Sadie Coles HQ, 62 Kingly Street, London W1B 5QN
Wilhelm Sasnal's exhibition of new paintings allows the viewer to reflect upon a jigsawed version of reality, there within the gallery space. William Davie reviews the Polish artist's new exhibition.
Breese Little, Ground Floor Gallery, 30b Great Sutton Street, London EC1V 0DU
The exhibition title acts as an analogy to current practices in painting - palm trees, the icon of a destination which cannot be easily reached and the readable image which is frequently obscured or chased into abstraction. Louisa Lee reviews 'Promise of Palm Trees' at Breese Little.
Kunsthalle Wien, Museumsplatz 1 1070 Wien, Austria
Featuring twenty seven artists 'The Future of Memory' explores the complexity of today’s visual culture and the increasingly precarious correlation between images and actual human experience.
Frutta, Via Giovanni Pascoli, Rome, Italy, 21 00184
John Henry Newton's latest solo exhibition, 'Trust me, I’m firing on all cylinders', can be viewed as a mixtape compiled to accompany Newton’s daily ambulatory activities from the moment he left his house every day for the last four years.
Northern Gallery for Contemporary Art, City Library and Arts Centre Fawcett Street, Sunderland SR1 1RE
'The Means and the Instruments’ charts the key political junctures in history of the late 1970’s and early 80’s when the Cold War and threat of World War III were at their most heightened. Review by C.B
Broadcast live from Modern Art Oxford 8th Feb 2015
Oriel Myrddin Gallery, Church Lane, Carmarthen SA31 1LH
On encountering a thin place, rarely does a visual sign alert its presence. Instead there’s a peculiar, instinctual, bodily sense: a prickling awareness that cannot be described but is there nonetheless. Review by Rowan Lear
Los Angeles County Museum of Art, 5905 Wilshire Boulevard, Los Angeles, CA, 90036
In search of what the artist has termed a “non-knowledge zone,” Huyghe approaches an existing system—such as an institution, a situation, or an area of knowledge—and creates a speculative proposition: a “what could be.”
Carroll / Fletcher, 56 - 57 Eastcastle St, London W1W 8EQ
__large.jpg)
Benigson's exhibition is an investigation into a paranoid state of mind bordering on hysteria. It's a condition that contemporary culture offers to its women and traps them within. 'Anxious, Stressful, Insomnia Fat' is reviewed by Beverley Knowles.
Space In Between, Unit 26 (2nd Floor), Regent Studios, 8 Andrews Road, London, E8 4QN
Space In Between presents ‘Edit/Undo’, a group exhibition exploring the different narratives daily life plays out in relation to the digital world. Featuring works by Damon Zucconi, Leo Fitzmaurice, Paul Flannery and Alastair Levy, the exhibition is reviewed by Phoebe V. Bradford.
Seventeen, 270-276 Kingsland Road, London E8 4DG
Laura Davidson finds the descriptions of David Conroy's work read like a drunken Amazon Wishlist: a pair of men’s Mr Hare leather shoes, Lancome Youth Activating Concentrate, lighters, a dehydrated Big Mac and Quarter Pounder, an empty bottle of Becks Blue and a pair of black Levi 501s.
Kunsthaus Bregenz, Karl-Tizian-Platz, 45 6900 Bregenz, Austria
Rosemarie Trockel’s first major solo exhibition in Austria for more than twenty years generates new perspectives on the artist’s compelling and diverse work.
Galerie Marian Goodman, 79 Rue Du Temple, 75003 Paris
Marian Goodman Gallery Paris is pleased to present the third exhibition of works by Rineke Dijkstra. The exhibition will feature two new videos Marianna (The Fairy Doll) and The Gymschool, St Petersburg, both filmed in Russia and commissioned by Manifesta (European Biennial of Contemporary art) for its last edition in 2014.
