Viewing articles tagged with 'Dublin'

The Douglas Hyde Gallery, Trinity College, Dublin 2, Ireland

Interview with Yuri Pattison - Part Two

Yuri Pattison the engine (installation view), The Douglas Hyde Gallery, Dublin, 2020-2021

December 2020 saw the opening of ‘the engine’, Yuri Pattison’s new exhibition in Dublin’s Douglas Hyde Gallery. This was six months later than originally planned due to the closure of cultural institutions in Ireland during the pandemic. Pattison's ‘the engine' features a new body of work highlighting the vast systems that create and shape the realities of modern existence. The elongated timeframe and continuing impact of the pandemic has resulted in two distinct conversations, which will be published as two distinct texts. Below is a transcript from the second of these phone interviews from 23 December 2020. Interview by Aidan Kelly Murphy

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The Douglas Hyde Gallery, Trinity College, Dublin 2, Ireland

Interview with Yuri Pattison – Part One

Thursday, 7th May 2020 @ 14.25

Spring 2020 was due to see the opening of ‘the engine’, Yuri Pattison’s new exhibition in Dublin’s Douglas Hyde Gallery and his first solo show in a major institution in Ireland. However, lockdown saw the exhibition delayed and Pattison presented a cross-section of the proposed work via the online screening, ‘sunset provision’ - a work that sees the artist rendered a seascape in real-time via a game engine. The elongated timeframe and continuing impact of the global pandemic has resulted in two distinct conversations, which will be published as two distinct texts. Interviews by Aidan Kelly Murphy

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Temple Bar Gallery + Studios, 5-9 Temple Bar, Dublin, Ireland

Bárbara Wagner & Benjamin de Burca: Swinguerra

Barbara Wagner and Benjamin de Burca. Film still of Swinguerra, 2019. 2 channel video installation 2K, colour, sound, 23 minutes. Courtesy the artists and Fortes D'Aloia and Gabriel, Sao Paulo, Rio de Janeiro.

2019 saw Bárbara Wagner and Benjamin de Burca represent Brazil at the Venice Biennale with a new video titled ‘Swinguerra,’ in the Giardini della Biennale. And whilst it’s less than a year since Venice, the world that ‘Swinguerra’ originally inhabited seems like a lifetime ago. Its presentation in Temple Bar Gallery + Studios in Dublin comes amidst a global pandemic, blazing wildfires and a deepening culture war on both sides of the Atlantic. And whilst these topics have dominated the media 2020, they have been core issues in Brazil for a number of years with the continued deforestation of the Amazon and increasing violence against LGBTQ+ communities. Review by Aidan Kelly Murphy

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