Viewing articles tagged with 'Sculpture'

SculptureCenter, 44-19 Purves St, Long Island City, NY 11101

Leslie Hewitt: Collective Stance

Installation view, Leslie Hewitt: Collective Stance, SculptureCenter, 2016. Photo: Kyle Knodell

Leslie Hewitt’s new exhibition at the SculptureCenter in Queens, New York, is surprising for its spartan modesty, a quietude that highlights both the riveting intellect and powerful emotional current of her work. Review by Liam Hess

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Chisenhale Gallery, 64 Chisenhale Road, London E3 5QZ

Yuri Pattison: user, space

Yuri Pattison, user, space (2016). Installation view, Chisenhale Gallery, 2016. Commissioned by Chisenhale Gallery, London. Courtesy of the artist; mother's tankstation limited, Dublin; Helga Maria Klosterfelde, Berlin; and Labor, Mexico.

A long table surrounded by Ikea-style chairs runs through the centre of the gallery, while in one corner, a separate environment for relaxing houses oversized cushions and shelves of plants. And everywhere, there is the physical manifestation of tech: wires, adapters, servers, computers, and cameras, creating a cacophony of noise that hums throughout the installation. Review by William Rees

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SPACE, 131 Mare St 131 Mare St, London E8 3RH

Josh Bilton: Undersong


In his exhibition at SPACE Josh Bilton takes Portland stone as his focus, looking at its displacement from Portland to London and the duality of these two locations. Review by Rosie Ram

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The Averard Hotel, 10 Lancaster Gate, London W2 3LH

Maybe your lens is scratched?

Astray (Part II): Smoking, 2016

‘Maybe your lens is scratched?’ hinges on a relationship between space and image disrupted by economic and political changes (rising inequality, international capital, privatization of space, shell corporations).

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Galerie Ron Mandos, Prinsengracht 282, 1016 HJ Amsterdam, Netherlands

Stream of Consciousness

Stream of Consciousness, Installation View

The unique group exhibition ‘Stream of Consciousness’ brings together perception-challenging works by artist collective Troika, Tom Lore de Jong and Goof Kloosterman. The title of the show refers to a term mostly used in literature which describes the notion of a stream of thoughts and feelings that pass through the mind.

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Hannah Hoffman Gallery, 1010 N Highland Avenue, Los Angeles 90038

A Change of Heart

Installation view: A Change of Heart, curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles, 2016

The exhibition, ‘A Change of Heart’, curated by Chris Sharp at Hannah Hoffman Gallery, examines and celebrates flowers and our natural fascination with them, focusing on artwork created from the 1960s onward. Review by Hyunjee Nicole Kim

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Hauser & Wirth, 23 Savile Row, London W1S 2ET

Felix Gonzalez-Torres

Installation view, 'Felix Gonzalez-Torres', Hauser & Wirth London, 2016

Ruth Hogan reviews Hauser & Wirth's latest exhibition of work by the ever influential Felix Gonzalez-Torres curated by his long time friends and artists, Julie Ault and Roni Horn.

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Luxembourg & Dayan, 2 Savile Row, London W1S 3PA

Melodrama, Act 1: London

Exhibition view of Melodrama: Act I

William Davie reviews the London portion of this exhibition split between Luxembourg & Dayan's New York and Savile Row galleries, finding artworks operating in performative dialogue.

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Breese Little, Unit 1, 249 - 253 Cambridge Heath Road, London E2 6JY

The Science of Imaginary Solutions

Installation view

The object is front and centre of what is an incredibly wide ranging exhibition that spans millennia. In Breese Little's new space in Bethnal Green, a series of works and subtle juxtapositions probe the ways in which object-led narratives are eminently malleable, prone to changing tides in both scientific and philosophical thinking. Will Gresson reviews

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Future Gallery, Schöneberger Ufer 59, 10785 Berlin

Inflected Objects # 2 Circulation – Otherwise, Unhinged

Inflected Objects # 2, Installation View

'Inflected Objects' proposes an understanding of art objects as transient things, assemblages of materials whose destinies remain unknown, and as propositions for assimilation and disintegration. At a time in which the extraction of value from every available asset seems the dominant imperative, the artworks here display forms of waste, non-use and degradation.

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The Tetley, Hunslet Road, Leeds LS10 1JQ

No Quiet Place

Akeelah Bertram, Vase, 2012, looped digital video and audio, glass vases, water. Photograph Julian Lister

Sixteen small speakers are attached to the high wall and connected by wires to a computer, as if the building itself is hooked up to some kind of cardiac monitor. These noises, as it turns out, are not the internal organs of The Tetley but a series of audio clips of empty gun shell casings falling to the floor. Review by Sacha Waldron

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Museum van Hedendaagse Kunst Antwerpen (M HKA), Leuvenstraat 32, 2000 Antwerpen, Belgium

Energy Flash: The Rave Movement

Energy Flash: The Rave Movement, Installation View

'Energy Flash' will be the first museum exhibition for considering rave, as well as the social, political, economic and technological conditions that led to the advent of rave as an alternative movement across Europe.

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Prince Gallery, Hauser Pl. 16A, 1127 Copenhagen, Denmark

Kristoffer Ørum: Invisible Objects

Invisible Objects

Kristoffer Ørum's exhibition consists of a number of everyday objects: a video, a chair, a refrigerator door with milk, a dish with a watermelon, a bread box with brown bread, a sink with pasta and a number of PU foam objects - all of which emit through different wireless networks that are available within and outside the gallery.

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CHEWDAY’S Ltd, 139 Lambeth Walk, London, SE11 6EE

Gabriele Beveridge: Eternity Anyways

Eternity Anyways, Installation View

Less interested in a prescriptive rhetoric on consumer culture than exploring how the poetic and the personal can be addressed under contemporary conditions, Beveridge sits on the line between ambivalence and celebration – investigating a fascination between the lure of consumer images and objects and the values that they preserve and perpetuate.

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