The Douglas Hyde Gallery, Trinity College, Dublin 2
Ghirri’s images speak to the impassive, the thoughtful and the introvert. Off-kilter, almost (but crucially not quite) symmetrical arrangements abound, with large areas of his photographs left awkwardly empty. Review by Lizzie Lloyd
1040 Metropolitan Ave, Brooklyn, NY 11211
Bansie Vasvani reflects on Moroccan artist Sara Ouhaddou's practice during her residency placement at the International Studio and Curatorial Program in Brooklyn, New York.
Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London SE1 0LN
Jury members have made sure the selection is as broad and reflective of current activity as ever – from fastidious biro landscapes and carefully carved patterns to three-dimensional drawings in space and scribbled texture on the back of a frying pan. Review by Helena Haimes
Pilar Corrias Gallery, 54 Eastcastle Street, London W1W 8EF
Performance - its ritual, its space, the enclosure or expansion of same - is pivotal but an interiority can be overlooked when formal scenographies begin to expand. James Gormley reviews the exhibition.
Alan Cristea Gallery, 31 & 34 Cork Street, London W1S 3NU
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Comprising three distinct series, at first glance Cheung's works appear quintessentially beautiful; floral imagery, delicate ceramic work, and a saturated, acidic colour palette combine to seduce the visual senses. One is struck by the elegant precision of the show as a whole. But first impressions can be deceptive. Review by Emma Rae Warburton
Safehouse 1, 139 Copeland Road, Peckham, London
Ten female artists have been invited to make work in response to the domestic space ‘Safehouse 1’.
Borusan Contemporary, Baltalimanı Hisar Cad., Perili Köşk No:5 34470, Rumeli Hisarı/Sarıyer, Istanbul, Turkey
‘What Lies Beneath’ strives to capture one of the current conditions of our culture: an atmosphere of increasing alienation and decaying trust resulting from factors that often lie beneath the surface of the visible.
Museu d'Art Contemporani d’Eivissa, Ronda Narcis Putget, 07800 Ciudad de Ibiza, Spain
MACE, Ibiza presents 'After the After' - an exhibition by Douglas Gordon and Tobias Rehberger, which showcases new works that merge and interplay with each other to create a direct and unique visual dialogue and collaboration between the two artists.
Fuse Art Space, 7 Rawson Place, Bradford BD1 3JP
‘Exquisite Corpse’ brings together a provocative yet thoughtful group of contemporary feminist artworks, which boldly confront us with the complexities of image making and existing in this current age. Review by Alice Miller
Kadist Foundation, Paris
Kadist Art Foundation is a non-profit organization that encourages the contribution of the arts to society.
Jupiter Artland, Bonnington House Steadings, Wilkieston, Edinburgh EH27 8BB
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If the expectation of Jupiter Artland is of gardens, fields and woodlands – of surprising encounters with permanent sculpture amidst the landscape – two new temporary installations of works by American artist Tara Donovan, and the ever-surprising young British artist Samara Scott, shift the attention indoors. Review by Matthew Hearn
New Museum, 235 Bowery, New York
Charlesworth’s crisp, radiant works are like moments of calm. She needs no fanfare, no apologies, and certainly no comparisons. Review by Shana Beth Mason
Northumbria University
Northumbria University are accepting applications to the Warwick Stafford Fellowship 2015/16 until 5pm Monday 28th September 2015.
Sprüth Magers London, 7A Grafton Street, London W1S 4EJ
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Arnatt's works draw on aspects of failure, doubt and contingency within his experience of being an artist. He once said “I’m not and never have been authentic.” Andrea Williamson reviews.
