Turf Projects Gallery & Workspace, Keeley Road, Croydon CR0 1TF
Niko Munz reviews “Art in restaurants is on the same level as food in museums” – Niles Crane. The exhibition takes its title from a scene in Frasier in which psychoanalyst Crane denounces the art on the walls of a restaurant.
Gagosian Gallery, 17-19 Davies Street, London W1K 3DE
In his exhibition at Gagosian, Ruff transforms discarded vernacular photography into high-contrast digital negatives. Review by Aris Kourkoumelis.
FRAC Champagne-Ardenne, 1 Place Museux, 51100 Reims, France
To mark its re-opening, the FRAC Champagne-Ardenne presents the very first solo show in France of the American artist Lisa Oppenheim.
The NewBridge Project, Norham House, 12 New Bridge St West, Newcastle upon Tyne, NE1 8AW
'Do we need to grow up?' forms part of The NewBridge Project’s 5th birthday – it will critically consider and celebrate the nature of artist-led communities and workspaces.
Syson, 3-5 High Pavement, Nottingham NG1 1HF
In the same way a hoarder may collect more than one object with the same function, Massouras processes an idea through variations. Review by Alice Gale-Feeny
Plymouth Arts Centre, 38 Looe Street, Plymouth PL4 0EB
Following a three-month residency at Plymouth Arts Centre the intriguing exhibition 'Crowd.Control' presents artist Carl Slater’s research into Plymouth’s former rave scene. Review by Edith Doove
Available to view online between 9 and 23 September 2015 (2014, HD video, 1h 15’)
The Dinner Party Revisited is artist Katherine Araniello’s most audacious, ambitious and large-scale live work to date.
Baró Galeria, Jardins: Rua da Consolação, 3417 Sao Paulo
When experiencing ‘Heartbeats’, the installation by French artist Christian Boltanski currently at Baró Galeria, a certain anxiety takes the chest. In the centre of the room, a flashing incandescent lamp synchronises with thudding beats, illuminating sixty-one blackboards of different sizes hung on the painted grey walls. Review by Thais Gouveia
Bllomberg Space, 50 Finsbury Square, London EC2A 1HD
‘HERCULES: ROUGH CUT’ is a linguistic bombardment of distorted pictorial puzzles. Phoebe V. Bradford reviews David Blandy's exhibition at Bloomberg Space.
White Cube Bermondsey, 144-152 Bermondsey St, London SE1 3TQ
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This long overdue exhibition (the first ever in London) makes clear Knoebel’s relevance to contemporary modes of image production, perspective and display. Joseph Constable reviews.
South London Gallery, 65-67 Peckham Road, London SE5 8UH
Cardboard, tape, bits of paper and old industrial parts are strewn along the walls and litter the gallery floor. In an age of swift gentrification and drone warfare the dilapidated room resembles a contemporary ruin. Katherine Jackson reviews Thomas Hirschhorn: In-Between.
Curro & Poncho, Torre CUBE Blvd. Puerta de Hierro 5210 - PB Zapopan, Jalisco, México
Curro y Poncho present 'Landscape as a Brain: Mimesis de un anti-monumento' — a retrospective of projects produced by artist Andrea Galvani between 2005 and 2015.
Kunsthalle Wien Museumsquartier, Museumsplatz 1, 1070 Vienna, Austria
As part of Future Light - the visual art element of the Vienna Biennale 2015 - Pauline Boudry and Renate Lorenz present an atmospheric time-reflective installation, made up of sculpture and video-based works.
Islington Mill, James Street, Salford M3 5HW
Maurice Carlin’s ‘Performance Publishing’ is a work that was originally installed in this former storage warehouse near Manchester’s Islington Mill in 2013. It consists of 136 CMYK scale prints that map the space’s floor, produced over three months using Carlin’s own relief technique derived from ancient Chinese stone rubbings, and all streamed live on a webcam. Review by Helena Haimes
