Viewing articles tagged with 'London'

The Showroom, 63 Penfold Street, London NW8 8PQ

Laura Oldfield Ford: Alpha/Isis/Eden

Laura Oldfield Ford, Alpha/Isis/Eden, installation view, The Showroom, 2017

Her omnipresence comes from a series of movements through the landscape as a squatter and activist. It is through Oldfield Ford’s political ideologies that the thematic of resistance in her work surfaces. Review by Sophie Risner

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Pump House Gallery, Battersea Park, London SW11 4NJ

Pilvi Takala: The Committee

Pilvi Takala, detail of The Committee project, 2013-2017, Pump House Gallery, London.

Pilvi Takala's ‘The Committee’ is a charming and timely exhibition that comments on the value of creativity for children, the opportunities it affords them and, significantly, is told from their perspective. Bobby Jewell reviews

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Hannah Barry Gallery, 4 Holly Grove, Peckham, London SE15 5DF

Mohammed Qasim Ashfaq: BLACK SUN

BLACK SUN

Encountering Mohammed Qasim Ashfaq’s work, ‘Black Sun’, is as much a lesson on the poetics of architecture as it is a visual experience. Review by Joan Lee

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Turf Projects, Keeley Road, Croydon, London, CR0 1TF

Agnes Calf: Silence is so accurate

Agnes Calf: Silence is so accurate,  installation view at Turf Projects, 2017. Photo: Tim Bowditch.

Agnes Calf presents a new body of gold-tinted work at Turf Projects providing a setting for an exploration of an artwork’s apparent mutism in the face of perception, archivism and interpretation.

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narrative projects, 110 New Cavendish Street, Fitzrovia, London W1W 6XR

Mahmoud Bakhshi: The Unity of Time and Place

The Unity of Time and Place, Detail 8

Mahmoud Bakhshi's exhibition addresses the violence of Iran's 1979 revolution, and as the title, ‘The Unity of Time and Place’, suggests, the past inhabits the present too. Review by Henry Broome

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IMT Gallery, 2, 210 Cambridge Heath Rd, London E2 9NQ

you were high when I was doomed

Installation view, you were high when I was doomed, IMT Gallery

The walls of the gallery have been spray painted to resemble some kind of toxic sky, with poisonous greens and billowing hues of black and purple. It creates a trail of changing colours like some kind of Romantic painter’s nightmare, through to its charred end. Review by Theo Turpin

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Rodeo, 123 Charing Cross Road London WC2H 0EW, UK

Condo: Haris Epaminonda

Installation view, Haris Epaminonda, VOL.XIX, Rodeo, London, 2016.

For VOL. XX, the nineteenth edition of 'Volumes', Haris Epaminonda uses disparate material from her collection of pottery, books and historical objects.

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Emalin, Unit 4 Huntingdon Estate, Bethnal Green Rd, Shoreditch E1 6JU

Condo: Emalin hosting Galerie Gregor Staiger

Installation View, Condo: Emalin hosting Galerie Gregor Staiger

Carolina Mostert responds to a group exhibition at Emalin, as part of the multi-sited project 'Condo'. She finds a series of curious forms layered with myth, history and a variety of technologies.

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Pilar Corrias Gallery, 54 Eastcastle Street, London W1W 8EF

Charles Avery: The People and Things of Onomatopoeia: Part 2

Installation view gallery 2

Recent political developments in the UK have naturally left the issue of an island mentality very present in people’s minds. Avery has described his protagonists as philosophically engaged rationalists but with such clear contrast between the Island’s urban and rural life, you wonder how long before the Islanders might have a revolution. Review by Tessa Norton

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Passen-gers, Brunswick Centre, London

Evy Jokhova: Towering in the condition of fragments

Installation view, l-r: Totem VIII, 2017, plaster, steel, cement, polystyrene, stone effect; Slabs on Stone II, 2016, carved stone, linoleum, oil paint, stone effect, timber; Slabs on Stone I, 2016; Totem I, 2016

Evy Jokhova’s exhibition consists of a mix of sculptures and installations that generate questions about nature and artifice, crafted and found objects, and subjective and objective states. Stacked in formations that resemble cairns, the works explore the social and historical dimensions of stone, linoleum, paint and fur. Review by Anya Smirnova

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Rodeo Gallery, 123 Charing Cross Rd, Soho, London WC2H 0EW

Condo: Rodeo Gallery hosting Supportico Lopez: Franziska Lantz: Expanding Arid Zones

Installation view, Condo: Franziska Lantz, expanding arid zones, Rodeo hosting Supportico Lopez, Rodeo, London, 2017.

In the corridor of Rodeo Gallery’s reception, fragments of material hang in an assemblage of abstracted male and female forms. Lurking silently, the figures observe my arrival. The assemblage is part of a new body of work by Franziska Lantz on show in the first floor gallery space. Laura Mansfield reviews Lantz within the context of 'Condo'.

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