Tramway, 25 Albert Drive, Glasgow G41 2PE
In ‘California wow!’ Aldridge’s artistic process takes centre stage, and the colossal Tramway 2 gallery gives the artist space to draw from all areas of her practice to fully immerse us into her world. Review by Laura Campbell
Modern Art Oxford, 30 Pembroke Street, Oxford OX1 1BP
Love is Enough: William Morris and Andy Warhol Study Day This afternoon of talks and presentations drew out some of the themes and ideas from the Love is Enough. Presentations ranged from discussions of Warhol’s early years to the production of Morris’ tapestries and different conceptions of Utopia.
SculptureCenter, 44-19 Purves Street, Long Island City, New York 11101
In presenting the overarching themes behind Rasdjarmrearnsook’s oeuvre, this retrospective ultimately succeeds in letting the artist speak for herself, and concedes how cryptic and culturally specific her work can often seem. Review by Arthur Ivan Bravo
Cubitt, 8 Angel Mews, London N1 9HH
Reupke continues to explore the malleable properties of stock image photography in her new film installation, ‘Letters of Complaint’. Fascinated by their flatness, emotional emptiness, and a lack of substance, Reupke investigates how stock footage can be manipulated, given potential context and exposed as fragile or unnerving. The exhibition is reviewed by Philomena Epps.
Dark Arts International, Justo Sierra 71, Col. Centro Mexico DF
'Under a Thawing Lake’ is a group show featuring eighteen artists brought together by the collective Dark Arts International. In an exhibition which runs simultaneous to Mexico City's Material Art Fair, the collective explore alternative platforms for the exhibition and contextualisation of artworks in contrast to the art fair's inherently commercial nature.
Royal College of Art, Battersea
Cooper Gallery, Duncan of Jordanstone College of Art & Design, 13 Perth Road, Dundee DD1 4HT
‘Men Gather, in Speech…’ takes its title and curatorial cue from the writings of twentieth century German philosopher Hannah Arendt (1906-1975) and classical Greek definitions of dialogue and politics. Review by Valerie Norris