Wysing Arts Centre, Fox Road, Bourn, Cambridge, CB23 2TX
__large.jpg)
In just five editions the ‘Space-Time’ festival, hosted annually by the Wysing Arts Centre, has established itself as a key fixture of the UK arts calendar...
Victoria and Albert Museum, Cromwell Rd, London SW7 2RL
'Scandinavian double act Michael Elmgreen (Danish) and Ingar Dragset (Norwegian) have a talent for composing intricate fictions that reimagine the anxieties of the art world as personal traumas.' Marianne Templeton reviews their latest story.
Raven Row, 56 Artillery Lane, London E1 7LS
'The artist must question the very nature of society.' - Stephen Willats, 1963. Review by Anya Harrison
Chisenhale Gallery, 64 Chisenhale Road, London E3 5QZ
Wolfson's fast-paced collage of computer-generated imagery, hand-drawn animations, and filmed footage is a parody of our pleasure-seeking society. Review by Christopher Griffin
Sadie Coles, 62 Kingly Street, London, W18 5QN, 20 November 2013 - 8 February 2014
Urs Fischer's new exhibition at Sadie Coles HQ centres is an installation of 3,000 plaster raindrops suspended throughout the gallery.
Whitney Museum of American Art, 945 Madison Avenue at 75th Street, New York, NY 10021
Testing boundaries between art, mass culture and celebrity in Koons' new retrospective.
Middlesbrough Institute of Modern Art, Centre Square, Middlesbrough TS1 2AZ
‘Chance Finds Us’ at Mima, Middlesborough is a loosely affiliated collective of eight artists based in the North East of England that continue to be influenced by the statistical transactions of chance. Review by Michael Mulvihill
White Cube São Paulo, Rua Agostinho Rodrigues Filho, 550 Vila Mariana, São Paulo
_6__large.jpg)
De Paula’s work intersects art, architecture and politics, being in close dialogue with notions of geography, migration and dislocation. Review by Vivian Mocellin
DESTE Foundation Project Space, Slaughterhouse, Hydra, Greece
An interactive project that combines sculpture and performance with a series of experiments into social communication and creativity.
Louisiana, Gl. Strandvej 13, 3050 Humlebaek, Denmark
Eliasson's exhibition gives the viewer the opportunity to think about the aesthetic experience as more than just the encounter between subjects and objects.
g39, Oxford St, Cardiff, CF24 3DT
Cities of Ash manifests as a result of tangential thinking on modernism and other factions of the built environment. Review by Bob Gelsthorpe
BALTIC Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead, NE8 3BA
Although Buren is often described as a conceptual artist, 'Catch as catch can: works in situ' is chiefly a visually stimulating exhibition that depends largely on the subjective choices of the visitor, such as the time of day, or how you might choose to move around the space. Review by Lily Le Brun
