Ruhr Valley, Germany

Public Art (Now): Claire Doherty talks to Jochen Gerz

This is the second of three Public Art (Now) film interviews being published today. Next release at 4pm: Claire Doherty talks to Ahmet Ögüt.

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Oslo, Norway

Public Art (Now): Claire Doherty talks to Amy Franceschini (Futurefarmers)

This is the first of three Public Art (Now) film interviews being published today. Next release at 2pm: Claire Doherty talks to Jochen Gerz

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Victoria Miro, 16 Wharf Road, London N1 7RW & Victoria Miro Mayfair, 14 St George Street, London W1S 1FE

Sarah Sze

In Sarah Sze’s work the real world and the world of artifice are constantly renegotiated by overlapping and displaced of points of view. Francesca Cavallo reviews her multi-sited and multi-faceted new exhibition at Victoria Miro.

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CCA Derry-Londonderry, 10-12 Artillery St, Derry-Londonderry, Northern Ireland, BT48 6RG

Crooked Rain, Crooked Rain

Crooked Rain, Crooked Rain is an exhibition of works by artists who address relationships to the natural world through video, sculpture, photography, and drawing.

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Northern Gallery for Contemporary Art, City Library and Arts Centre, Fawcett Street, Sunderland SR1 1RE

The Decorator and the Thief (...)

‘The Decorator and the Thief (...)’ pushes us to reconsider our position: to question where skill becomes craft, design becomes decoration, and which differentiates form from function? Review by Matthew Hearn

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Lisson Gallery, Via Zenale, 3 Milan

Jorinde Voigt: Salt, Sugar, Sex

There is a glaring sense of order in German artist Jorinde Voigt’s works; a sober elegancy that permeates all of her drawings. Review by Marialuisa Pastò

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Daniel Faria Gallery, 188 St Helens Avenue, Toronto ON, M6H 4A1

Douglas Coupland: Our Modern World

‘Our Modern World’ puts forward concepts that are critically pitched yet comfortably packaged in works that borrow from art and pop culture histories. Review by Rebecca Travis

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Matt's Gallery, 42-44 Copperfield Road, London E3 4RR

Roy Voss: All the World’s a Sunny Day

Cards marked with ‘cross’, ‘bitter’ and ‘end’ hint at something emotive and upsetting. Nothing is made too easy, too clear – Voss makes us work a bit for our response. The exhibition is reviewed by Helena Haimes.

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In Between Time, Arnolfini, 16 Narrow Quay, Bristol, BS1 4QA

Trajal Harrell: (M)imosa/Twenty Looks or Paris is Burning at the Judson Church (M)

Anneka French reviews (M)imosa/Twenty Looks or Paris is Burning at the Judson Church (M) in our second review from In Between Time, Bristol. Her response to the performance is a personal one, exploring constructions and projections of identity.

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In Between Time, Knowle West Media Centre and surrounding area, Leinster Avenue, Bristol BS4 1NL

Mammalian Diving Reflex: Nightwalks with Teenagers

In the first of two reviews of Bristol's In Between Time festival, Bob Gelsthorpe reviews Nightwalks with Teenagers by Canadian artists Mammalian Diving Reflex on his own terms.

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Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham, B1 2HS

Nástio Mosquito: DAILY LOVEMAKING

For his first solo show, Nàstio Mosquito presents works at Ikon that undermine and disrupt our perceptions of both the artist and continental divisions. Cathy Wade reviews DAILY LOVEMAKING.

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Palais de Tokyo, 13 Avenue du Président Wilson, 75 116 Paris

Bouchra Khalili: Foreign Office

For her latest exhibition at the Palais de Tokyo, Bouchra Khalili presents a new series of works made up of films, photographs and historical document, which explore the complex relationships between colonial and post-colonial History in the period after Algerian independence.

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Nederlands Fotomuseum, Las Palmasbuilding Wilhelminakade, 332 3072 AR, Rotterdam

John Stezaker: Collages

Ten years after John Stezaker made his breakthrough in the international art world, the Nederlands Fotomuseum presents a new retrospective of his characteristic, surrealist photocollages.

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Dundee Contemporary Arts, 152 Nethergate, Dundee DD1 4DY

Florian and Michael Quistrebert: Visions of Void

Visions of Void is an exhibition of sparse transmissions - surfaces, reflections and shadows. Review by Alexander Hetherington

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