MOSTYN, 12 Vaughan Street, Llandudno, Wales LL30 1AB


WAR, Installation View at MOSTYN (2014)

It’s often hard to conceptualise a global war that is reaching its centenary year, but Mostyn present it in connection with the local town, Llandudno. Review by Rory Duckhouse

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Hauser & Wirth Somerset, Durslade Farm, Dropping Lane, Bruton, Somerset, BA10 0NL

Phyllida Barlow: GIG

Installation view, 'Phyllida Barlow. GIG', Hauser & Wirth Somerset, 2014

For the inaugural exhibition at Hauser & Wirth Somerset, Phyllida Barlow brings a riotous jumble of sculpture to the sprawling former farm buildings. Review by Lily Le Brun.

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Laura Bartlett Gallery, 4 Herald Street, London E2 6JT

Elizabeth McAlpine: Tip Toe

Sleeping Hollow 2

Elizabeth McAlpine's sixth solo show at the gallery continues her explorations into the materiality of photographic processes and the haptic legibility of surface through a series of photographic objects that hover between the bi-dimensional surface of their paper support and the architectural space they inhabit as well as represent.

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White Cube Bermondsey, 144-152 Bermondsey Street, London, SE1 3TQ

Interview: Gilbert & George

Gilbert & George, SCAPEGOATING PICTURES FOR LONDON, installation view at White Cube Bermondsey

Aindrea Emelife interviews Gilbert & George as they present a new series of works depicting the life of London in all its menacing, violent, misleading and sometimes stupid subversion.

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Limerick City Art Gallery, Carnegie Building, Pery Square, Limerick

Dennis McNulty: Prototypes

Portal fragment (2012/2014), installation view at Limerick City Art Gallery.

Dennis McNulty takes up the speculative possibilities of the prototype in this solo exhibition at the Limerick City Gallery. Review by Rebecca O'Dwyer.

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Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, NY 12504-5000

Amy Sillman: one lump or two

13 Possible Futures for a Painting

Amy Sillman's painting practice has recently turned to the diagram, injecting into her lush, abstract fields of colour the sort of stringent line so often used to communicate complex information.

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Irish Museum of Modern Art, Royal Hospital, Kilmainham, Dublin 8, Ireland

Hélio Oiticica: Propositions

Installation view of the exhibition Propositions, Irish Museum of Modern Art

Oiticica's works explore his conviction that colour and form should emancipate themselves from the surface of objects and move into space and time itself.

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Ingleby Gallery, 15 Calton Road, Edinburgh EH8 8DL, Scotland

Katie Paterson: Ideas

Katie Paterson, Ideas: A beach made with dust from spiral galaxies, (2014)

In the case of ‘Ideas’, time is of the essence, from vast geological and astronomical histories, to our own life spans. Review by Rebecca Travis

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Inverleith House, Royal Botanic Garden, Edinburgh Inverleith Row, Edinburgh EH3 5LR

Isa Genzken: Botanical Garden

Isa Genzken: Botanical Garden, Installation view, Inverleith House, Royal Botanic Garden, Edinburgh (2014)

For its summer season the Edinburgh Art Festival exhibition at Inverleith House, set within the city’s Royal Botanic Garden, presents a showcase of photographic collages and sculptural assemblages by the German artist Isa Genzken. Review by Alex Hetherington

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Outer Harbour beach, Folkestone

Michael Sailstorfer: Folkestone Digs

Folkestone Digs

Commissioned by arts producers, Situations, Sailstorfer recently announced that he has buried 30 individual pieces of 24-carat gold under the sand of the Outer Harbour beach in Folkestone.

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Focal Point Gallery, The Forum, Elmer Square, Southend-on-Sea, Essex, SS1 1NB

Ian Kiaer: Tooth House

Ian Kiaer Tooth house, 2014, Focal Point Gallery,  Installation View

In Ian Kiaer's 'Tooth House' associations and traces coalesce between objects, cajoling the visitor to question the boundaries of what a thing might be. Review by Sophie Sleigh-Johnson.

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Hayward Gallery Project Space, Southbank Centre, Belvedere Road, London SE1 8XX

What’s Love Got to Do with It?

William Cobbing, The Kiss (film still), 2004.

Love – or its appearance – is seen to be folded into and exuded onto the most unlikely and unwelcome of places in this group exhibition. Review by Edwina Attlee.

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Portikus, Alte Brücke 2, Maininsel, Frankfurt, Germany

Simon Denny: New Management

Installation view Simon Denny, New Management

Denny's exhibition turns the monumental gallery space into an homage to technology, communication, and the relentless need for innovation.

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