Viewing articles tagged with 'Sculpture'

Daiwa Foundation, 13-14 Cornwall Terrace Mews, London NW1 4QP

Saya Kubota: Material Witness

Installation view Material Witness

Dominika Mackiewicz reviews a new exhibition by Japanese artist Saya Kubota, whose artistic practice explores the past (re)stored in archaeological and antiquarian objects.

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kaufmann repetto, Via Di Porta Tenaglia 7 20121, Milan

Judith Hopf: ! Hear Rings !

! Hear Rings !, Installation View

For her third solo show at kaufmann repetto, Judith Hopf presents a new body of work including sculptures, installations and a four-minute video animation.

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von Bartha, Kannenfeldplatz 6, 4056, Basel, Switzerland

Sitting on a Branch

Sitting on a Branch, Installation View

For his new exhibition at von Bartha, multimedia artist Boris Rebetez has invited six artists to join him in exploring ideas of space, environment and architecture.

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Vane, First Floor Commercial Union House, 39 Pilgrim Street, Newcastle Upon Tyne NE1 6QE

Jock Mooney: Who Are You and What Do You Want

Jock Mooney, ‘Who Are You and What Do You Want?’, 2016, installation view

Mooney has confidently matured in his abilities to perform the role of adolescent artist, having his cake and eating it with two fingers up and no concern to start producing ‘adult’ art, all the while remaining cerebral, provocative and daring. Review by Peter-Ashley Jackson

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Green Art Gallery, Al Quoz 1, Street 8, Alserkal avenue, Unit 28 PO. Box 25711 Dubai, UAE


1497, Installation View

In group exhibition '1497' images, scents, texts, and objects allude to a home in which history has taken place, amidst roofs on fire, a greenhouse filled with tropical plants, an orphaned balcony, scattered threads, a soup made from stone, and chapters pulled from books not yet written.

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Ingleby Gallery, 15 Calton Road, Edinburgh EH8 8DL

Resistance and Persistence

Rachel Whiteread, Step, 2007 – 20018, plaster, pigment, resin, wood, and metal (five units, one shelf), 14 x 40 x 20 cm

With four Giorgio Morandi paintings at its heart, ‘Resistance and Persistence’ uses adjacencies to stimulate conversations between unlikely works. Review by Joy Harris

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN

Jerwood Encounters: Common Property


Like walking through a Tumblr homepage – heaving with fan-art, glitch-gifs and pop – the show triggers questions about the ownership of culture and copyright in the age of CTRL + C. Siobhan Leddy reviews 'Common Property'.

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Block 336, 336 Brixton Road, London, SW9 7AA

Corey Bartle-Sanderson: HOMEWARE_update

HOMEWARE_update, Installation View

HOMEWARE_update is the first a solo exhibition by London-based artist Corey Bartle-Sanderson. The work probes ideas relating to duplicity and artifice through sculpture, installation and photography.

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Museum of Cycladic Art, Vasilissis Sofias ave. & 1, Irodotou str., Athens 10674

Mario Merz: Numbers are prehistoric

Numbers are prehistoric, Installation View

Mario Merz's latest survey exhibition 'Numbers are prehistoric' will shed light on the late Italian artist’s multi-faceted practice, treading the thin line between visual and written expression. The exhibition features previously unseen material, and is displayed in the Stathatos Mansion at the Museum of Cycladic Art, Athens.

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Hauser & Wirth Somerset, Durslade Farm, Dropping Lane, Bruton, Somerset BA10 0NL


Installation view gallery room 3 a

Drawing inspiration from dystopian literature, ‘Qwaypurlake’ presents the audience with a narrative proposition: to reimagine the Somerset landscape as dominated almost entirely by water, a future world in which humans have been marginalized. Review by Laura Mansfield

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The Fruitmarket Gallery, 45 Market Street, Edinburgh EH1 1DF

Another Minimalism - Art After California Light and Space

 Spencer Finch, Shadows (After Atget), 2007, Installation view: Another Minimalism: Art After California Light and Space at The Fruitmarket Gallery, Edinburgh

As winter whittles down the daylight hours outside The Fruitmarket Gallery’s windows, inside, its spaces emit a series of elemental yet serene surges of colour and light. This is art made of nothing but the essentials of seeing, it is the legacy of the California Light and Space movement. Review by Katherine Pahar

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