The Geffen Contemporary at MOCA, 152 North Central Avenue Los Angeles, CA 90012
Through Pope.L’s intervention, the trinket is situated as what is shared among us—clumsy or privileged, embodied or discarded; trinkets bind us together. Review by Rusty Van Riper
Storefront for Art and Architecture, 97 Kenmare Street, New York, NY 10012
A cinematographic journey across architectural offices in New York City, from Fifth Avenue’s corporate bureaus to Downtown and Brooklyn’s lofts and warehouses, 'The Architects' investigates the cultural outcomes of economical models and labour in relation to the field of architecture. Review by Laura Herman
BALTIC Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA
American consumer, pop and car culture collide in cacophonous excess in the sprawling, disordered installations painstakingly recreated for BALTIC’s formidable spaces. Review by Rowan Lear
David Roberts Art Foundation, Symes Mews, London NW1 7JE
Gallery spaces are transformed into a cloakroom, backstage, main stage, lounge and shadow theatre through the elaborate staging of The Violet Crab at David Roberts Art Foundation. Jaime Marie Davis reviews
Rowing, 3 Leighton Place, London NW5 2QL
Art has a longstanding relationship with food and consumer culture. ‘M’m! M’m! Good!’ explores alternative ideas of sustenance, interrogating contemporary culture’s relationship with food and food production. Phoebe V. Bradford reviews
South London Gallery, 65-67 Peckham Road, London SE5 8UH
Fiona Haggerty reviews 'Passage avec Poussin' by Isabelle Cornaro, exploring the ordered and methodical structuring of objects within pictorial space.
Chisenhale Gallery, 64 Chisenhale Road, London, E3 5QZ
Chisenhale Gallery presents 'Modern Family', a major new body of work by the London and Los Angeles-based artist Ed Fornieles for his first solo exhibition in the UK. Review by Ned McConnell.
Hauser & Wirth, 23 Savile Row, London, W1S 2ET
For his inaugural exhibition with Hauser & Wirth, Pierre Huyghe has brought nature – in the form of plant life, stone, monkeys, water and fish – into the gallery. Review by Kathryn Lloyd.
Hauser & Wirth Somerset, Durslade Farm, Dropping Lane, Bruton, Somerset, BA10 0NL
For the inaugural exhibition at Hauser & Wirth Somerset, Phyllida Barlow brings a riotous jumble of sculpture to the sprawling former farm buildings. Review by Lily Le Brun.
Fundación Botín C/ Pedrueca, 1 - 39003 Santander, Spain
'17 Wall Drawings: 1970-2015' is one of Europe’s most significant exhibitions to date devoted entirely to the Wall Drawings of American artist Sol LeWitt. An excellent presentation of LeWitt's theoretical ethos, the show demonstrates that although the work is rooted in 1970s Conceptualism, its perpetual re-birth means it will always feel contemporary. Review by Kathryn Lloyd.
Special Project selected for Edinburgh Art Festival - Performance finishing at Old College, South Bridge, Edinburgh EH8 9YL
'songs for someone who isn't there' is an Edinburgh Art Festival Special Project which took place on 1st August 2015 around the streets of the city, presenting artists and poets who work with the voice and language.