Primary, 33 Seely Road, Nottingham NG7 1NU
'Cynthia is mute. The look of concern constantly on her face is accentuated by thick, raised eyebrows and vibrant blue eye shadow'. Emma Moore reflects on Shana Moulton's recent residency at Primary, Nottingham.
GSL Projekt Novalisstrasse 7, 10115 Berlin
In 'This Dust' fourteen artworks by nine artists come together to create a unique ‘laboratory of images’ that takes the viewer on a journey, interrogating the systems and logics that they use to structure the world. Review by Rene Kaiser
Jerwood Space, 171 Union Street, London SE1 0LN
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Beverley Knowles reviews two new commissions from the Jerwood/FVU Awards: What Will They See of Me. The works by Lucy Clout and Marianna Simnett explore the possibilities of womanhood in relation to narrative and identity.
Vivid Projects, 16 Minerva Works, 158 Fazeley Street, Birmingham B5 5RS
‘Ways of Something’ brings a timely response to John Berger’s ground-breaking BBC documentary, in a post-internet era of selfies, webcams, and 3D rendering. The project, featuring 85 artists given 1 minute each, is reviewed by Cathy Wade.
Bosse & Baum, 133 Copeland Road, London SE15 3SN
Through video installation and sculpture, Luke Burton muses on the place of the decorative within contemporary contexts. Helena Haimes reviews his solo exhibition 'Filigree Endings'.
Drawing Room, Hofweg 6, 22085 Hamburg
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Drawing Room host the first solo exhibition of Glasgow-based artist Hayley Tompkins in Hamburg. The exhibition features recent works from her series Digital Light Pools alongside new objects.
Galerie Steinek, Eschenbachgasse 4, A-1010 Wien
'On Photography' features a series of new works by German photographer Matthias Herrmann.
KARST, 22 George Place, Stonehouse, Plymouth PL13NY
Louisa Lee reviews 'Breakin' Up Is Hard to Do' and finds that, despite the suggested noise of the title and the show’s extensive components, the project space conveys a spectral silence.
Ingleby Gallery, 15 Calton Road, Edinburgh EH8 8DL
The desire to ‘represent’ abstraction, and even to endow it with a ‘protective’ quality, to uphold it against its detractors and promote its adaptive, unceasingly inventive potential, is a latent but generative implication of ‘ABJAD’. Review by Catherine Spencer
The James Gallery, The Graduate Center, CUNY 365 5th Avenue New York, NY 10016 | e-flux 311 East Broadway New York, NY 10002
Saturated with intense thoughts and concepts, the exhibition explores the present social and political reality of the situation in Russia, haunted by specters of its communist past. Review by Laura Herman
David Zwirner, 24 Grafton Street, London W1S 4EZ
At the same time as being invited into the artist's space, we are kept at a distance. Belinda Seppings responds to Luc Tuymans' new exhibition at David Zwirner.
B&Q, Gillingham and Guildhall Museum, Rochester & Big Screen, Waterfront Pumping Station, Chatham
Comprising a video screened at multiple sites in neighbouring Medway towns, and a sculpture installed at B&Q, ‘Great Expectations’ imagines tools as sentient beings with their own perspectives on stories and histories. James Gormley reviews the project across various sites in Rochester, Gillingham and Chatham.
Bernard Jacobson Gallery, 28 Duke Street, St. James's, London SW1Y 6AG
William Davie reviews the largest survey in London of Robert Motherwell's work since his 1978 retrospective at the Royal Academy. The exhibition not only marks what would have been Motherwell’s 100th birthday but the opening of Bernard Jacobson Gallery's new Mayfair space.
Multiple locations, worldwide
This is the last of three Public Art (Now) film interviews published today. Watch the others below.
