street, Regents Place, London until May 4th 2019.

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LADA

LADA Screens: Katherine Araniello

A compilation of greatest hits by the extraordinary artist Katherine Araniello who died in February 2019. Katherine’s work used performance, video and subversive humour in response to the mundane, social awkwardness and the negative representation of disability.

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Kadist, 19bis/21 rue des Trois Frères, Paris, 75018, France

Affective Utopia

Reynier Leyva Novo, A Thousand and One Times Revolution, 2009-2018, exhibition view Affective Utopia, KADIST, Paris.

Imagining utopia seems to have become the principal task of artists as of late, any speculative, social practice is quickly branded as such. So much so that the title of Kadist’s latest exhibition ‘Affective Utopia’ almost washes past unnoticed. Review by Jessica Saxby

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Richard Saltoun Gallery, 41 Dover St, Mayfair, London W1S 4NS

Rose English: Form, Feminisms, Femininities

Rose English, Plato's Chair, Vancouver, 1983, Gelatin silver print, 69 x 69 cm

Two lovers lie in bed sleeping. Their duvet is a ploughed field, fabric folds replaced with the undulating peaks and troughs of soil furrows. An air of the uncanny pervades ‘Bed in Field’ (1971), a series of photographs of British performance artist Rose English and her partner of the time tucked into a pastoral landscape. Review by Lotte Johnson

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The Fabric Workshop and Museum, 1214 Arch Street, Philadelphia, PA 19107

Suzanne Bocanegra: Poorly Watched Girls

Suzanne Bocanegra, Lemonade, Roses, Satchel (video still), 2017. 3:38 mins. Music by Shara Nova.

Laura Mulvey is best known for her essay describing the phenomenon of the 'male gaze,' where the act of looking in visual media is coded as male, or specifically for heterosexual male viewers, leaving women as passive objects that are meant to be looked at and desired. While not directly referencing Mulvey, Suzanne Bocanegra investigates this concept of women as the target of the gaze in 'Poorly Watched Girls,' using multiple media to question whether the performance of watching women can ever truly be enough to understand them as subjects in their own right. Review by Deborah Krieger

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Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

Still I Rise: Feminisms, Gender, Resistance

Installation view of Still I Rise: Feminisms, Gender, Resistance, Oct 2018 - Jan 2019, Nottingham Contemporary.

‘Still I Rise: Feminisms, Gender, Resistance’ is the first act of an exhibition showing a kind of history of resistance through the means of feminisms and intersectional queer thinking. The curators started to build the exhibition as an idea two years ago. Then, we didn’t have #metoo and #timesup, Trump wasn’t yet the POTUS, women’s marches weren’t so much in the news ... Review by Gulnaz Can

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LADA

LADA Screens - Instant Dissidence

Instant Dissidence/Rita Marcalo’s One Last Dance – An Chéad Damhsa, a perambulating dance taking place between Guildford (the place Rita lived in when she arrived in the UK as an Erasmus student in 1994) and Cloughjordan (the rural Irish village that she is moving to post-Brexit).

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Survey

Installation View of Survey at Jerwood Space, London, 3 October - 16 December 2018.

An assembly of work from fifteen early career artists who have been nominated from across the UK, ‘Survey’ is an exhibition comprising a wide range of disciplines. From film, performance and drawing, to painting, ceramics and installation, it gives rising voices within the sector the opportunity to stand out and stand up. Review by Alexandra Gamrot

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Kettle’s Yard, University of Cambridge, Castle Street, Cambridge CB3 0AQ

fig-futures, WEEK 1 / EVA ROTHSCHILD + JOE MORAN

Eva Rothschild & Joe Moran, A Setup, 2018. fig-futures at Kettle's Yard, University of Cambridge.

In tight financial times, it is good to see this kind of generous programming, and the more concentrated format’s strength lies most especially in its potential for more intense, focused conversations between artists, artworks and disciplines as well as the opportunities for experimentation that such a short run provides. Review by Clare Robson

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LADA

LADA Screens - Nicola Fornoni

Selected as part of the 2018 LADA Screens Open Call, “Overshoot Day” is a film shot in vast marble quarry, featuring artist Nicola Fornoni using his mouth to keep a glass with a drop of water in it raised in the air for an hour and a half.

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