Viewing articles tagged with 'Performance'

Barbican Centre, Silk St, London EC2Y 8DS

Trajal Harrell: Hoochie Koochie, A performance exhibition

The Return of La Argentina, Trajal Harrell: Hoochie Koochie, A performance exhibition, Barbican Art Gallery, London

Enter into the Barbican’s gallery space, and an audience is huddled around a trio of young male dancers in loose, draped clothing, shuffling on tiptoe and making gentle reaching arm movements. Evie Ward reviews Trajal Harrell: Hoochie Koochie, A performance exhibition.

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Barbican, Silk St, London EC2Y 8DS

Eddie Peake: The Forever Loop

 Eddie Peake: The Forever Loop 9 October 2015 - 10 January 2016

The spine of the exhibition is ‘Revolution’ - a 30-minute video displayed on five monitors throughout the gallery and accompanied by a live choreographed performance. This mash up of dancers in a studio performing strong, synchronised choreography, Kool FM DJs jamming to Drum & Bass and Peake family home videos dictates the throbbing, erratic rhythm that permeates the space. Review by Alex Borkowski

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LADA

LADA Screens: Neil Bartlett

Lada screens neil bartlett

A Vision of Love Revealed in Sleep is Neil Bartlett's one-man homage to the pre-Raphaelite painter Simeon Solomon originally made in 1987 and re-performed at Tate Britain as part of the Queer British Art exhibition in July 2017.

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Rhubaba Gallery and Studios, 25 Arthur St, Edinburgh, EH6 5DA

You hardboiled     I softboiled

Installation view, You hardboiled I softboiled, Rhubaba Gallery and Studios, 2017 (Valerie Norris, Music for Intelligent Young Ladies (2013), and, bedroom furniture (2013)).

In this intriguingly titled and intimately composed exhibition, ideas of how love and its stories might be practiced, sought and appropriated move between the published page and spoken word, and are heard through sound and audio. Love is also framed within filmed moments and presented in painted gestures; it is seen in close proximity and recognised across vast distances. The love stories described here are sensed in places, portraits, correspondences and spectres. Review by Alex Hetherington

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Manchester International Festival, various venues

Manchester International Festival

What is the City but the People launch event for Manchester International Festival.

Incorporating a programme of music, dance, theatre and contemporary art, Manchester International Festival is expansive. With daily broadcasts by BBC 6 Music’s Radcliffe and Maconie and regular email updates on what to do at MIF landing in my inbox, it can be difficult to find one’s own way into and through the programme beyond the mediated story of the festival with its pervasive marketing and slick imagery. Yet perhaps this very mediation provides an additional facet to the theme of storytelling that seems to echo throughout MIF’s varied programme. Laura Mansfield reviews

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Helper Projects, 495 Rogers Avenue, Brooklyn, NY 11225

Bonded Warehouse

1-thewall2

Alina Tenser and Chris Domenick’s latest sculptural and performance work is currently on view at Helper Projects, New York.

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De La Warr Pavilion, Marina, Bexhill-on-Sea TN40 1DP

Simon Patterson: Safari: an exhibition as expedition

Simon Patterson, rehearsal of Seascape, 2017, with Bexhill Sailing Club

Simon Patterson’s ‘An Exhibition As Expedition’ takes you on a discursive and peripatetic journey, one which is immaterially played out in the mind of the visitor as they traverse the De Le Warr Pavilion. While doing this the artist sets out to undermine traditional bodies of 'stable' knowledge such as maps, museums and archives. Suggesting that meanings, not just in the world of art, are always in a state of shape shifting flux and that truth is just another strange sub-genre of fiction. Review by Matthew Turner

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Tenderpixel, 8 Cecil Court, London WC2N 4HE

CONGLOMERATE: Station ID

CONGLOMERATE, Still from Desde el Jardin, directed by Sol Calero and Dafna Maimon, 2016.

An elaborate installation is the ‘absurdly complicated’ stage-set for the newest piece of ‘Gesamkunstwerk’ by Berlin-based artist collective CONGLOMERATE, presented at Tenderpixel as their first London-based project. The group comprises a core squadron of 5 artists and filmmakers including Sol Calero, Ethan Hayes-Chute, Derek Howard, Christopher Kline and Dafna Maimon, converging and disbanding at will in different cities and contexts in order to produce 30-minute ‘Blocks’ of programming that make a mess of traditional genres. Review by Alice Bucknell

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Bluecoat, School Lane, Liverpool L1 3BX

Siobhan Davies Dance: material / rearranged / to / be

Siobhan Davies Dance, Material / rearranged / to / be at Bluecoat, 2017

‘Material / rearranged / to / be’ is a performative installation by Siobhan Davies Dance that completed its tour at Bluecoat. Daily performances took place throughout the day in the galleries and adjacent corridor. This was a complex proposition with new works by six choreographers, two visual artists and a design collective to create a landscape in flux. Kate Self reviews

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Vienna Secession Friedrichstraße 12, 1010 Vienna

Alex Da Corte

Alex Da Corte, Slow Graffiti, installation view

For his first major solo exhibition in Europe, Alex Da Corte has created a new work for the Vienna Secession.

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Jerwood Staging Series

SIREN, 2017. Louisa Martin. Co-choreographed with and performed by Masumi Saito.

The third event, Louisa Martin’s ‘Siren’ (2017), combined orchestrated sounds, light interventions and an energetic dance co-choreographed and performed by Masumi Saito. The final instalment of the programme, ‘Rushes, Sketches and Schemes’, could not have been more different. Christian Nyampeta presented a live audio-visual session, featuring excerpts and rushes from an ongoing project called ‘Our Common Ghost’ (2015 - present), exploring themes of community, identity and erasure. Henry Broome reviews

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