Viewing articles tagged with 'Sculpture'

Ekebergparken, Kongsveien 23, N-0193 Oslo, Norway

Ekebergparken

Ekeberg Pavilion

The sixty-three acre Ekebergparken is packed with art world heavyweights past and present. Anneka French responds to a selection of the sculptures sited there.

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Ullens Center for Contemporary Art, 4 Jiuxianqiao Rd, Chaoyang, Beijing, China

William Kentridge: Notes Towards a Model Opera

Notes Towards a Model Opera, Installation View at UCCA

The Ullens Center for Contemporary Art presents ‘William Kentridge: Notes Towards a Model Opera’ - a comprehensive retrospective that marks the artist’s largest exhibition in Asia to date.

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Château de Versailles, Place d'Armes, 78000 Versailles, France

Anish Kapoor

Descension

As Château de Versailles' 2015 guest, Anish Kapoor presents sculptures which engage with the groves and fountains of André Le Nôtre's spectacular gardens.

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Modern Art Oxford, 30 Pembroke Street, Oxford OX1 1BP

Lynn Hershman Leeson: Origins of the Species (Part 2)

Lynn Hershman Leeson: Origins of the Species (Part 2), installation view, 2015

What is technology, but another tool for shaping our identities? Lynn Hershman Leeson has been exploring the relationship between humans and technology for over fifty years, starting in a time before technology looked anything like it does today. Review by Jessica Furseth

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Waterside Contemporary, 2 Clunbury St, London N1 6TT

Nascent States

Installation view

The current exhibition at Waterside Contemporary does not call itself a feminist exhibition. It does not even offer a press release. Just a list of artist's names. No pat answers here. If the viewer wishes to enjoy the sense of an understanding, then the viewer will have to work for it themselves. Review by Beverley Knowles

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Coleman Project Space, 94 Webster Road, London, SE16 4DF

Charlie Duck: These Sticks

Untitled

'These Sticks' brings together a collection of new paintings, drawings and sculpture by Charlie Duck, produced specifically for Coleman Project Space.

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BALTIC Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA

Ida Ekblad

Ida Ekblad KONSTELLASJONER 2015 Scenography Nationaltheatret, Oslo

An exuberant gate, two expressionistic figures hanging from either side, sits across the entrance of the gallery space at Ida Ekblad’s BALTIC solo exhibition. Review by J.D.A Winslow

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Jack Shainman Gallery, 513 West 20th St. & 524 West 24th St, NY 10011

Yoan Capote: Collective Unconscious

Yoan Capote, Collective Unconscious, installation view at Jack Shainman Gallery, 2015

Born, raised, and still working in Havana, Yoan Capote has delivered the beautiful idiosyncrasies of and within Cuba to a general audience. Review by Shana Beth Mason

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Hollybush Gardens, 1–2 Warner Yard, London EC1R 5EY

Ruth Proctor: Putting it on

Installation view, Hollybush Gardens

Alex Borkowski finds an unusual, light-hearted ambivalence in Proctor’s work which is invested in the success and failure of actions and images.

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Turf Projects Gallery & Workspace, Keeley Road, Croydon CR0 1TF

Tru Luv

Tru Luv, installation view

The teen-text reference of the exhibition’s title puts forward an ostensible sentimentality that is quickly undermined by the works on display. Joseph Constable reviews Tru Luv, the inaugural exhibition at Turf Projects.

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NoguerasBlanchard, Doctor Fourquet 4 28012, Madrid

AXOLOTLISM

Documentation of performance by Oreet Ashery: Cómo matar a un cerdo, 23 May 2015. Performers: Alex de la Croix, Julián Cruz, Nina Paszkowski, and Ana Sáez.

The exhibition 'AXOLOTLISM' takes as its point of departure an enigmatic story by Julio Cortázar, 'Axolotl' (1956), in which the Argentinean writer short-circuited the distance between observer and observee.

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Palazzo Grassi, Campo San Samuele, 3231, 30124 Venice

Slip of the Tongue

Martin Wong, INRI, 1984

Taking its title from Nairy Baghramian’s phallic resin covered concrete piece, ‘Slip of the Tongue’ is a scenario for chance, an opportunity in a conversation for diversion. Review by Bob Gelsthorpe

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