Viewing articles tagged with 'Performance'
White Cube Bermondsey, 144 – 152 Bermondsey Street, London SE1 3TQ
In this major solo show, Christian Marclay’s intention is to close the gaps between moments of looking and listening, or indeed being looked at or listened to. The exhibition is reviewed by Joseph Constable.
Art Gallery of Ontario, 317 Dundas Street West, Toronto, Ontario, Canada M5T 1G4
‘Introducing Suzy Lake’ is the first large-scale exhibition to comprehensively address the influential artistic production of the American-Canadian artist Suzy Lake, whose early investigations were at the frontline vein of feminism in art. Review by Sam Ackerley
Primary, 33 Seely Road, Nottingham NG7 1NU
'Cynthia is mute. The look of concern constantly on her face is accentuated by thick, raised eyebrows and vibrant blue eye shadow'. Emma Moore reflects on Shana Moulton's recent residency at Primary, Nottingham.
The James Gallery, The Graduate Center, CUNY 365 5th Avenue New York, NY 10016 | e-flux 311 East Broadway New York, NY 10002
Saturated with intense thoughts and concepts, the exhibition explores the present social and political reality of the situation in Russia, haunted by specters of its communist past. Review by Laura Herman
In Between Time, Arnolfini, 16 Narrow Quay, Bristol, BS1 4QA
Anneka French reviews (M)imosa/Twenty Looks or Paris is Burning at the Judson Church (M) in our second review from In Between Time, Bristol. Her response to the performance is a personal one, exploring constructions and projections of identity.
In Between Time, Knowle West Media Centre and surrounding area, Leinster Avenue, Bristol BS4 1NL
In the first of two reviews of Bristol's In Between Time festival, Bob Gelsthorpe reviews Nightwalks with Teenagers by Canadian artists Mammalian Diving Reflex on his own terms.
Carroll / Fletcher, 56 - 57 Eastcastle St, London W1W 8EQ
Benigson's exhibition is an investigation into a paranoid state of mind bordering on hysteria. It's a condition that contemporary culture offers to its women and traps them within. 'Anxious, Stressful, Insomnia Fat' is reviewed by Beverley Knowles.
Matt's Gallery, 42-44 Copperfield Road, London, E3 4RR
It’s the final leg of Revolver II at Matt's Gallery, with work by Patrick Goddard, Jaki Irvine and Lucia Nogueira in the galleries and Craig Barnes' ‘Centre for Remote Possibilities’ streaming worldwide. Review by Beverley Knowles.
Hayward Gallery, Southbank Centre, Belvedere Road, London, SE1 8XX
MIRRORCITY shows recent work and new commissions by key emerging and established artists working in the capital today. These artists seek to address the challenges, conditions and consequences of living in a digital age. Review by Karl Musson.