52 Easton Street, Easton, Portland, Dorset DT5 1BT
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Beth Bramich explores Katrina Palmer's End Matter, comprised of a radio play, audio walk and publication. These three points of entry, although potentially discrete, simultaneously condense and expand Palmer's enquiries into the Isle of Portland, Dorset.
Galerie Buchholz, Fasanenstraße 30, 10719 Berlin
Isa Genzken's latest solo exhibition is conceived around ‘El Salvador’ - her major Hyperbolo sculpture from 1980. At Galerie Buchholz, Genzken presents this work juxtaposed with new work from her current practice.
Sprüth Magers Berlin, Oranienburger Straße 18, D-10178 Berlin
At the core of Cyprien Gaillard’s latest solo exhibition is 'Nightlife'- a major new film shot at night over the past two years in Cleveland, Los Angeles and Berlin.
Elizabeth A. Sackler Center for Feminist Art, 4th Floor, Brooklyn Museum, 200 Eastern Parkway Brooklyn, New York 11238-6052
Well known for her role as a photographer and human rights activist, Muholi captures the lives of a disregarded sector of society ostracized by their own community for their way of life and sexual orientation. Review by Bansie Vasvani
Various venues, 56th International Art Exhibition, Venice Biennale
Rob La Frenais reflects on the nature of 'Shifting Pavilions' at this year's Venice Biennale.
MoMA PS1 22-25 Jackson Ave, Long Island City, NY 11101
Wael Shawky’s practice of putting historical, artistic and literary voices into the mouths of others runs through his trilogy of films at MoMA PS1 in New York, shown under the collective title 'Cabaret Crusades'. Review by Gemma Sharpe
BEERS London, 1 Baldwin Street London EC1V 9NU
Corkery's work uses repetition, disruptive rhythm and simulation to disorientate the viewer. Samantha Johnson reviews the exhibition at BEERS London.
DKUK, K&S Indoor Market, 135a Rye Lane, Peckham, London SE15 4ST
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Louisa Lee reviews Alan Kane's Vanity Suite/Sorry in which visitors can have a salon haircut in front of, and sat upon, art.
Camden Arts Centre, Arkwright Road, London NW3 6DG
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The blank spaces which appear in many of Jo Baer’s recent works speak loudest of all. They function as a space for the viewer to enter with their own narratives. Review by Alexandra Warder
basis, Gutleutstraße 8-12, 60329 Frankfurt am Main, Germany
In her installation, film and text-based works Marianna Christofides engages with historical documents and their potential for narrative renegotiation.
Susanne Vielmetter Los Angeles Projects, 6006 Washington Boulevard, Culver City, California 90232
Susanne Vielmetter Projects presents a series of new work by New York based Chloe Piene - an artist known for her evocative figurative drawings and powerful video work.
Yorkshire Sculpture Park, West Bretton, Wakefield WF4 4LG
For all their liquidity the pieces are extraordinarily statuesque. They are on a human scale and stand, sit or lie as firmly as figures. The shapes are made in series and displayed as drooping repetitions of form that bare individual strains of gravity and time. Review by Edwina Attlee
Fondazione HangarBicocca, Via Chiese 2, 20126 Milano
These are not sculptures to be stumbled upon in a shoddily lit corner of a labyrinthine museum; these figures must be spied from afar, wondered about, then investigated. Review by Rich Thornton
Bureau, 178 Norfolk Street, New York, NY 10002
Rebet’s practice regularly combines the use of drawing, film, sculpture, and performance to present ‘intensely personal perspective[s] on historical traumas, reinterpreted through the land, bodies, and minds that are subject to them’. Review by Taylor Le Melle
