Viewing articles tagged with 'Amsterdam'

Stedelijk Museum, Postbus 75082, 1070 AB Amsterdam

Jordan Wolfson: MANIC / LOVE / TRUTH / LOVE

Installation view Jordan Wolfson: MANIC / LOVE. Photo: Gert Jan van Rooij. Collection LUMA Foundation.

Merging the boundaries between abstraction and figuration, and challenging the formal and narrative potency of the sculptural discipline Jordan Wolfson presents MANIC / LOVE / TRUTH / LOVE. In this exhibition Wolfson explores the increasing digitalization of society and other technological developments.

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Galerie Ron Mandos, Prinsengracht 282, 1016 HJ Amsterdam, Netherlands

Stream of Consciousness

Stream of Consciousness, Installation View

The unique group exhibition ‘Stream of Consciousness’ brings together perception-challenging works by artist collective Troika, Tom Lore de Jong and Goof Kloosterman. The title of the show refers to a term mostly used in literature which describes the notion of a stream of thoughts and feelings that pass through the mind.

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Upstream Gallery, Kloveniersburgwal 95, 1011 KB Amsterdam

Shifting Optics III

Shifting Objects III, installation view at Upstream Gallery, 2016

Following ‘Shifting Optics I’ and ‘II’, Upstream Gallery, Amsterdam presents the third in a series of group exhibitions concerning digital artists both emerging and established. ‘Shifting Optics III’ shows works by six artists that investigate the fine line between digital and analogue, between form and function. Review by Laurence Scherz

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Stedelijk Museum Amsterdam, Museumplein 10, 1071 DJ Amsterdam, Netherlands

Ed Atkins: Recent Ouija

Ed Atkins, Ribbons, still, 2014

British artist Ed Atkins' twists tired CGI into full-blooded self-questioning with his first major solo exhibition outside the UK. There's piss, there's booze and there's Johann Sebastian Bach. Review by Rich Thornton

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P/////AKT, Zeeburgerpad 53, 1019 AB Amsterdam

Dan Walwin: Sun room

Dan Walwin, Sun room, installation view at P/////AKT, 2015

Teasingly titled ‘Sun room’, Dan Walwin’s exhibition channels the viewer through a semi-darkened space, within which watery flows are both depicted on screen and suggested by architectural interventions. Review by Maeve Connolly

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