waterside contemporary, 2 Clunbury Street, London N1 6TT
Reichman, now based in Tel Aviv and Berlin, presents a sparse yet multi-faceted show, which encompasses film, photography, drawing and installation. Review by Kathryn Lloyd
Frith Street Gallery, 17-18 Golden Square, London W1F 9JJ
'The condition of inhabiting worlds beyond the familiar has the capacity to transform us - how it is we see, and hear. As artists move and migrate across the globe living and working in different places, for many reasons, how do they experience and articu
DEPO, Lüleci Hendek Caddesi No.12, Tophane 34425, Istanbul
DEPO, by mounting simultaneous showcases of two contemporary Turkish female artists, has packed a lot of punch into two rickety, wooden-floored storeys
with Axisweb
Writer and curator Omar Kholeif profiles London-based artist Lawrence Abu Hamdan who works with sound, installation and performance.
Institute of Contemporary Arts, The Mall, London SW1Y 5AH
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Davies' work has always engaged with a particular intimacy and discursiveness foregrounded through the movement language she developed. Navigating the theatrical and displacing unity and cohesion of movement, her work is characterised by a particular form
De La Warr Pavilion, Marina, Bexhill, East Sussex TN40 1DP
Both sets of work at DLWP engage directly with the unique site of their exhibition. Karl Musson reviews.
Spike Island, 133 Cumberland Road, Bristol BS1 6UX
David Batchelor invites us to embrace the joys of a visually stimulating world through colour. Review by Leela Clarke
Portikus, Alte Brücke 2, Maininsel, D - 60594 Frankfurt, Germany
By addressing her own anxieties, von Wulffen nakedly exposes the neuroses of an entire industry. Shifting between the dismal and the comical, her own existence stands in for that of others.
Galerie Eva Presenhuber, Maag Area, Zahndradstr. 21m CH-8005, Zürich
With Gordon's analyses and reconstructions of images drawn from collective memory and everyday culture, he lays bare fundamental patterns of perception.
Hauser & Wirth, 23 Savile Row, London W1S 2ET
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Enli has often remarked that although he uses 'objects from today', they represent feelings from his childhood, like the memory of the feeling of rubber, the weight of a rope hung from a hook, or the tautness of a net when holding cloth in a bind. Lily Le
Emerson Dorsch, 151 NW 24th St, Miami, FL 33127
Masks can teach, trick, tempt, torture and/or transform us. They help clothe us in ancient rituals and initiate new ones. Shana Beth Mason reviews Saya Woolfalk's works, which draw powerfully on the theme.
