Studio Voltaire, 1a Nelson's Row, London, SW4 7JR

Notes on Neo-Camp

09

"Revisiting the legacy of Susan Sontag's original essay 'Notes on 'Camp'' half a century after its initial publication provides a timely moment to assess the notion of 'Camp' in contemporary art." But does Studio Voltaire's latest exhibition look in quite

Further reading +

V22 Workspace, F Block, The Biscuit Factory, 100 Clements Road, London SE16 4DG

V22 Collection Show

CS 13 L.76

Highlights from V22's joint-owned collection of contemporary art are on show in the organisation's vast Bermondsey Workspace. Review by Nick Warner.

Further reading +

SWG3, Studio Warehouse, 100 Eastvale Place, Glasgow, G3 8QG

Zoe Williams: Soft Paste

SoftPaste1

Zoe's installation immerses the visitors into a world where lust, fetishistic objects and the world of fashion advertising collide. Her glamorous aesthetic turns the gallery into a dark club where ambiance, attitude and body language play a decisive role.

Further reading +

Café Curio Performance: Sarah Tripp, live from Camden Arts Centre 3 - 4pm BST
24 Stops
Artist-in-residence Sarah Tripp presents a live performance of her new work, commissioned for hospital radio, featuring a sequence of hourly chimes created to evoke the passing of the day.
Percussion performed by: Fritz Welch, Nichola Scrutton, Mark Vernon
Film editing: Rob Kennedy Sound recording: Iain Donnelly
A Credit to Britain
Demonstrating the value of public investment in the arts - from the Arts Council of England.

K21 Ständehaus, Ständehausstraße 1, 40217 Düsseldorf, Germany

Tomás Saraceno: in orbit

TS1

Saraceno's net construction 'in orbit' resembles a cloud landscape about which the artist says, 'I am reminded of models of the universe that depict the forces of gravity and planetary bodies. For me, the work visualises the space-time continuum, the thre

Further reading +

Deichtorhallen, Deichtorstraße 1-2, 20095 Hamburg, Germany

Maria Lassnig: The Location of Pictures

IMG 8355

'I stand in front of my canvas naked, so to speak, without model or photograph, and I allow it to take shape. (') for me, the only real thing (is) my feelings, which play out inside the shell of my body' - Maria Lassnig.

Further reading +

White Columns, 320 West 13th Street, New York, NY 10014

The Cat Show

Install 01

'Cats-in-Residence' all find Purr-manent Residences thanks to The Cat Show at White Columns!

Further reading +

MAC - Museu de Arte Contemporânea, Mirante da Boa Viagem, Niteroi, Rio de Janeiro

Charif Benhelima: Imagem em Processo

Broadway, Harlem 2001.

"The exhibition 'Images in Process' challenges the invisible to become the context, the history, the identity itself." Elke Segers reviews Charif Benhelima's solo exhibition of Polaroid images.

Further reading +

Centre d'art contemporain - La Villa du Parc, Parc Montessuit, 12 rue de Genève, F74100 Annemasse

La dix-huitième place: Estefanía Peñafiel Loaiza; Thu Van Tran

01

The Villa du Parc is pleased to present a joint exhibition featuring the work of two artists, Estefanía Peñafiel Loaiza, a native of Quito in Ecuador, and Thu Van Tran, from Ho Chi Minh City in Vietnam. Both artists now live and work in Paris.

Further reading +

Collection Vanmoerkerke, Oud Vliegveld 10, 8400 Oostende, Belgium

A Voyage on the North Sea

13 two 030

Curated by Joost Declercq, 'A Voyage on the North Sea' presents an "intuitive selection from the extensive Vanmoerkerke art collection". Review by Marianne Van Boxelaere.

Further reading +

OOO: Screening and discussion
6:15pm - 8.30pm, live from Nottingham Contemporary 
What does it mean to imagine that everything exists equally in the world, and that human beings have no more status than atoms or alpacas? Object-oriented ontology (?OOO?) puts things (rather than human beings, science or social relations) at the heart of studying what it means to exist. It is a new philosophical movement that has had a decisive influence on the work of both artists and exhibition-makers. A discussion with philosopher Graham Harman, curator Michelle Kasprzak and lecturers Kevin Love and Francis Halsall will address implications for the artwork as object.