Jeanrochard Gallerie, 13 Rue des Arquebusiers, 75003 Paris, France

Degrees of Separation

Claiming it is a Modernist conceit to stick to a chosen medium, the young artists in Degrees of Separation resist style and media specificity' Reflecting an informal idea of what historical and contemporary painting is or could be, they reassemble and res

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Oriel Myrddin Gallery, Church Lane, Carmarthen SA31 1LH

Karla Black & Karin Ruggaber

Black and Ruggaber create sculptures out of everyday found materials - from sugar paper and eye-shadow (in Black's case), to stone slabs (in Ruggabers'). Ellen Bell reviews Oriel Myrddin's joint show of the artists' works on loan from the Arts Council Col

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Seventeen Gallery, 17 Kingsland Road, London E2 8AA

Jon Rafman: A Man Digging

Rafman adopts the role of an 'Internet Explorer' addressing the personal experience of navigating online. Review by Marianne Templeton.

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Château de Versailles, Place d'Armes, 78000 Versailles, France

Giuseppe Penone: Penone Versailles

'The tree is a sculpture that memorises its living in its shape', explains the sculptor. 'Every single branch is necessary for its survival. This is what makes it so beautiful and moving'. Marie d'Elbée reviews Giuseppe Penone's series of organic-looking

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David Batchelor: Flatlands

David Bachelor discusses his exhibition Flatlands at Fruitmarket Gallery, Edinburgh, which focuses on the two-dimensional side of his practice.

Art Institute of Chicago, 111 South Michigan Avenue, Chicago, Illinois 60603-6404

Abelardo Morell: The Universe Next Door

Inquisitive about the origins of photography, Abelardo Morell uses simple but unusual photographic equipment, such as periscope lenses and the camera obscura, to create and explore illusions in the medium. Review by Una Dimitrijevic.

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LLS 387, Lange Leemstraat 387, 2018 Antwerpen

Glory Hole

"Seducing the voyeur inside every one of us". Laura Herman & Pieter Vermeulen review LLS 387's group exhibition.

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BMW Tate Live: Meiro Koizumi

Enchantment with Erik Davis, live from Nottingham Contemporary, 6:30 BST In the catalogue that accompanies Leckey?s exhibition, Erik Davis describes a world exploding with technologies, products, and material processes that challenge our conceptual categories with their apparent intelligence and animation. Davis will question whether we are witnessing the emergence of a new animism ? a spiritual or mystical reading of nature, objects and machines. Erik Davis is a writer and lecturer based in San Francisco who has written extensively on technoculture, music, and spirituality. Every week he explores ?cultures of consciousness? on his online podcast Expanding Mind.

Café Curio Visual Thinking: Performance, live from Camden Arts Centre, London, 7pm BST

Using images, sound and film Professor Adrian Rifkin presents a series of narratives without words, as part of his research into the possibilities of biographical narrative and alternative figuration of the self as historical material. Selected to accompany the Dieter Roth exhibition.

Part 1 of Visual Thinking with Professor Adrian Rifkin. Part 2 will encompass workshops and storyboards, on Sunday 30 June, 2 - 4pm

Eastside Projects, 86 Heath Mill Lane, Birmingham, B9 4AR

Gunilla Klingberg: Parallelareal Variable

"Gunilla Klingberg's site-specific installation 'Parallelareal Variable' seeks to explore the unseen, ancient and spiritual factors that shape the natural world and one's relationship to it." Anneka French reviews Eastside Projects' latest exhibition.

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David Roberts Art Foundation, Symes Mews, London NW1 7JE

Friends of London

Pablo León de la Barra, the sixth guest curator invited to contribute to DRAF's Curators' Series, explores the Latin American art scene in London during the 1960s and 1970s. Review by Catherine Spencer.

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