Contemporary Image Collective, 20 Safeya Zaghloul St. MOUNIRA, Cairo Governorate, Egypt
Exploring the potential that the exchange of 'viewing copies' allows for sharing and reproducing work and images, Viewing Copy took work that have previously been shown online, in print, and in gallery shows and re-interpreted the material within the phys
K21 Ständehaus Kunstsammlung Nordrhein-Westfalen, Ständehausstraße 1, 40217 Düsseldorf
'Through the deconstruction and rearrangement of sound and its localisation in space, Philipsz effects a continuous redefinition of both visual art and music.'
The Fruitmarket Gallery, 45 Market Street, Edinburgh, EH1 1DF and Scottish National Gallery of Modern Art, 75 Belford Road, Edinburgh, EH4 3DR
Louise Bourgeois drew raw and often dark inspiration from frequent bouts of insomnia. Two exhibitions of her work currently open in Edinburgh shed new light on how she carried that experience into the rest of her career. Catherine Spencer reviews.
Sprüth Magers London, 7A Grafton Street, London, W1S 4EJ
Todd Levin has collected together over 60 of Shore's works in a fresh and intriguing show that draws from the breadth of his distinguished career. Review by Lily Le Brun
Hepworth Wakefield, Gallery Walk, Wakefield, West Yorkshire WF1 5AW
Their colours may well strike first - lurid hues quarrelling on the canvas - but Dana Schutz's paintings at Hepworth Wakefield are also remarkable for their uncomfortable textures. Review by Maggie Gray
Galleria Continua, Via del Castello, 11, 53037 San Gimignano Siena, Italy
Tucked away in San Gimignano, an exhibition of work by Pistoletto uses the motif of the mirror to highlight slippery notions of truth and deception. Review by Shana Beth Mason
3 & 11 Duke Street St James's, London SW1Y 6BN
Zaatari has worked for years with photographic archives from and about his home region. Review by Cicely Farrer.
SculptureCenter, 44-19 Purves Street, Long Island City, New York, 11101
Fascinated by the dynamics in the natural world, Greenfort's work often revolves around ecology and its history, including the environment, social relations, and human subjectivity.
Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA
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'The Subtle Knife' is an apt title for this collaborative site-specific sculpture, that looks back to both local and continental modernist dreams and tries to revive them. Review by Michael Mulvihill
Victoria Miro Mayfair, 14 St George Street London W1S 1FE
Stan Douglas's staged documentary images speak forcefully to the failure of historical representation, of claiming or assuming to speak a 'truth' on behalf of others. Review by Yvette Greslé
Zetesis is an international, peer-reviewed journal concerned with the converging theoretical, creative and practical fields of fine art, philosophy, feminist & queer praxis, mediated ecologies and the wild sciences. Today in kind collaboration with the Jo
David Zwirner, 525 West 19th Street, New York, NY 10011
'Vibrant, animated, and intense, the paintings transcend their medium to introduce their own pictorial logic, which appears both contemporary and universal.'
