Louisiana, Gl. Strandvej 13, 3050 Humlebaek, Denmark

  • Model room
    Artist : Olafur Eliasson
    Title : Model room
    Date(s) : 2003
    Website : http://en.louisiana.dk
    Credit : Photographer Jens Ziehe. Courtesy of the artist, neugerriemschneider, Berlin, and Tanya Bonakdar Gallery, New York
  • Riverbed
    Artist : Olafur Eliasson
    Title : Riverbed
    Date(s) : 2014
    Material : drawing
    Website : http://en.louisiana.dk
    Credit : Copyright the artist
  • Movement microscope
    Artist : Olafur Eliasson
    Title : Movement microscope
    Date(s) : 2011
    Material : video
    Website : http://en.louisiana.dk
    Credit : Courtesy of the artist, neugerriemschneider, Berlin and Tanya Bonakdar Gallery, New York
  • Riverbed
    Artist : Olafur Eliasson
    Title : Riverbed
    Date(s) : 2014
    Website : http://en.louisiana.dk
    Credit : Copyright the artist
  • Your embodied garden
    Artist : Olafur Eliasson
    Title : Your embodied garden
    Date(s) : 2013
    Material : video
    Website : http://en.louisiana.dk
    Credit : Courtesy of Fondation Louis Vuitton. Copyright the artist
  • Model room
    Artist : Olafur Eliasson
    Title : Model room
    Date(s) : 2003
    Website : http://en.louisiana.dk
    Credit : Photographer Studio Olafur Eliasson. Courtesy of the artist, neugerriemschneider, Berlin, and Tanya Bonakdar Gallery, New York. Copyright 2003 Olafur Eliasson and Einar Thorsteinn


Olafur Eliasson: Riverbed

‘From the press release’

The Louisiana Museum of Modern Art opens its doors for the first solo exhibition at the museum by the Danish-Icelandic artist Olafur Eliasson.

The main work, a giant landscape, unfolds throughout the whole South Wing of the museum in one great sweep – and as a major intervention in Louisiana’s usual administration of art in space, thus giving the viewer the opportunity to think about the aesthetic experience as more than just the encounter between subjects and objects.

Since the beginning of the collaboration it has been clear that a solo exhibition of Eliasson at Louisiana would inevitably be a radical, site-specific exhibition that would take up a discussion of the reality of the museum as an institution and locality, and at the same time focus on local sensory experience in a global perspective.

The transitions between inside and outside, culture and staged nature, become fluid and transitory – and the progress of the visitor through the museum becomes a central issue.

Eliasson’s exhibition will be an enhancement of our gaze at the museum, at ourselves and at the world.

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