Treignac Project, 2 Rue Ignace Dumergue, 19260 Treignac, France
Kisses Sweeter Than Wine is an exhibition project that has been developed through ideas and imaginations of social and communal ecstasy, as both emancipatory and tragic. The exhibition features new work by Ciarán Ó Dochartaigh and Bea McMahon, presented alongside iterations of recent work by Melanie Bonajo, Philipp Kremer, and Megan Rooney.
S1 Artspace, 120 Trafalgar Street, Sheffield S1 4JT
With the tagline ‘part sculpture; part installation; all play’, the Assemble collective and Simon Terrill’s most recent iteration of ‘The Brutalist Playground’ at S1 Artspace in Sheffield, consciously expands the sculptural field whilst importing the social history of British post-war architecture. Review by Lara Eggleton
South London Gallery, 65-67 Peckham Rd, London SE5 8UH
Centres of economic might are shifting, and the geographic catchments of the Guggenheim’s UBS-sponsored MAP programme are not defined as much by shared cultural context as they are by their markets. Alex Quicho reviews 'Under the Same Sun'.
Marlborough Contemporary, 6 Albemarle Street, London W1S 4BY
Landau's photographs feature a black dress submerged in the Dead Sea. Over time it progressively whitens, encrusting in salt, until emerging as a shimmering bridal frock with tiny surface gaps that reveal its dark origins. Review by Jilly Knipe
KARST, 22 George Place, Stonehouse, Plymouth, PL13NY
Ever since their invention, submarines have been a source of unextinguished curiosity. Silently present in the depths of the sea, they are in equal parts insidious and menacing as they are intriguing and mysterious. Review by Eva Szwarc
Kunstnernes Hus, Wergelandsveien 17, 0167 Oslo
Torpedo is an Oslo-based publisher and bookshop; they invited Buenos Tiempos, Int. to exhibit at Kunstnernes Hus in Oslo (15–26 June 2016), along with FRANK, Girls Like Us, Petunia and Spesial Nord, within the context of the One Year Art Book Fair.