MoMA PS1, 22-25 Jackson Avenue, Long Island City, NY 11101

Maria Lassnig

Installation view of maria lassnig at moma ps1, 2014

This exhibition focuses on Maria Lassnig's self-portraits as she moved between continents and styles over the course of her seven decade career. Review by Gemma Sharpe.

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Hopkinson Mossman, 19 Putiki St Auckland 1021 New Zealand

Fiona Connor: Can Do Academy

Installation view: Hopkinson Mossman, Auckland

The taxonomy of marks in Can Do Academy are quoted from various sites of creative production, including artist studios, after school program rooms, and print workshops. The patina is that of incidental marks; signs of process that would typically be either contained in the surface of a painting (as purposeful mark-making), or purposefully excluded from exhibition.

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Cubitt Gallery, 8 Angel Mews, London, N1 9HH

Jean-Michel Wicker: e industrial

e industrial (detail), Jean-Michel Wicker, 2014

For his first solo exhibition in the UK, Jean-Michel Wicker draws on the work of the Italian Situationist, Giuseppe Pinot-Gallizio, and San Francisco based fanzine ‘Queercore’. Review by Denise Kwan.

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Hannah Hoffman Gallery, 1010 N Highland Avenue, Los Angeles 90038

Sam Falls

Sam Falls' paintings inhabited the landscape before the white cube gallery.

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MOSTYN, 12 Vaughan Street, Llandudno, Wales LL30 1AB

WAR

WAR, Installation View at MOSTYN (2014)

It’s often hard to conceptualise a global war that is reaching its centenary year, but Mostyn present it in connection with the local town, Llandudno. Review by Rory Duckhouse

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Hauser & Wirth Somerset, Durslade Farm, Dropping Lane, Bruton, Somerset, BA10 0NL

Phyllida Barlow: GIG

Installation view, 'Phyllida Barlow. GIG', Hauser & Wirth Somerset, 2014

For the inaugural exhibition at Hauser & Wirth Somerset, Phyllida Barlow brings a riotous jumble of sculpture to the sprawling former farm buildings. Review by Lily Le Brun.

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Laura Bartlett Gallery, 4 Herald Street, London E2 6JT

Elizabeth McAlpine: Tip Toe

Sleeping Hollow 2

Elizabeth McAlpine's sixth solo show at the gallery continues her explorations into the materiality of photographic processes and the haptic legibility of surface through a series of photographic objects that hover between the bi-dimensional surface of their paper support and the architectural space they inhabit as well as represent.

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White Cube Bermondsey, 144-152 Bermondsey Street, London, SE1 3TQ

Interview: Gilbert & George

Gilbert & George, SCAPEGOATING PICTURES FOR LONDON, installation view at White Cube Bermondsey

Aindrea Emelife interviews Gilbert & George as they present a new series of works depicting the life of London in all its menacing, violent, misleading and sometimes stupid subversion.

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Limerick City Art Gallery, Carnegie Building, Pery Square, Limerick

Dennis McNulty: Prototypes

Portal fragment (2012/2014), installation view at Limerick City Art Gallery.

Dennis McNulty takes up the speculative possibilities of the prototype in this solo exhibition at the Limerick City Gallery. Review by Rebecca O'Dwyer.

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Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, NY 12504-5000

Amy Sillman: one lump or two

13 Possible Futures for a Painting

Amy Sillman's painting practice has recently turned to the diagram, injecting into her lush, abstract fields of colour the sort of stringent line so often used to communicate complex information.

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