The Modern Institute, 14-20 Osborne Street, Glasgow G1 5QN, United Kingdom
Jeremy Deller
Stemming from an uninvited walk onto a Scottish grouse moor, Jeremy Deller’s exhibition at The Modern Institute focuses on land.
Centrala, Unit 4, Minerva Works, 158 Fazeley Street, Digbeth, Birmingham B5 5RT
Fierce Festival, Justyna Scheuring: Didn’t you know that?
In Justyna Scheuring's performance moments of dramatic persuasion reveal themselves through expressions of subjected emotional angst (the suffering artist), subtle mood swings, and large sawing screams. Review by Debbie Guinnane as part of Fierce Festival.
Eastside Projects, 86 Heath Mill Lane, Digbeth, Birmingham B9 9AR
Fierce Festival, Dina Rončević: Car Deconstructions
Rooted in gender politics and the performance of gender, Rončević’s project uses the act of work to explore issues without any of the young participants ever really being aware of this. Part of Fierce Festival. Anneka French reviews.
Warwick Arts Centre, University of Warwick, Gibbet Hill Rd, Coventry CV4 7AL
Fierce Festival, Forced Entertainment: The Last Adventures
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In a theatrical joy ride of epic scale, The Last Adventures by Forced Entertainment deconstructs theatre in the most complex and compelling way. Review by Grace Williams.
Open Eye Gallery, 19 Mann Island, Liverpool Waterfront, Liverpool L3 1BP
Not all Documents are Records: Photographing Exhibitions as an Art Form
Assembled works from four artists investigate the role that photography has played in the documentation of three significant platforms, documenta, the Venice Biennale and the Liverpool Biennial, over a period of over fifty years. Review by Anneka French
798 Art District, No. 2 Jiuxianqiao Road, Chaoyang District, Beijing 100015
Liu Jianhua: Square
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Liu Jianhua's solo exhibition comprises freely spilled materials that bring together craft and fine art traditions.
Gemeentemuseum Den Haag, Stadhouderslaan 41, 2517 HV Den Haag, The Netherlands
Jürgen Partenheimer: The Archive
Jürgen Partenheimer has carved out a niche of his own within the field of abstract art. His exhibition at Gemeentemuseum Den Haag is his third at the gallery.
Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham, B1 2HS
Lee Bul
Political, cryptic and dazzlingly beautiful, Lee Bul's first solo show in the UK opens with a remarkable new work inspired by a mystical glass city. Review by Catrin Davies
BALTIC Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead, NE8 3BA
Lydia Gifford: Drawn
Engaging in a dialogue of painterly curiosity, Drawn reflects an understanding of painting originating from post-minimalism. Review by Rachel McDermott
Hopkinson Mossman, 19 Putiki St Auckland 1021 New Zealand
Fiona Connor: Can Do Academy
The taxonomy of marks in Can Do Academy are quoted from various sites of creative production, including artist studios, after school program rooms, and print workshops. The patina is that of incidental marks; signs of process that would typically be either contained in the surface of a painting (as purposeful mark-making), or purposefully excluded from exhibition.
Kunsthaus Bregenz, Karl-Tizian-Platz, Postbox 45 6900, Bregenz, Austria
Richard Prince: It’s a Free Concert
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The first large-scale presentation of Richard Prince in an Austrian institution, Kunsthaus Bregenz, examines pop culture, sex and advertising.
