Quench Gallery, Cliftonville Avenue, Margate CT9 2NU

Ruth Claxton | once solid now dissolved

once solid now dissolved install

As pandemic lockdowns lift, I repeatedly visit the vestiges of the cell of a mediaeval anchoress, which once adjoined St James church in Shere. The stone lintel and two small openings in the church wall are all that remains of the tiny room in which Christine Carpenter, the Anchoress of Shere, is thought to have been entombed for most of her adult life. The Anchorite tradition involved an individual, usually a woman, voluntarily forgoing village life to be enclosed in a chamber to pursue solitary, religious devotion. Walled in, the cell protected the anchoress from the sins of the world, shielding her from the mortal dangers of plague and pestilence as well as the social perils of moral temptation. Essay written by Kelly Large.

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Carl Freedman Gallery 28 Union Crescent, Margate CT9 1NS

To All The Kings Who Have No Crowns | Curated by Jennifer Lauren Gallery


Carl Freedman presents Jennifer Lauren Gallery, showcasing seventeen international, distinct contemporary practices, revealing a diverse collection of art forms including drawing, painting, ceramics, embroidery and found object sculptures. The title, To All The Kings Who Have No Crowns, represents the seventeen self-taught and disabled artists chosen who, despite being skilled artists, are yet to receive the recognition they rightly deserve within contemporary arts. Jennifer is passionate about creating awareness and gaining respect for these and many other similar artists. From the press release.

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Turner Contemporary, Margate, Kent CT9 1HG

Wayfinder: Larry Achiampong & JMW Turner


Wayfinder (2022) is Achiampong’s most ambitious film to date. Set in a pandemic, it follows the Wanderer, a young girl played by Perside Rodrigues, on an intrepid journey across England. Travelling from North to South, she passes through different regions, towns and landscapes, encountering people, stories and situations on her way. Across six chapters, including ‘The North’, ‘The Big Smoke’ and ‘The Kingdom of the East’, this epic film builds a dialogue about class and economic exclusion, belonging and displacement, cultural heritage and the meaning of home. From the press release.

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Boekhorststraat 125 2512 CN The Hague The Netherlands

Kafka For Kids and The Dust Channel | Roee Rosen

Kafka For Kids

For Kafka for Kids and The Dust Channel, 1646 transforms into a cinema. A public premiere of the new two-hour film Kafka for Kids, made by renowned artist, writer and filmmaker Roee Rosen, is complemented by his film The Dust Channel (2017). In his exhibition at 1646, Rosen offers a critical look into Israeli society’s private perversions and socio-political phobias. Kafka for Kids takes the shape of a musical pilot episode of a television series that aims to make Kafka’s tales suitable for toddlers. The film premiered for the jury of the IFFR 2022 Tiger Competition, after which it is on view for the public in 1646’s cinema. From the press release.

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1a Kempsford Road (off Wincott Street), London, SE11 4NU

Roger Hiorns | Corvi-Mora


That an artwork is an arena of removed experience, that we are present in the view of it, but if it’s sophisticated and attuned and composed and put together with interior considerations then it takes us to another place, a complex place of balanced vibrations, of ouroboros at its consumed final point, and these artworks are emitting an endless energy, of transitional proposals, and we on the whole miss their readings, let the power from them go to waste, power picked up by a later generation, with better tools to interpret. From the press release. Essay by the artist.

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M HKA, Museum of Contemporary Art Antwerp

Anthea Hamilton | Mash Up

The Squash

Mash Up, the first major survey exhibition of works by British artist Anthea Hamilton, opens at M HKA, Museum of Contemporary Art Antwerp.For nearly two decades, Anthea Hamilton has developed a complex practise that spans sculpture, installation, film and performance. Hamilton dives without restraint into the meandering history of visual and cultural production, using her eye as both a subjective and productive lens through which to view (and recreate) the world. From the press release.

