Viewing articles tagged with 'Sculpture'

Matt's Gallery, 42-44 Copperfield Road, London, E3 4RR

REVOLVER II, Part One: Impart

Danh Vo, Gustav's Wing (2013), installation view at Matt's Gallery, London

Beverley Knowles encounters the work of Lucia Nogueira, Dahn Vo, Deidre O'Dwyer and Lizzie Hughes, as well as interventions by other artists throughout, in the first part of Matt's Gallery's REVOLVER II exhibition series.

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The Art Licks Weekend, London

Preview: Art Licks Weekend 2014

Lawrence Lek, Sky Line, Video Simulation, for Art Licks Weekend 2014

Returning for its second year, the Art Licks Weekend is a festival that presents work by pioneering young artists, curators, galleries and project spaces across London. Preview by Beth Bramich.

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798 Art District, No. 2 Jiuxianqiao Road, Chaoyang District, Beijing 100015

Liu Jianhua: Square


Liu Jianhua's solo exhibition comprises freely spilled materials that bring together craft and fine art traditions.

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Gemeentemuseum Den Haag, Stadhouderslaan 41, 2517 HV Den Haag, The Netherlands

Jürgen Partenheimer: The Archive

Nirox 7 (Dreaming Termites)

Jürgen Partenheimer has carved out a niche of his own within the field of abstract art. His exhibition at Gemeentemuseum Den Haag is his third at the gallery.

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Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham, B1 2HS

Lee Bul

Lee Bul, Mon grand récit Weep into stones . . . (2005)

Political, cryptic and dazzlingly beautiful, Lee Bul's first solo show in the UK opens with a remarkable new work inspired by a mystical glass city. Review by Catrin Davies

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BALTIC Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead, NE8 3BA

Lydia Gifford: Drawn

Lydia Gifford: Drawn, Installation view at BALTIC, Gateshead (2014)

Engaging in a dialogue of painterly curiosity, Drawn reflects an understanding of painting originating from post-minimalism. Review by Rachel McDermott

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Hopkinson Mossman, 19 Putiki St Auckland 1021 New Zealand

Fiona Connor: Can Do Academy

Installation view: Hopkinson Mossman, Auckland

The taxonomy of marks in Can Do Academy are quoted from various sites of creative production, including artist studios, after school program rooms, and print workshops. The patina is that of incidental marks; signs of process that would typically be either contained in the surface of a painting (as purposeful mark-making), or purposefully excluded from exhibition.

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MOSTYN, 12 Vaughan Street, Llandudno, Wales LL30 1AB


WAR, Installation View at MOSTYN (2014)

It’s often hard to conceptualise a global war that is reaching its centenary year, but Mostyn present it in connection with the local town, Llandudno. Review by Rory Duckhouse

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Hauser & Wirth Somerset, Durslade Farm, Dropping Lane, Bruton, Somerset, BA10 0NL

Phyllida Barlow: GIG

Installation view, 'Phyllida Barlow. GIG', Hauser & Wirth Somerset, 2014

For the inaugural exhibition at Hauser & Wirth Somerset, Phyllida Barlow brings a riotous jumble of sculpture to the sprawling former farm buildings. Review by Lily Le Brun.

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Irish Museum of Modern Art, Royal Hospital, Kilmainham, Dublin 8, Ireland

Hélio Oiticica: Propositions

Installation view of the exhibition Propositions, Irish Museum of Modern Art

Oiticica's works explore his conviction that colour and form should emancipate themselves from the surface of objects and move into space and time itself.

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Ingleby Gallery, 15 Calton Road, Edinburgh EH8 8DL, Scotland

Katie Paterson: Ideas

Katie Paterson, Ideas: A beach made with dust from spiral galaxies, (2014)

In the case of ‘Ideas’, time is of the essence, from vast geological and astronomical histories, to our own life spans. Review by Rebecca Travis

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Inverleith House, Royal Botanic Garden, Edinburgh Inverleith Row, Edinburgh EH3 5LR

Isa Genzken: Botanical Garden

Isa Genzken: Botanical Garden, Installation view, Inverleith House, Royal Botanic Garden, Edinburgh (2014)

For its summer season the Edinburgh Art Festival exhibition at Inverleith House, set within the city’s Royal Botanic Garden, presents a showcase of photographic collages and sculptural assemblages by the German artist Isa Genzken. Review by Alex Hetherington

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Outer Harbour beach, Folkestone

Michael Sailstorfer: Folkestone Digs

Folkestone Digs

Commissioned by arts producers, Situations, Sailstorfer recently announced that he has buried 30 individual pieces of 24-carat gold under the sand of the Outer Harbour beach in Folkestone.

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