Viewing articles tagged with 'Photography'

Yorkshire Sculpture Park, West Bretton, Wakefield WF4 4JX

Alfredo Jaar: The Garden of Good and Evil

Alfredo Jaar, Shadows, 2014.

Alfredo Jaar’s newest work, ‘The Garden of Good and Evil’ (2017), is the titular piece of Jaar’s current solo show at Yorkshire Sculpture Park. The garden is a grid of 101 potted ever-green trees: Black Pine, Scots Pine, Green Yew, Variegated Holly, Green Holly, White Pine and Western Red Cedar, all species already present in the landscape of the sculpture park. Review by Hannah Newell

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Access Gallery, 222 E Georgia St, Vancouver, BC V6A 1Z7

Some Spontaneous Particulars: Vanessa Brown, Heide Hinrichs, Kathleen Ritter

Some Spontaneous Particulars,  Installation view

Some Spontaneous Particulars presents never-before exhibited work by three artists whose research-based practices have drawn them to the work of historical women artists Marianne Brandt (for Brown), Theresa Hak Kyung Cha (for Hinrichs) and Mina Loy (for Ritter), whose own production and memory has been overlooked or stifled within the art historical canon.

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Pool of Plenty, Galerie de l’UQAM
Judith-Jasmin Pavilion, Room J-R120 1400 Berri Street, Montréal

Pool of Plenty: Michelle Bui

Beadgame

Pool of Plenty is an exhibition that brings together photographic work that transcends the decorative and ornamental language of advertising in a détournement that makes use of touch and smell to surpass mere visual spectacle. In this solo show, the artist engages with a rediscovery of objects, materials, food items and plants that make our environment.

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V-A-C Collection, Palazzo delle Zattere, Dorsoduro 1401, Venice

The Electric Comma: V-A-C Collection

Installation view, The Electric Comma

Taking its title from Shannon Ebner’s installation The Electric Comma, the exhibition focuses on shifts in language, perception and understanding in the age of artificial intelligence. Through varied practices and from different backgrounds, participating artists deal with the negotiations between the conscious mind and today’s pervasive learning machine, imagining pathways of exchange between human and nonhuman, ranging from the poetic and intuitive to the algorithmical and analytical.

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Moscow Museum of Modern Art, Gogolevsky Blvd 10/2, Moscow, Russia

Image Diplomacy: Vladislav Shapovalov

Image Diplomacy

V-A-C Foundation presents Image Diplomacy, the fourth and final exhibition in the framework of the experimental programme Carte Blanche, in which the Moscow Museum of Modern Art (MMOMA) invites art institutions to implement their own curatorial initiatives. Curated by V-A-C Foundation’s Anna Ilchenko, Image Diplomacy is the first solo exhibition for Milan based Russian artist Vladislav Shapovalov. The exhibition focuses on highlighting aspects of how the political vision of the mid-20th century was constructed also thanks to landmark exhibitions.

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Museum of Contemporary Art Chicago, 220 E Chicago Ave, Chicago, IL 60611, USA

Woman With A Camera

Skatepark

The exhibition Woman with a Camera presents a selection of 18 works from the Museum of Contemporary Art Chicago's collection, featuring work by established masters Marina Abramovic, Sophie Calle, Catherine Opie, Laurie Simmons, and Carrie Mae Weems, as well as emerging artists Anne Collier, Xaviera Simmons, and Mickalene Thomas. Together, the women use photography to explore central themes in contemporary photography: rendering the human figure, capturing public and private spaces, and commenting on our media-saturated culture. Other works from the gift will be incorporated into MCA exhibitions throughout the year.

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Museum of Contemporary Art San Diego, 1100 Kettner Blvd, San Diego, CA 92101, USA

Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985

Installation view of Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985

Memories of Underdevelopment is set within the context of Latin America during the 1960s to 1980s, a period that coincides with both the apex and unraveling of the developmentalist project in many countries in the region, most notably Brazil, Argentina, Venezuela, and Mexico. In contrast to dominant ideologies that guided the modernization process in these countries, Memories of Underdevelopment traces the emergence of a distinct set of artistic practices that questioned the developmentalist rhetoric and proposed alternative forms of cultural production that responded to this situation of cultural and economic dependency.

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Calvert 22, 22 Calvert Avenue, London E2 7JP

Dmitri Prigov: Theatre of Revolutionary Action

Dimitri Prigov. Theatre of Revolutionary Action, Installation view, 2017.

‘Russia,’ a 2004 media-opera, like much of Prigov’s work that spans drawing, installation, performance, poetry and sculpture tests the limits of language and meaning, while exploring the complex legacy of Russia’s socialist project and its eventual unravelling. Review by Anya Smirnova

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Gió Marconi, Via Alessandro Tadino, 20, 20124 Milano

Wade Guyton: Siamo arrivati, in forma abbreviata

iPhones, cameras, computers, consumer-grade Epson printers… American artist Wade Guyton’s practice surrounds the digital universe of our daily lives. Guyton’s process-based approach consists of an apparently simple method, focused on an authorial use of technology. The limitations of a large-format Epson UltraChrome inkjet printer create stutters and miss-fires on his large-scale canvases challenging the notions of painting and photography. Review by Marialuisa Pastò

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Serpentine Sackler Gallery, West Carriage Drive, London W2 2AR

Torbjørn Rødland: The Touch That Made You

Torbjørn Rødland, Bathroom Tiles, 2011-13

In Torbjørn Rødland’s photography activity is stalled. Chemistry is cauterised and left to breathe and rest, surfaces and nubile skins are luminous and lustful, viscosities slip and collaborate. Review by Alex Bennett

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Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

States of America

Lee Friedlander, Mt Rushmore, South Dakota, 1969, gelatin-silver print.

Nottingham Contemporary’s ‘States of America’ sweeps across the shifting social and political landscape of the USA between the 1960s and early 1990s, capturing the rise of popular culture and suburbia, declining city centres, the Civil Rights Movement, wealth disparity, urban life and the fading American Dream. Viewed through the lens of seventeen different photographers, we are offered a necessarily prismatic picture of American culture that is particularly compelling given current events. Review by Hannah Newell

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Division Gallery, 45 Ernest Ave, Toronto, ON M6P 3M7

Nicolas Baier: Asterisms

Vanité (bureau astro)

Division Gallery is pleased to announce Asterisms, an exhibition of new works by acclaimed Quebec artist Nicolas Baier. His past work consisted of a self-reflexive examination of the camera’s possibilities, focusing on the medium’s transformation in the digital age. Baier’s experimentation compelled us to pay attention to the perspectival changes engendered by photography: how the technology alters both the Real and our direct reality.

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Index, The Swedish Contemporary Art Foundation, Kungsbrostrand 19 11226 Stockholm

Beth Laurin: Provisorium

As its title, Beth Laurin: Provisorium, suggests, this exhibition functions as a provisional retrospective, the contents of which have settled, but are not yet final. The word provisorium also has a more everyday meaning in Swedish as ‘makeshift’. This word falls short of the fine delicacy with which much of Laurin’s work is realized, but does perhaps account for the way that the work meshes together the everyday life and environments in which she lives and works. Review by David Price

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