Viewing articles tagged with 'Drawing'
The Sunday Painter, 117-119 South Lambeth Road, London SW8 1XA
In the first instance Beatriz Olabarrieta's artwork is crooked. Like an oversized yoga mat, 'Open relationship (almost failing red)' (2017) is placed askew of the demarcation grooves set by the floorboards. Only just slightly, which gives it a sense of the accidental. The temptation is to correct its placement, though of course the work remains untouched and introduces an exhibition teasingly just short of the definable and the ideal. Review by Jillian Knipe
Turner Contemporary, Rendezvous, Margate CT9 1HG
In the first exhibition of Arp’s work in the UK since his death in 1966, Turner Contemporary exhibits a selective retrospective of the multi-linguist’s works and ideas spanning from early Dadaist pieces such as the poem ‘Kaspar ist tot’ to the sculpture, ‘Étoile’, a hollow melting star that marks his grave in Locarno. Review by Evie Ward
Artist Interview: Lubaina Himid
Ahead of tonight's Turner Prize winner announcement, which she is odds on to win, Cleo Roberts, art historian and research associate at Wolfson College, University of Cambridge, interviewed Lubaina Himid to find out more about her practice, research process and the intricacies of her visual language.
Museum of Contemporary Art San Diego, 1100 Kettner Blvd, San Diego, CA 92101, USA
Memories of Underdevelopment is set within the context of Latin America during the 1960s to 1980s, a period that coincides with both the apex and unraveling of the developmentalist project in many countries in the region, most notably Brazil, Argentina, Venezuela, and Mexico. In contrast to dominant ideologies that guided the modernization process in these countries, Memories of Underdevelopment traces the emergence of a distinct set of artistic practices that questioned the developmentalist rhetoric and proposed alternative forms of cultural production that responded to this situation of cultural and economic dependency.
Camden Arts Centre, Arkwright Road, London NW3 6DG
Self-described as a painter of still lives ‘who makes her own models’ – carefully colour toned, modular, geometric constructions – Du Pasquier has taken two gallery rooms as her field of composition for a new body of work that comes together as a comprehensive, if many sided, installation. Review by Hannah Newell
Calvert 22, 22 Calvert Avenue, London E2 7JP
‘Russia,’ a 2004 media-opera, like much of Prigov’s work that spans drawing, installation, performance, poetry and sculpture tests the limits of language and meaning, while exploring the complex legacy of Russia’s socialist project and its eventual unravelling. Review by Anya Smirnova
Bonner Kunstverein and Artothek, Hochstadenring 22 D-53119 Bonn Germany
Titled after the first book written by a computer, The Policeman’s Beard is Half Constructed surveys art engaged with the age of artificial intelligence. The exhibition includes both historical and contemporary artworks made between 1961 and 2017. Comprising over 100 works by 36 artists from 14 countries, the exhibition is the largest to be held at the Kunstverein in 30 years.
White Cube Bermondsey, 144 – 152 Bermondsey Street, London SE1 3TQ
For his exhibition ‘Play Time’ at White Cube, Ortega has created new large-scale installations, sculptures and two-dimensional works which address the themes of chance and accidents in the creative process. Review by Fiorella Lanni
Museum Boijmans Van Beuningen, Museumpak 18, 3015 CX, Rotterdam, Netherlands
Academy of Tal R offers the first in-depth exploration into the artistic journey of one of the most visually exciting painters of our time. Featuring roughly 170 works, consisting of new pieces made especially for this exhibition and work spanning the past twenty years, this mid-career retrospective is the largest survey of his oeuvre to date. Academy of Tal R highlights how, from the outset, the artist has been a storyteller with a special eye for the overlooked, hidden and repressed spaces of modern life.
Various locations, Coventry
The walk from the station establishes the context for this first biennial: hoardings and lightboxes promote Coventry’s bid to be the UK’s City of Culture in 2021. In parallel the council has promised ten years of support for cultural growth regardless of the bid’s outcome. For artists and curators in the city, here was an opportunity, not just to take stock of what has recently been achieved, the partnerships already instigated, but to begin plotting the parts they will play in the years to come. Review by Kit Webb
Institute for Contemporary Art Boston, 25 Harbor Shore Drive Boston, MA 02210
Dana Schutz is among the foremost painters of her generation and is part of a group of artists leading a revival of painting today. Her distinct combination of figuration and abstraction, expressive colour palette, and her use of imagined and hypothetical scenarios are unique among her contemporaries. The artist’s work captures the frenzy, tension, vulnerability, and struggle of life today, as her subjects actively manage, even fight, both the limitations of the canvas and their depicted environments.