Hammer Museum, 10899 Wilshire Boulevard, Los Angeles, CA 90024
With their symmetrical compositions, intricate patterns, and lush colors, Maya Hayuk's paintings and massively scaled murals recall views of outer space, traditional Ukrainian crafts, airbrushed manicures, and mandalas.
KW Institute for Contemporary Art, Auguststr. 69, D-10117 Berlin.
His radical demand for reaction, his uniquely inventive imagery, his almost obsessive overexertion and his challenging demand for similar dedication from anyone involved in his projects secure Schlingensief's position in the contemporaneous art discourse.
David Dale Gallery & Studios, 161 Broad Street, Glasgow, G40 2QR
In his essay for the 1970 exhibition - Software: Information Technology, Its New Meaning for Art - catalogue the curator Jack Burnham made a direct comparison between the strategies of conceptual art and developments being made in the field of computer pr
Daad Galerie, Zimmerstaße 90, 10117 Berlin
Carolina Caycedo is an environmental activist and artist. In this project she takes up resistance against the El Quimbo dam construction project in western Columbia.
Cell Project Space, 258 Cambridge Heath Road, London E2 9DA
Comrades of Time Comrades of Time is a group show curated by Chewday's including work by Gabriele Beveridge, Paul Cowan, Bryan Dooley, Koen Dalaere, Matias Faldbakken, Nikolas Gambaroff, Wade Guyton, Bas van den Hurk, Marlie Mul and Magali Reus
Luhring Augustine, 531 West 24th Street, New York, NY 10011
Mucha's complex work penetrates several dualities: connectivity and isolation, temporality and permanence, intimate narrative and national history, progress and stasis.
Galerie Jean Fournier, 22 Rue du Bac, 75007 Paris
Panorama is a group of works in which the eye is the driving force, from the artist's creative gaze through to the viewer's own movements.
Solomon R. Guggenheim Museum, 1071 5th Ave, New York, NY 10128
Over the past decade, Wool's simultaneous embrace and repression of painting's expressive potential have culminated in an open-ended vein of works that he refers to as his 'gray paintings,' in which Wool alternates between the act of erasing and the act o
Blain|Southern, 4 Hanover Square, London W1S 1BP
Xhafa's chain of suspended objects is an anti-monument, a contemporary memento mori that responds to the slow effects of violence rather than its immediate shock. Review by Yvette Greslé
Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham B1 2HS
Painted directly onto Ikon Gallery's walls, Tremlett's large-scale work dramatically reframes the gallery space, and the viewer within it. Review by Anneka French
Arnolfini, 16 Narrow Quay, Bristol BS1 4QA
With every iteration of his exhibition, Tuerlinckx reconfigures the works, the space, and the visitors' very approach to the art. Rory Duckhouse reviews.
Sadie Coles HQ, 69 South Audley Street, London W1K 2QZ
Korty riffs on the classical pursuit of knowledge in a show that suggests a few new directions for his work. Review by Laura Davidson
