Raven Row, 56 Artillery Lane, London E1 7LS
"For their current exhibition at Raven Row, both artists have been permitted to utilise spaces within the building that are usually inaccessible to the public; both have promptly constructed installations that are themselves inaccessible experiences." Rev
Yorkshire Sculpture Park, West Bretton, Wakefield, WF4 4LG
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James Smith interviews Roger Hiorns about Seizure's recent relocation to Yorkshire Sculpture Park.
Wiener Secession, Association of Visual Artists, Friedrichstraße 12, A-1010 Vienna
Irwin's exploration of perception and experience dates back to the beginning of his career as an Abstract-Expressionist painter in Los Angeles in the 1950s. Soon plagued with doubts about the adequacy of the panel painting as a depiction of reality, in th
Kunsthaus Bregenz, Karl-Tizian-Platz, Postfach 45, 6901 Bregenz, Austria
Following a major retrospective from 2009 to 2011, which was on view at the New York Museum of Modern Art, the Kunstmuseum Basel, the Centre Pompidou in Paris, and the Tate Modern in London, Orozco will be showing (for the most part) new works that have b
Z33, Zuivelmarkt 33, B-3500 Hasselt, Belgium
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Artist duo Sarah & Charles "derive their imagery from film, theatre and the visual arts, endowing their works with references to surrealist movies, films noir and a hint of Broadway." Review by Annelies Thoelen.
Jerwood Visual Arts, 171 Union Street, Bankside, London, SE1 0LN.
JVA's medium-specific prizes and exhibitions tend to complicate the very same categories they celebrate: this year's Makers Open is no exception. Review by Maggie Gray.
Ayyam Gallery, 143 New Bond Street, 1st Floor, W1S 2TP, London.
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Responding to life in an occupied Palestine, Khaled Jarrar's sculpture, performance and video works look at the imposing partitions that structure and divide human lives. Review by Yvette Greslé.
New Museum, 235 Bowery, New York, NY, 10002 USA
For 'Stranger Debris Roll Roll Roll,' Erika Vogt has composed a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris. Some of the littered forms suggest cast-off relics; others evoke tools of an indete
The Museum of Contemporary Art Chicago, 220 E Chicago Ave, Chicago IL 60611
Amalia Pica's first major show in the United States highlights the importance of miscommunication in art. Review by Una Dimitrijevic.
Calvert 22 Gallery, 22 Calvert Avenue, London, E2 7JP
Calvert 22 Gallery presents a group show documenting Eastern European artists' changing experiments with sound and image in the 1960s and subsequent decades. Review by Lizzie Homersham.
Hammer Museum, 10899 Wilshire Blvd, Los Angeles, CA 90024
Siofra McSherry reviews the late artist's first major retrospective since 1988, including sculptures, paintings, sketches, photographs and the artist's blps.
Laura Bartlett Gallery, 4 Herald Street, London E2 6JT
Ciara Healy compares the presences and shifting meanings in Laura Bartlett Gallery's group exhibition with the concept of 'Thin' places and borders between possible realities.
