Jack Shainman Gallery, 513 West 20th St. & 524 West 24th St, NY 10011
Born, raised, and still working in Havana, Yoan Capote has delivered the beautiful idiosyncrasies of and within Cuba to a general audience. Review by Shana Beth Mason
Hollybush Gardens, 1–2 Warner Yard, London EC1R 5EY
Alex Borkowski finds an unusual, light-hearted ambivalence in Proctor’s work which is invested in the success and failure of actions and images.
Breese Little, 30B Great Sutton Street, London EC1V 0DU
The exhibition sets out to examine the shifting role of aesthetics in communicating knowledge of science, space and the universe, taking inspiration from the photographs that NASA used in the 1960s to relay and dramatise the progress and excitement of the space race. Review by Theo Turpin
Turf Projects Gallery & Workspace, Keeley Road, Croydon CR0 1TF
The teen-text reference of the exhibition’s title puts forward an ostensible sentimentality that is quickly undermined by the works on display. Joseph Constable reviews Tru Luv, the inaugural exhibition at Turf Projects.
NoguerasBlanchard, Doctor Fourquet 4 28012, Madrid
The exhibition 'AXOLOTLISM' takes as its point of departure an enigmatic story by Julio Cortázar, 'Axolotl' (1956), in which the Argentinean writer short-circuited the distance between observer and observee.
Kraupa-Tuskany Zeidler, Karl-Liebknecht-Straße 29, 4th Floor, 10178 Berlin
Daniel Keller’s wide-ranging output engages with issues at the intersection of economics, technology, culture and collaboration.
Filmed 21st May 2015 at Drawing Room, London
A conversation on 21 May 2015 between Luc Tuymans and curator Ulrich Loock on the occasion of DE. FI. CIEN. CY - an exhibition of over 50 works on paper by Polish artist Andrzej Wróblewski (1927-57), Dutch artist René Daniels (b.1950) and Belgian artist Luc Tuymans (b.1958).
Spike Island, 133 Cumberland Road, Bristol BS1 6UX, United Kingdom
In the days before ‘Post-Production’ opened, I watched Cally Spooner in the familiar, inglorious throes of post-production itself, making final video edits...
Ort Gallery, 500 – 504 Moseley Road, Balsall Heath, Birmingham B12 9AH
Anneka French reviews Ellie Harrison's High Street Casualties, which continues the artist’s research into the currency of capitalism in visual and popular culture, and the complex political and social workings of various groups, this time via zombies.
Louisiana Museum of Modern Art, Gl Strandvej 13, 3050 Humlebæk, Denmark
Doig's solitary figures and filmic landscapes, bedecked with polychromatic painterly jewels, sparks and washes, and often nodding to painters past, ring out joyfully. Review by Lizzie Lloyd
Palazzo Grassi, Campo San Samuele, 3231, 30124 Venice
Taking its title from Nairy Baghramian’s phallic resin covered concrete piece, ‘Slip of the Tongue’ is a scenario for chance, an opportunity in a conversation for diversion. Review by Bob Gelsthorpe
Zabludowicz Collection, 176 Prince of Wales Road, London NW5 3PT
Phoebe V. Bradford reviews some of the diverse works accrued by the Zabludowicz Collection over a twenty year period.
Peckham Platform, 89 Peckham High Street, London SE15 5RS
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Manchot's multi-channel video installation explores personal testimonies of those affected by addiction, and dramatically stages some of the rituals and ruptures that they have experienced during everyday situations or activities. The exhibition is reviewed by Philomena Epps.
Contemporary Art Society, 59 Central Street London EC1V 3AF
