Hepworth Wakefield , 17 April 2014
Jerwood Visual Arts, Jerwood Space, 171 Union St, London SE1 0LN
What Will They See of Me? The Jerwood/Film and Video Umbrella Awards 2014
The Jerwood/Film and Video Umbrella Awards 2014, titled ‘What will they see of me?’, has inspired films exploring themes of identity, visibility and posterity. Review by Edwina Attlee
Cell Project Space, 258 Cambridge Heath Road, London E2 9DA
Pre Owned: Looks Good Man
It is expected of us that when we browse the web we are in control and the data trails we leave capture a perception of demographic existence. Browsing however, is not necessarily an empirical activity. Review by Laura Davidson.
Mary Mary, 32 St. Andrews Street, Glasgow G1 5PD
Alistair Frost: ‘AZQ < > $@Ł•^’
Appointments are available to have Frost's designs and motifs painted onto visitors' nails To book please visit http://www.azqsalon.biz/ Nail appointments available: April 4th - 6th 12 - 4pm April 7th - 21st 1 - 3pm
Drawing Room, Crimscott Street, London SE1 5TE
Abstract Drawing
What is the purpose of drawing? How does it relate to the artistic process? Does human expression require a human hand?
Drawing Room, Crimscott Street, London SE1 5TE
Drawing Making - Making Drawing
‘Drawing making – Making drawing’ was a series of talks, conversations, discussions and workshops devised by artist, writer and educator Jack Southern
PSM Köpenicker Strasse 126, 10179 Berlin
Awst & Walther
PSM is pleased to announce GROUND TO SKY, the first solo exhibition at the gallery by Welsh-German artist duo, AWST & WALTHER.
The Power Plant, 231 Queens Quay W, Toronto, ON M5J 2G8, Canada
Mike Nelson: Amnesiac Hide
The Power Plant is pleased to present the first solo exhibition in Toronto by the renowned British artist Mike Nelson.
Gesellschaft für Aktuelle Kunst GAK, Teerhof 21, 28199 Bremen, Germany
Peles Empire: EVER BUILD
Essential here is still the installation’s changing location between the private and public sphere: a salon in the artists’ home, a bar at an art fair, within a protected environment of an institution, or finally as an exhibition space in their London studio
White Cube Bermondsey, 144-152 Bermondsey St, London SE1 3TQ
Darren Almond: To Leave A Light Impression
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‘To Leave a Light Impression’ can refer to the photographic process and to our relationship with nature, which is explored in Almond’s works. Review by Rory Duckhouse
Darkness and Light
As part of Pull Out All The Stops, Southbank Centre’s celebration of the restoration and reinstallation of its iconic organ, Forma presents Darkness and Light, by Belgian organist and composer Bernard Foccroulle and leading Australian video artist Lynette Wallworth.
Cooper Gallery, Duncan of Jordanstone College of Art & Design, 13 Perth Road, Dundee, DD1 4HT
Kathrin Sonntag: ‘I SEE YOU SEEING ME SEE YOU’
The glass eye as an object interests Sonntag as something which singularly returns the gaze, and which she views as ‘a starting point for the act of seeing itself’. Review by Valerie Norris
Tintype Contemporary Art, 107 Essex Road, London N1 2SL
Flora Parrott
Flora Parrott’s solo exhibition ‘Fixed Position’ is a brave attempt to address ‘being’ in the world. Review by Ciara Healy
Firstsite, Lewis Gardens, High Street, Colchester, Essex CO1 1JH
Roger Hiorns: Untitled
Great art is often described as being ‘timeless’, speaking to people across the ages no matter their location or background. And there are other times when a work of art, intentionally or unintentionally, poignantly articulates contemporary events.
