thisistomorrow
Contemporary Art Magazine
  • Home
  • About
  • Broadcasts
  • Contact
  • Advertise
Filter

  • Cities

    • Amsterdam
    • Antwerp
    • Aspen
    • Athens
    • Auckland
    • Barcelona
    • Bath
    • Belgium
    • Bergen
    • Berlin
    • Bilbao
    • Birmingham
    • Bonington Gallery
    • Bonn
    • Boston
    • Bregenz
    • Brighton
    • Brisbane
    • Bristol
    • Brussels
    • Cambridge
    • Cardiff
    • Chiba
    • Chicago
    • Colchester
    • cologne
    • Colorado
    • Copenhagen
    • Coventry
    • Dubai
    • Dublin
    • Dusseldorf
    • Edinburgh
    • Espoo
    • Essen
    • Film
    • Frankfurt
    • geneva
    • Gent
    • Glasgow
    • Haarlem
    • Hong Kong
    • Humlebæk
    • Installation
    • istanbul
    • LA
    • Leeds
    • Leicester
    • Liverpool
    • London
    • Los Angeles
    • Madrid
    • Manchester
    • Margate
    • Massachusetts
    • Melbourne
    • Memphis
    • Mexico
    • Mexico City
    • Miami
    • Middlesbrough
    • Milan
    • Montreal
    • Moscow
    • Napoli
    • New York
    • Newcastle
    • Newcastle Gateshead
    • Nîmes
    • North America
    • Norwich
    • Nottingham
    • Oakville
    • Oslo
    • Oxford
    • Painting
    • Paris
    • Performance
    • Photography
    • Pistoia
    • Plymouth
    • prague
    • Preston
    • Riga
    • Rome
    • Rotterdam
    • San Francisco
    • SanDiego
    • Sculpture
    • Seoul
    • Seville
    • Shanghai
    • Singapore
    • Solo
    • Sound
    • Southend-on-Sea
    • Spånga
    • St. Moritz
    • Stockholm
    • Stoke-on-Trent
    • Sydney
    • Tehran
    • Text
    • The Hague
    • Tokyo
    • Toronto
    • Vancouver
    • Venice
    • Video
    • Vienna
    • Vilnius
    • Wassenaar
    • Yorkshire
    • zurich

  • Medium

    • Animation
    • Architecture
    • Assemblage
    • Beijing
    • Broadcasting
    • Ceramics
    • Choreography
    • Collage
    • Computer
    • Curation
    • Digital
    • Drawing
    • Enamel
    • Film
    • Group
    • ink
    • Installation
    • Kinetic
    • Landscape
    • Light
    • Mixed Media
    • New Media
    • Painting
    • Performance
    • photo
    • Photography
    • Pottery
    • Print
    • Printmaking
    • Projection
    • Publication
    • Sculpture
    • Solo
    • Sound
    • technology
    • Text
    • Textile
    • Textiles
    • Video
    • Virtual Reality
    • Watercolour

  • Show

    • abstract
    • abstraction
    • Anri Sala
    • Art Fair
    • Art Prize
    • Artist Interview
    • Artist Profile
    • Biennale
    • Book
    • Camden Arts Centre
    • Catherine Clark Gallery
    • Dana Schutz
    • DRAF
    • Festival
    • Fierce Festival
    • Frieze projects
    • Group
    • Installation
    • Jerwood Visual Arts
    • Painting
    • photorealism
    • photorealist
    • Print
    • Solo
    • Sound
    • technology
    • Two-person

  • Archive

    • Apr 2018
    • Mar 2018
    • Feb 2018
    • Jan 2018
    • Dec 2017
    • Nov 2017
    • Oct 2017
    • Sep 2017
    • Aug 2017
    • Jul 2017
    • Jun 2017
    • May 2017
Follow @thisistomorrow_ Instagram

Oliver Sutherland: All The Live Long Day, 2013

  • twitter
  • facebook
  • email
  • pinterest
  • google+

​-

Published on 29 August 2014

Related Articles

Middle Gallery installation view showing Mark Wallinger Time and Relative Dimensions in Space
How to Construct a Time Machine
Hazel Brill, Woke Up in Spring, 2018, Mixed media video installation, 9 mins. Solo Invites exhibition, 1 March - 8 April 2018.
Zabludowicz Collection Invites: Hazel Brill
Still from Ascension 4
Bill Viola: Naissance à rebours
  • ad
  • ad
  • ad
  • ad
  • ad
  • ad
  • ad
  • ad
  • ad
  • Home
  • About
  • Broadcasts
  • Contact
  • Advertise