Peckham Platform, 89 Peckham High Street, London SE15 5RS

Ruth Beale: Bookbed

'There is a generosity in [Beale's] acts of hosting, her imagination and playfulness'. Review by Beth Bramich

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Centre for Contemporary Arts, 350 Sauchiehall St, Glasgow G2 3JD

Speaking in Tongues: Sonia Boyce, Pavel Büchler, Susan Hiller

'Speaking in Tongues' draws specifically on the archive of the Third Eye Centre, the organisation which is now the Centre for Contemporary Art in Glasgow. Review by Cicely Farrer

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Arnolfini, 16 Narrow Quay, Bristol BS1 4QA

Holzinger & Riebeek: Spirit

'We would like to believe that love is the motivation for everything - even if it motivates us to move away from it' (Holzinger & Riebeek). Review by Laura Burns

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The Renaissance Society, 5811 S. Ellis Aenue, Bergman Gallery, Cobb Hall 418, Chicago, Illinois 60637

Nora Schultz: parrottree-building for bigger than real

Society basement storage, and a newspaper read during installation. She frees these "things" by disassociation, estranging them, removing them from their context so they can become: forms, colors, lines, themselves. The installation transforms these objec

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Murray Guy, 453 West 17 Street, New York, NY 10011

Someone Like Me

'I often wonder what was it that drove me, and by me, I want to explain, someone like me, toward that imminent disaster''

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Hayward Gallery, Southbank Centre, Belvedere Road, London SE1 8XX

Martin Creed: What’s the point of it?

'The joke about playing all the right notes but not necessarily in the right order is the perfect analogy for Martin Creed's work: something that teeters on the cusp of failure and uncertainty ends in a meticulously executed gesture of artistic dissonance

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Royal Academy, Burlington House, Piccadilly, London W1J 0BD

Sensing Spaces

'Sensing Spaces: Architecture Reimagined' sets out to draw our attention to the buildings and spaces we travel through, work and dwell in, in our day-to-day lives. Review by Edwina Attlee

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Bargehouse, Oxo Tower Wharf, London, South Bank SE1 9PH

Republic of the Moon

As notions of freedom, ownership and the self become more abstract, will the moon also be subjected to the same treatment' Review by Denise Kwan

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Ceri Hand Gallery, 6 Copperfield Street, London SE1 0EP

Samantha Donnelly: Rubbernecker

Donnelly is interested in the morbid curiosity we have in other people's secret lives: 'Rubbernecker' refers to the experience of craning one's neck to get a better view of a road accident. Review by Edwina Attlee

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David Roberts Art Foundation, Symes Mews, London NW1 7JE

Geographies of Contamination

'Venture too far to the left on entering David Roberts Art Foundation's latest exhibition, 'Geographies of Contamination', and a gallery assistant leaps to your side to save you from stepping into an oily puddle.' Review by Matilda Bathurst

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The Art Institute of Chicago, S Michigan Ave & E Adams St, Chicago, Cook, Illinois 60604

Ugo Rondinone: We Run Through a Desert on Burning Feet…

The Art Institute of Chicago presents a selection of five towering sculptures by Swiss-born, New York'based artist Ugo Rondinone.

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