Tate Modern, Bankside, London SE1 9TG

Richard Hamilton

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Hamilton had a dominant influence on British art in the second half of the 20th century, sowing the first seeds of what was to become known as Pop Art. Review by Emily Burns

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Parallel Oaxaca, Sto Tomas esq. Jose Lopez Alavez , Barrio de Xochimilco, Oaxaca, Mexico

Are You Thinking About Atlantis?

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Presenting works by Aline Bouvy and David Evrard from Brussels and associating with Noah Barker, Thimothy James Kelly and Puppies Puppies from Lodos Contemporáneo (Mexico City / Chicago); Stefan Benchoam from Proyectos Ultravioleta (Guatemala)

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For the very first time Nicolás Paris's residency overlapped with his project 'room for us' in the Kadist exhibition space. Though workshops, events and installation, Nicolás Paris invited visitors to think about new potential relationships that could be generated inside and outside the exhibition space. This interview between the artist and the Kadist team get back to the process of transformation generated by this experience on the artist's work and on the institution.

Modern Art, 6 Fitzroy Square, London W1T 5DX

Mark Flood

Exhibition view

Mark Flood was a relatively unknown artist, showing almost exclusively in his hometown of Houston, Texas, until he developed a winning formula. Review by Kate Pantling

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Thomas Hirschhorn, broadcast live from the Royal College of Art, London, 6:30 GMT ) The RCA Visual Cultures lectures, organised by the School of Fine Art, invites artists to talk about various aspects that contribute to the production, circulation and reception of their work. Through in-depth focus on a specific project of each guest speaker, the series aims to give an insight into the complex fabric of artistic production and explore what it means to work as an artist today. The theme for the 2013/14 lectures are artists whose work involves sculpture or moving image.
More information about the Visual Cultures Lecture Series and RCA talks can be found at

Gallery II, University of Bradford, Richmond Road, Bradford, BD7 1DP

Claire Hope: Group Photo

Claire Hope, Group Photo (installation view)

It is becoming difficult to know where we stop representing and start being represented; where the shift in agency from scriptwriter to actor occurs. Review by Adam Pugh.

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Photographic series

Dan Holdsworth: Forms FTP

In Dan Holdsworth's latest photographic series, what manifests as a plunging gorge in one image becomes a craggy ridge in the other, elevations become ravines, caverns become mountainous structures. Review by Rebecca Travis

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Contemporary Art Centre, Vokieciu 2, LT- 01130 Vilnius, Lithuania

Sebastian Diaz Morales: Ficcionario

Suspension

Morales invites visitors to immerse themselves in a journey through architectural labyrinths, in which powerful projectors beam twisted loops of fiction and reality.

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Inverleith House, Royal Botanic Garden Edinburgh, Arboretum Place/Inverleith Row, Edinburgh EH3 5LR

Alex Dordoy: Persistencebeatsresistance

Installation view persistencebeatsresistance, Inverleith House, Edinburgh, 2014, Courtesy of the Artist and The Modern Institute/Toby Webster Ltd, Glasgow. Photo: Ruth Clark

Dordoy's works 'address the legacies of minimalism and abstraction, while investigating the mutations established sculptural and painterly forms might take within the pixelated image-overload of online culture.' Review by Catherine Spencer

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Art Institute of Chicago, 111 South Michigan Avenue, Chicago, Illinois 60603-6404

Christopher Williams: The Production Line of Happiness

'The Production Line of Happiness' (installation view)

The 'taut balance between Williams' obvious love of spit and polish and his urge to deconstruct everything - including the gallery and camera - provides the conceptual charge necessary to carry this exhibition'. Review by Siofra McSherry

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