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Fruitmarket 45 Market Street, Edinburgh EH1 1DF

Howardena Pindell | A New Language


The historical work of Howardena Pindell is an excellent addition to the walls of Fruitmarket in Edinburgh. As her first solo exhibition in a public organisation in the UK, this exhibition displays Pindell’s work from the 1970s to the present day. Pindell is an established artist, curator, teacher and activist – born in 1943 in Philadelphia and hired by the Museum of Modern Art, New York as an exhibition assistant in 1967. Pindell teaches at the State University of New York at Stony Brook, Long Island. Review by Laura Baliman

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Galerie Max Hetzler, Bleibtreustraße 45, 10623 Berlin

Thomas Struth | Gallery Max Hetzler

Galerie Max Hetzler is pleased to present an exhibition with new work by Thomas Struth. Revolving around universal questions of our time with a focus on Science, Nature and Portraiture, three major themes from Thomas Struth’s current bodies of work are shown across the two gallery locations in Bleibtreustraße.

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Warwick Arts Centre, Coventry CV4 7AL

Rana Begum: Dappled Light

Dappled Light

The first exhibition since 2018 is Rana Begum: Dappled Light. Rana Begum was born in 1977 in Bangladesh. She lives and works in London. Begum’s work focuses on the interplay between light and colour, blurring the boundaries between sculpture, painting and architecture. Her use of repetitive geometric patterns – found both within Islamic art and the industrial cityscape – takes its inspiration from childhood memories of the rhythmic repetition of daily recitals of the Qur’an. Influenced by the geometric abstraction of minimalism and constructivism and the work of artists such as Agnes Martin, Donald Judd, Jesús Rafael de Soto and Tess Jaray, Begum’s work ranges from drawings, paintings and wall-based sculptures to large-scale public art projects.

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David Zwirner 24 Graton Street, London

Rose Wylie | Car and girls

Pink Girl, Like an Assyrian Dancer and Pink Clouds

David Zwirner is pleased to present new work by British artist Rose Wylie (b. 1934) in The Upper Room at the gallery’s London location. The exhibition will feature both two- and three-dimensional works, emphasising the interchange between painting and sculpture in the artist’s practice and highlighting the way in which her move into sculpture in recent years has enabled her to explore new perspectives on recurrent motifs.

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The Artist Room, London W1F 9TX


A pair of jugs

The Artist Room is pleased to present ECHO, a group exhibition featuring works by George Henry Longly, Jane Simpson, Kaari Upson and Grace Woodcock. ECHO explores the memories that objects hold; how artists have transformed them into portals for exploring introspective histories and our broader human condition. Including sculpture and photography, this exhibition navigates the varying ways that an intergenerational group of artists have utilised objects – whether cherished and treasured, abandoned and forgotten or transient and utilitarian. In different ways and through processes of bricolage, representation and re-representation, all of the included works are markers of active and lost memories.

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The Sunday Painter, 117-119 South Lambeth Road, SW8 1 XA

Sophie Ruigrok: today I feel relevant and alive

Positive mental attitude

Sophie Ruigrok’s solo exhibition 'today I feel relevant and alive' brings together a new body of pastel drawings completed over the last two years. Grounded in the artist’s interest in Jungian psychoanalysis and concepts of the collective unconscious and archetypes, Ruigrok creates work that investigates the extremities of human emotion. Ruigrok’s subjects are drawn from various sources; movie stills, found photographs, and appropriations from art history are fused with her autobiographical encounters, memories and photography.

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Sean Kelly 475 Tenth Avenue New York, NY 10018

Alec Soth | A Pound of Pictures

Niagara Falls, Ontario

Sean Kelly is delighted to announce A Pound of Pictures, Alec Soth’s fourth solo exhibition at the gallery. This new body of work brings together images Soth completed between 2018 and 2021. As is often his custom, Soth began A Pound of Pictures by taking a series of road trips, in this case on a quest to further explore a deeper connection between the ephemerality and physicality of photography as a medium.

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