Matt's Gallery, 42-44 Copperfield Road, London E3 4RR

Benedict Drew: Heads May Roll

Heads May Roll, installation view

I put on headphones and face a high-definition video screen. Rapidly flashing texts suggest the possibility of uncharted territories: 'let's imagine/for a moment/let's imagine'. Review by Yvette Greslé

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Tate Britain, Millbank, London SW1P 4RG

Richard Deacon

Lock

'Form is his grammar, and material is his vocabulary, which he balances and builds into enigmatic forms'. Review by Lily Le Brun

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Gagosian Gallery, Via Francesco Crispi 16, 00187 Rome

Kathryn Andrews | Alex Israel

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Engaging a sculptural legacy that proposes the proximity between art and everyday life, Andrews and Israel draw on historic precedents from Jasper Johns' cast readymades to Haim Steinbach's shelf arrangements of common objects.

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Tanya Bonakdar Gallery, 521 West 21 Street, New York, NY 10011

Teresa Hubbard and Alexander Birchler

H B 1

In their video work over recent years, Hubbard / Birchler have been exploring looping narrative structures parallel to longitudinal studies and forms of expanded documentary.

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Gasworks, 155 Vauxhall Street, London SE11 5RH

Late Barbarians

Late Barbarians installation view at Gasworks, January 2014

'Late Barbarians' brings together five artists who explore forms of latent memory and the habitual.' Review by George Vasey

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Museo Nacional Centro de Arte Reina Sofía, Calle Santa Isabel, 52, 28012 Madrid

Idea: Painting-Force

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'Idea: Painting Force', at the Reina Sofia in Madrid, is a show that revolves around the paintings of five Spanish male artists between 1978 and 1984. Review by Beatrice Schulz

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Dog Kennel Hill Project, broadcast live from Camden Arts Centre, 7pm GMT
A new performance work to mark the culmination of their project in the Artists? Studio.
Dog Kennel Hill Project are creating a collection of live and screen performance actions dealing with authenticity, fiction, tension and crisis; researching ways that this work can be presented in non- theatre settings, such as a gallery installation that has live elements happening durationally. For their project at Camden Arts Centre they will continue to investigate how these approaches can be used to frame performative actions and images.
Laure Prouvost, Wantee, broadcast live from the Royal College of Art, 25 February 2014, 6.30pm GMT
For the next Lecture of the RCA Visual Cultures Lecture Series: Current Modes of Artistic Production, Laure Prouvost will give an insight of her work Wantee, 2013, commissioned by Grizedale Arts and Tate for inclusion in the exhibition Schwitters in Britain at Tate Britain.
Introduction by Jordan Baseman, Reader and Head of Sculpture at the Royal College of Art.
For more information about the lecture click here.
The RCA Visual Cultures lectures, organised by the School of Fine Art, invites artists to talk about various aspects that contribute to the production, circulation and reception of their work. Through in-depth focus on a specific project of each guest speaker, the series aims to give an insight into the complex fabric of artistic production and explore what it means to work as an artist today. The theme for the 2013/14 lectures are artists whose work involves sculpture or moving image.
More information about the Visual Cultures Lecture Series and RCA talks can be found at

David Zwirner, 24 Grafton Street, London W1S 4EZ

Al Taylor

Installation view, Al Taylor, David Zwirner, London

There's something about the expanse of white space, punctuated with angular protrusions that feels current and cuttingly modernist for a collection of works that were mostly produced in the mid to late 1980s. Review by Catrin Davies.

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Hauser & Wirth, Limmatstrasse 270, 8005 Zürich, Switzerland

Roman Signer: Skulptur ? Installation

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It would appear that Signer's days are never boring: he is instantly fascinated by the simplest things, including everyday objects like umbrellas, bottles and candles.

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SPACE, 129-131 Mare Street, London E8 3RH

Paul McCarthy: Black and White Tapes

140207 Space 1

Entering SPACE's darkened gallery means being sucked into Paul McCarthy's uncanny universe where revulsion and an awed attraction exert their forces on the viewer in equal measure. Review by Anya Harrison

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