Viewing articles tagged with 'Cambridge'

Kettle's Yard, Castle Street, Cambridge, CB3 0AQ

Oscar Murillo: Violent Amnesia

Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge

“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” Oscar Murillo’s current exhibition at Kettle’s Yard starts with these words by John Donne. This quote is a testimony of the artist’s mourning for his friend, Nigerian curator and unique contributor to the art world, Okwui Enwezor, who died earlier this year. But it makes me think that if Murillo were an island, he would have been a floating island. Review by Gulnaz Can

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Kettle’s Yard, University of Cambridge, Castle Street, Cambridge CB3 0AQ

fig-futures, WEEK 1 / EVA ROTHSCHILD + JOE MORAN

Eva Rothschild & Joe Moran, A Setup, 2018. fig-futures at Kettle's Yard, University of Cambridge.

In tight financial times, it is good to see this kind of generous programming, and the more concentrated format’s strength lies most especially in its potential for more intense, focused conversations between artists, artworks and disciplines as well as the opportunities for experimentation that such a short run provides. Review by Clare Robson

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Kettle’s Yard, University of Cambridge, Castle Street, Cambridge CB3 0AQ

Actions. The image of the world can be different

Installation view, Rana Begum

Kettle's Yard in Cambridge re-opens following a multi-million pound redevelopment of its galleries and public spaces and takes this question, and its possible answers, as a starting point. It features the work of 38 practitioners whose works fill the galleries, the on-site historic house and a nearby church, as well as occupying space online and being emblazoned on the uniform of the front of house staff. This exhibition is expansive. Review by Ryan Hughes

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Wysing Arts Centre, Fox Road, Bourn, Cambridge, CB23 2TX

All Channels Open

Lawrence Lek, FABRICK, 2017. Two video loops, 12 min, Stereo sound, Architectural model, Lasercut MDF, HD Screens, Raspberry Pis, LED Strip. 65 x 25 x 15 cm.

‘All Channels Open’ is similar to a compilation played within a subdued, minimally lit dance floor. An imaginable mic is passed to each artist in an effort to amplify her or his voice and position in the space. Review by Jaime Marie Davis

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