CCA Glasgow, 350 Sauchiehall St, Glasgow G2 3JD

The Sky is Falling

Laura oldfield ford, radiant futures, sound and mixed media, 2017.

The Sky is Falling is concerned with city spaces as the site for utopias, dreams and social visions. Meanwhile, it documents the abrasive and contradictory experiences of citizens as the potential that urban utopias offer declines and fails. Review by Alexander Hetherington

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Castor, Enclave 8, 50 Resolution Way, London, SE8 4AL

Jack West: Time and Attendance

Jack West: Time and Attendance, Castor

The videos exist in a digital purgatory with nothing around them apart from pixels and hyperbolic colour palettes emulating materials we know. Review by William Davie

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Barbican Centre, Silk St, London EC2Y 8DS

The Japanese House: Architecture and Life after 1945

The Japanese House: Architecture and Life after 1945. Installation View, Barbican Art Gallery, London, 23 March - 25 June 2017

This is an exhibition that, alongside showing ground breaking architectural designs and their socio-economical contexts, attempts to dig deeper into the psyche of the Japanese family. Spread across two floors centred around a courtyard with lovingly reconstructed walk-through models of contemporary Japanese rooms, the show allows us to sense what it’s like to live in these finest examples of nanotecture. Review by Dominika Mackiewicz

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Harris Museum and Art Gallery, Market Street, Preston PR1 2PP

Maeve Rendle: I Remember All

I Remember All, a spectacular new film and performance work by Maeve Rendle, was inspired by Anton Chekhov’s The Seagull. Text by Amy Botfield

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The Power Plant, 231 Queens Quay W, Toronto, ON M5J 2G8, Canada

Jonathas de Andrade: On Fishes, Horses and Man

Jonathas de Andrade: On Fishes, Horses and Man, installation view at The Power Plant, Toronto, 2017

In his solo exhibition at the Power Plant, Jonathas de Andrade astutely mines the racialized socio-economic conditions specific to north-eastern Brazil in order to explore the ways in which archetypes, ideologies and fictions both conceal and construct lived experience. Review by Alex Borkowski

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Serpentine Gallery, Kensington Gardens, London W2 3XA

A World View: John Latham

A World View, John Latham, Speak, 1962, Installation view, Serpentine Gallery, London, 1 March 2017 - 21 May 2017

Neither chronological nor particularly thematic, the show’s organisation drives home one of the main characteristics of Latham’s work: to a greater or lesser extent all of it reflects his peculiar and esoteric theories of universal time, and his theory of art as event. Review by Anya Smirnova

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Luxembourg & Dayan, 2 Savile Row, Mayfair, London W1S 3PA

The Ends of Collage: London

Installation view, The Ends of Collage, Luxembourg & Dayan, London, 10 March - 13 May 2017

While on one count, the show’s conception of collage is flawed, it presents a complete and compelling account of its connection to other mediums. Review by Henry Broome

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CANAL, 60 De Beauvoir Crescent, London N1 5SB

Justyna Scheuring: Everyone, Merry-Go-Round

Justyna Scheuring: Everyone, Merry-Go-Round, CANAL

Scheuring spoke in her performance about the desire to express suffering caused by a sense of alienation. At the same time she tried to draw attention to the impossibility of conveying the overbearing experience to others by means of established cultural codes. Review by Dr Dominik Kuryłek

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Drawing Room, Unit 8 Rich Estate, 46 Willow Walk London SE1 5SF

Drawing Biennial 2017

 Drawing Biennial 2017, Photography by Dan Weill

Drawing Biennial 2017 offers insights into how artists contend with a world in rapid and disorienting flux. A snapshot of contemporary drawing practices, the exhibition includes more than 200 new and recent works on paper by leading international artists of different generations.

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ACUD Gallery, Veteranenstraße 21, 10119 Berlin Mitte, Berlin

Monira Al Qadiri: Bubble

Monira Al Qadiri: Bubble, installation view at ACUD, Berlin

For her first solo exhibition in Germany at ACUD Gallery in Berlin, Monira Al Qadiri presents a simple combination of sculptures and video works created in the past five years. Review by Anaïs Castro

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