Roman Road, 69 Roman Road, London E2 0QN


EMPO AL TEMPO. ART FROM ANNO DOMINI TO RONI HORN, Installation View, Roman Road, London, 2015.

Curious, delicately wrought and fascinated with the passing of time, the exhibition is so explicitly an extension of Italian artist Domingo Milella’s photographic practice that any weaker works here could easily have been shouted down by the strength of his curatorial premise. Helena Haimes reviews

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LADA Screens #6 The Gluts Go To Copenhagen (2013)

To coincide with the COP21 climate change conference in Paris, LADA Screens is showing ‘The Gluts Go To Copenhagen’, a short documentary made by ’The Gluts’ (Gina Birch, Kaffe Matthews and Hayley Newman) during the previous major climate change summit, COP15, which took place in Copenhagen in December 2009. Watch the film for free here and on the LADA Screens Channel between 30 November and 13 December 2015.

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David Roberts Art Foundation, 37 Camden High St, London NW1 7JE

Albert the kid is ghosting

Installation view of Albert the kid is ghosting

Perhaps the ghosts and fictions that haunt museums have as much right to see the light of day as the usual suspects. Andrea Williamson reviews 'Albert the kid is ghosting'.

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Galerie Buchholz, Fasanenstraße 30, 10719 Berlin

Lucy McKenzie: Inspired by an Atlas of Leprosy

Inspired by an Atlas of Leprosy, Installation view, Galerie Buchholz, Berlin, 2015

In her fourth solo exhibition with Galerie Buchholz, Lucy McKenzie has taken over the upstairs gallery to install a simulation of a private dwelling - the quintessential ‘live-work’ interior associated with young cultural entrepreneurs.

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Plymouth City Museum and Art Gallery, Drake Circus, Plymouth PL4 8AJ

ARTIST ROOMS Gerhard Richter

 ARTIST ROOMS Gerhard Richter, installation view, 2015

The first ARTIST ROOMS exhibition at Plymouth Museum presents a relatively minimal but carefully selected range of works which bring to light much of Gerhard Richter’s artistic complexity. Review by Edith Doove

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CIRCA Projects, John Joyce Building, Saltmeadows Road, Gateshead NE8 3AH

Mario Pfeifer: Approximation in the digital age to a humanity condemned to disappear

 Mario Pfeifer: Approximation in the digital age to a humanity condemned to disappear, installation view at CIRCA Projects, 2015

‘Approximation in the digital age to a humanity condemned to disappear’, seems like a prophetic title, steeped in a type of dystopian rhetoric; in fact it is a much more specific, contemplative description of the dissolution of smaller cultural identities, irreverently ignored and ousted by globalised industry and capital. Review by Josh Wilson

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Jacob Lewis Gallery, 521 West 26th Street, 4th Floor, New York, NY 10001

Matthew Weinstein: É Lobro

Matthew Weinstein, É Lobro, film still, 2015

In Weinstein’s ‘É Lobro’ there are references to the voyeuristic gaze, the coy flirtations of a beautiful but non-emotive female character, and the delicious precision of Death bathed in precious metal. Review by Shana Beth Mason

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Whitechapel Gallery, 77-82 Whitechapel High St, London E1 7QX

Emily Jacir: Europa

Installation view, Emily Jacir: Europa (Nothing Will Happen (eight normal Saturdays in Linz), 2003) Whitechapel Gallery, London 30 September 2015 - 3 January 2016

The exhibition opens with a photograph of Palestinian translator and scholar Wael Zuaiter. It shows his body awkwardly slumped on a street in Rome, following his assassination by Israeli Mossad agents in 1972. Siobhan Leddy reviews this complex research project.

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Royal Academy, Burlington House, Piccadilly, London W1J 0BD

Ai Weiwei

Ai Weiwei, Video Recorder, 2010. Marble, 43 x 19 x 19 cm

It is the first room that captures the imagination in Ai Weiwei’s striking, frequently spectacular exhibition. To reach it, first you must pass through a thicket of reconstructed trees, each clamped into place by rusting iron girders in the RA courtyard. A counter to these snarling, twisted, fairy tale forms, the opening room eschews theatricality to thrilling effect. Edward Ball reviews

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Sprüth Magers, 7A Grafton St, London W1S 4EJ

Thomas Demand: Latent Forms

Thomas Demand, LATENT FORMS, Installation View, Sprueth Magers London, 13 October - 19 December, 2015

Latent Forms marks a stark departure from Demand's distinctive photographic style. Although three-dimensional architectural models remain his subjects, he has neither constructed them nor photographed them to look like real places. Review by Aris Kourkoumelis

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Kunsthalle Wien, Museumsplatz 1 1070 Vienna, Austria

Political Populism

Political Populism, Installation View

'Political Populism' is the extremely populist title for an exhibition which aims to critically question this phenomenon through artistic means. The exhibition is not designed to present a picture of the cultural and historical development of populist tendencies but instead gathers over twenty international artists’ works and showcases them according to diverse topics.

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Tenderpixel, 8 Cecil Court, London, WC2N 4HE

All the Revolving Cells

All the Revolving Cells, Installation View

'All the Revolving Cells' at Tenderpixel considers how to create a wider set of relations where nature is understood as a historical and material conditioning of social life.

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