VITRINE Bermondsey Street, 183 – 185 Bermondsey Street, London SE1 3UW & VITRINE Bermondsey Square, Bermondsey Square, London SE1 3UN
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Alexandra Warder reviews Tim Etchells' 'The Facts on the Ground'. The exhibition negotiates between what is meant, what is seen and what is heard, exploring the space between cultural conventions and subjectivity.
London
The nine Unlimited commissions for 2015-16 span a wide range of disciplines – including theatre, visual arts, dance and literature – and are created by some of the most talented disabled artists in the UK.
Edel Assanti, 74A Newman Street, London W1T 3DB
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Jodie Carey explores the monumental juxtaposed with materials that evoke fragility and vulnerability. Zoë Lippett reviews Carey's new works conceived for Edel Assanti's new gallery space.
Ellis King, Unit 7, White Swan, Donore Avenue, Dublin 8, Ireland
Ellis King present the first European solo show of Kari Altmann - a nomadic, swarm-based American artist with current headquarters in New York and Amsterdam.
Zolla/Lieberman, 325 W Huron St #1E, Chicago, IL 60654
Over twenty years since its initial MoMA commission in 1992, Erika Rothenberg’s ‘House of Cards’ (1992-2015) still cuts right at the heart of caricatured American culture and values. Review by Rebecca Travis
TG, Primary 33 Seely Road, Nottingham NG7 1NU
In the recent programme at TG, the ‘Occasional Table’ is both the title of an expanded exhibition and a presentation device for the work contained within it. Review by Niki Russell
The New Art Gallery Walsall, Gallery Square, Walsall, West Midlands WS2 8LG
Within his current show ‘The Raven’ Darren Banks examines the nature of institutional and personal collections and their overlaps around the eclectic life of British sculptor and cult figure Churton Fairman, A.K.A Mike Raven (1924-1997). Review by Christian Luebbert
Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York 10128
Few artists manage the rigour, flexibility and even freedom of Chan, who navigates various post-conceptual traps with intellect, humour and commitment. Review by Gemma Sharpe
l’étrangère, 44a Charlotte Road, London EC2A 3PD
Anita Witek's work echoes her quest to find a place for herself in London and the somewhat illusory notions of home and personal space. Will Gresson reviews her current solo exhibition.
Hayward Gallery, Southbank Centre, Belvedere Road, London SE1 8XX
History is Now asks, in the lead up to the general election, how to think about the last 70 years of British history and begins by answering, we need an artist to do it. Edwina Attlee reviews
Seventeen, 270-276 Kingsland Road, London E8 4DG
Seventeen gallery presents 'Morphing Overnight' - a group show which reflects on the intersection between economics, technology and finance at the turning point of the millennium, alongside a solo show from New York based artist Olivia Erlanger.
Drawing Room, 12 Rich Estate, Crimscott Street, London SE1 5TE
Featuring 262 new and recent works on paper by 252 established and emerging artists, Drawing Biennial 2015 offers fresh insights into the most exciting currents in contemporary art today.
ARTicle Gallery, Birmingham School of Art, Margaret Street, Birmingham B3 3BX
Not withstanding the impressive art historical awareness evident in this exhibition, there are also universal ways in which the show engages an audience. Review by Karl Musson
Giò Marconi, Via Tadino 20, I-20124 Milan
To celebrate their new gallery space and its twenty fifth year of business, Giò Marconi has designed a group exhibition showcasing works by twenty-seven of its own artists. Review by Marialuisa Pastò
