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Photoworks: Propositions for Alternative Narratives

S Eating Melon

The longest running photography festival in England, the Brighton Photo Biennial, has reincarnated itself in the form of the Photoworks Festival. The inaugural edition is made up of three parts: an outdoor festival on the streets of Sussex, an online festival hub, and at home, a ‘Festival in a Box’. Review by Gulnaz Can

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Fabrica, 40 Duke Street, Brighton, BN1 1AG

Serge Attukwei Clottey: Current Affairs

Serge Attukwei Clottey: Current Affairs, Fabrica, 18th April - 27th May 2019

On one of the hundreds of yellow plastic segments cut and woven together to form Serge Attukwei Clottey’s monumental tapestry work, someone has written in black marker, so small you might miss it amongst the waves of bright colour, “Exodus 17”. It’s unclear if the scribbled allusion has been added by the artist or whether it remains from the material’s previous life as a jerry can, used to carry cooking oil and then water in drought-hit areas of Ghana. Review by Adam Heardman

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University of Brighton Gallery, 154-155 Edward Street, Brighton BN2 0JG

Natasha Caruana: Timely Tale

Natasha Caruana, from the series, Timely Tale, 2017

Based on the theme of excess, ‘Timely Tale’ invites the audience into the private world of the artist’s mother, Penny. Caruana examines the difficulties of her mother’s life, as she deals with decisions regarding her health, her love of expensive designer clothes and the search for ‘Mr Right’. Review by Fiorella Lanni

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Fabrica, Duke St, Brighton BN1 1AG

Ipek Duben: THEY / ONLAR

Ipek Duben: THEY / ONLAR, installation view at Fabrica, 2017

‘Onlar,’ in English, means ‘they’ but artist Ipek Duben says the word translates more accurately to ‘everyone who is not like us.’ In her multi-screen video installation ‘They/Onlar’, Duben presents the experiences of Turkey’s ‘others’: Kurds, Alevis, Armenians, Jews, Rum and Romanis as well as LGBT and covered women. Review by Ashley Janke

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