Viewing articles tagged with 'Video'

Wysing Arts Centre, Fox Road, Bourn, Cambridge, CB23 2TX

All Channels Open

Lawrence Lek, FABRICK, 2017. Two video loops, 12 min, Stereo sound, Architectural model, Lasercut MDF, HD Screens, Raspberry Pis, LED Strip. 65 x 25 x 15 cm.

‘All Channels Open’ is similar to a compilation played within a subdued, minimally lit dance floor. An imaginable mic is passed to each artist in an effort to amplify her or his voice and position in the space. Review by Jaime Marie Davis

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Gasworks, 155 Vauxhall Street, London SE11 5RH

Jamie Crewe: Female Executioner

Jamie Crewe, Female Executioner, 2017. Installation view.

‘Female Executioner’ translates the 1884 work, ‘Monsieur Venus: A Materialist Novel’, into compact visual sequences theatrically staged across the sparse Gasworks gallery. Review by Ashley Janke

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Frith Street Gallery, Soho Square (60 Frith Street), London

Adrian Paci / Giuliana Racco: Another Place

The Guardians

Informed by Adrian Paci's personal history of exile from Albania to Milan in 1997 during an armed uprising, he is characteristically drawn to dislocating the viewer and exploring the ambiguities of space, and the intersection between fact, fiction, reality and fantasy. His work has found a suitable counterpart in Giuliana Racco. Review by Cleo Roberts

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South London Gallery, 65-67 Peckham Rd, London SE5 8UH

Amie Siegel: Strata

Amie Siegel, Quarry, 2015. HD video, colour and sound. Exhibition view South London Gallery, 2017

Siegel probes ideas of value, wealth, attraction and symbolism through her work, presenting a layering of geological and allegorical strata which gives the exhibition its title. Review by Jillian Knipe

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J Hammond Projects, Unit 2B2 Bomb Factory, Boothby Road, London N19 4AJ

Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight)?

Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight) J HAMMOND PROJECTS

The objects we choose to accumulate and surround ourselves with represent a manicured veneer, and what we throw away is more revealing. Isn’t it more exciting to think about how someone would rather not be perceived? Liam Hess considers group exhibition 'Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight)?'

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Breese Little, Unit 1, 249 - 253 Cambridge Heath Road, London E2 6JY

Parallax scrolling

Parallax scrolling, Nicholas Hatfull, Lauren Keeley and Jackson Sprague, Installation View

‘Parallax scrolling’ is an exhibition that proposes a series of visual tactics by artists Nicholas Hatfull, Lauren Keeley and Jackson Sprague. These invite viewers to engage with perception and perspective by utilising simple optical devices, drawing our attention to the process of representation. Review by Cristina Ramos González

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Tenderpixel, 8 Cecil Court, London WC2N 4HE

Tropical Hangover

Tropical Hangover, installation view.

In the hot, damp climate of the rainforest, no sooner than an animal or plant dies, it begins to decay, feeding the maggots and soil from which new life grows. The tropics are an uncompromisingly ugly environment. The notion of nature’s immutable beauty is a human construction; one, as Tenderpixel’s group show ‘Tropical Hangover’ reveals, perpetuated by art. Henry Broome reviews

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Centro de Arte Andaluz Contemporáneo (CAAC) and Sala de Exposiciones Santa Inés, Seville

Leonor Serrano Rivas: Decorative Elements and Recurrent Patterns

One way to approach the recent body of work from Leonor Serrano Rivas is to understand it as a deconstruction of sorts of what would make a theatrical event. The Spanish artist has presented three key elements of a theatre play – the stage, the costumes and the backdrop – across two venues. Text by Lorena Muñoz-Alonso.

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Pump House Gallery, Battersea Park, London SW11 4NJ

Pilvi Takala: The Committee

Pilvi Takala, detail of The Committee project, 2013-2017, Pump House Gallery, London.

Pilvi Takala's ‘The Committee’ is a charming and timely exhibition that comments on the value of creativity for children, the opportunities it affords them and, significantly, is told from their perspective. Bobby Jewell reviews

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narrative projects, 110 New Cavendish Street, Fitzrovia, London W1W 6XR

Mahmoud Bakhshi: The Unity of Time and Place

The Unity of Time and Place, Detail 8

Mahmoud Bakhshi's exhibition addresses the violence of Iran's 1979 revolution, and as the title, ‘The Unity of Time and Place’, suggests, the past inhabits the present too. Review by Henry Broome

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IMT Gallery, 2, 210 Cambridge Heath Rd, London E2 9NQ

you were high when I was doomed

Installation view, you were high when I was doomed, IMT Gallery

The walls of the gallery have been spray painted to resemble some kind of toxic sky, with poisonous greens and billowing hues of black and purple. It creates a trail of changing colours like some kind of Romantic painter’s nightmare, through to its charred end. Review by Theo Turpin

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Emalin, Unit 4 Huntingdon Estate, Bethnal Green Rd, Shoreditch E1 6JU

Condo: Emalin hosting Galerie Gregor Staiger

Installation View, Condo: Emalin hosting Galerie Gregor Staiger

Carolina Mostert responds to a group exhibition at Emalin, as part of the multi-sited project 'Condo'. She finds a series of curious forms layered with myth, history and a variety of technologies.

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Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham, B1 2HS

Roger Hiorns

Roger Hiorns, installation view at Ikon galley, 2016

Hiorns’ works are charged with a bodily materiality, bio-politics, time and collapse. An atomised jet engine is placed on the floor next to the video work ‘Benign’. A series of paintings in decaying latex depict sexual acts between men, surrounded by clusters of disembodied erections. Review by Cathy Wade.

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