Viewing articles tagged with 'Sculpture'

South London Gallery, 65-67 Peckham Road, London, SE5 8UH

Last Seen Entering the Biltmore

Guy de Cointet, 'Tell Me' (1980)

‘Last Seen Entering the Biltmore' is a show that explores the possibilities and interferences created by piercing through that imaginary wall that separates the stage from the backstage. Review by Francesca Cavallo.

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Hannah Barry Gallery, 4 Holly Grove, Peckham, London SE15 5DF

A Strong Affinity

Hydraulic Power Pack Sledge, A Strong Affinity, Installation view at Hannah Barry (2014)

‘A Strong Affinity’ resonates somewhere between a science-fiction novel and an industrial blizzard. Review by William Davie

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Kunstraum, Gorsuch Street, London, E2 8HD

Zin Taylor: The Tangential Zigzag

Installation view, Kunstraum, London

For Zin Taylor’s first solo show in the UK the Canadian-born Belgium-based artist has produced a new series of works on paper that incorporate thick marker pen lines, clippings from the artist’s archives, naïve pencil sketches and cuts of cured snakeskin. Review by Beth Bramich.

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firstsite, Lewis Gardens, High Street, Colchester, Essex, CO1 1JH

Bruce McLean: Sculpture, Painting, Photography, Film

Ludgate Head, 1992, installation view, firstsite, 2014

The exhibition 'Sculpture, Painting, Photography, Film' draws together a wealth of archival material surrounding Bruce McLean’s early conceptual works and experiments with sculpture. Review by Elizabeth Holdsworth.

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The Institute of Contemporary Art, 100 Northern Avenue, Boston, MA 02210, USA

Jim Hodges: Give More Than You Take

the dark gate

The Institute of Contemporary Art, Boston presents the first comprehensive survey of Jim Hodges' work, offering poignant sculptural meditations on life, love and loss.

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Modern Institute, 3 Aird’s Lane, Glasgow G1 5HU

Richard Wright

Richard Wright  No Title 2014 Handmade leaded glass  Installation view The Modern Institute, Glasgow, 2014 Photo: Keith Hunter

Richard Wright continues his work with York Glaziers Trust - Britain’s oldest stained glass conservation studio, who have a special connection to the medieval windows at York Minster. For this project he has made four leaded glass skylights in the ceiling at Aird’s Lane.

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Kunsthalle Wien, Museumsplatz 1, 1070 Wien, Austria

New Ways of Doing Nothing

Bartleby le scribe brickbat

New Ways of Doing Nothing devotes itself to a form of artistic production that opposes activity, doing and manufacturing. It instead gives an affirmative slant to forms of doing nothing.

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Laura Bartlett Gallery, 4 Herald Street, London


Accordion installation view Laura Bartlett Gallery, London 2014

Laura Bartlett Gallery is pleased to present Accordion, a group show bringing together works by Caroline Achaintre, Nina Beier, Anna Betbeze, Sissel Blystad, Sol Calero, Christopher Kline, Fay Nicolson and Alek O..

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Chandelier Projects, Studio 16, Victor House 282a Richmond Road Hackney, London E83QS

Grant Foster: Holy Island

Holy Island borrows from the provincial traditions of British Romantic painting alongside a personal archive of tabloid newspaper photographs, children’s illustration and advertising imagery. Foster offers a sardonic and often humorous swipe at the role of nationalism, religion and our commonly assumed cultural values. The exhibition presents a peculiarly British world: petty, vengeful, absurd and contradictory.

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Rua Red, Blessington Road, Tallaght, Co. Dublin, Ireland


(Installation view, Rua Red, 2014)

CASH RULES EVERYTHING AROUND, an exhibition curated by Nora O Murchú at Dublin’s Rua Red Gallery, derives its title from ‘C.R.E.A.M.’ (Cash Rules Everything Around Me) – the Wu-Tang record released in 1994, back in the ‘good old days’ of net art produced and distributed in ways that bypassed the art market, and the attention of the majority of the art world. Review by Lizzie Homersham

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BALTIC 39, 31–39 High Bridge, Newcastle upon Tyne NE1 1EW

They Used to Call it the Moon

'They Used to Call it the Moon' (Installation view at BALTIC 39, Newcastle)

When Apollo 11 landed on the moon in 1969 it must have felt to the 500 million watching that nothing would ever be the same... Review by Rebecca Travis

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Cole Gallery, 19 Goulston St. London. E1 7TP

Jackson Sprague

Installation view

A collection of immaculately turned out objects populate the two floors of Cole Gallery for Jackson Sprague’s latest exhibition, emanating a dapper, old-school charm. Indeed, on walking through the door I half expect a jazz band to swing into action, such is the predominant mid-century style.

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