Special Project selected for Edinburgh Art Festival - Performance finishing at Old College, South Bridge, Edinburgh EH8 9YL

songs for someone who isn’t there

songs for someone who isn't there, Performance still, 1st August 2015

'songs for someone who isn't there' is an Edinburgh Art Festival Special Project which took place on 1st August 2015 around the streets of the city, presenting artists and poets who work with the voice and language.

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g39, Oxford St, Cardiff CF24 3DT

Island | Adaptation I & II

Mark Titchner, Rose, (2014)

In its current arrangement ‘Island’ is ambitious, inviting visitors to retreat to an archipelago of solipsism and unruly escapism. Review by Rowan Lear

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Camden Arts Centre, Arkwright Rd, London NW3 6DG

Hannah Collins

Installation view

Following abandoned, marginal and unidentifiable places throughout her career, Collins collects hollow shells of human habitation that bare traces of the living, with haptic surfaces more alive than their departed ghosts. Review by Andrea Williamson

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Tate Modern, Bankside, London SE1 9TG

Agnes Martin

Agnes Martin (1912-2004), Untitled #1, 2003

If to be abstracted demonstrates a distance from the material world, then Martin’s paintings consistently suggest an otherworldly state of mind. Review by Hatty Nestor

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Centre Georges-Pompidou, Place Georges-Pompidou, 75004 Paris, France

Mona Hatoum

Twelve Windows

Mona Hatoum's solo exhibition at Centre Pompidou features more than a hundred of her works produced between 1977 and 2015.

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Sprüth Magers, 7A Grafton Street, London, W1S 4EJ

John Waters: Beverly Hills John

Beverly Hills John, Installation view, Sprueth Magers London, July 1 - August 15, 2015

In his first ever exhibition in London John Waters attempts to resolve issues about childhood fame, false glamour, the horrors of nouveau-riche excess, his ongoing sexual attractions and the possible risk of ‘careericide’ with dignity.

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Bluecoat. School Lane, Liverpool L1 3BX

RESOURCE

RESOURCE, installation view at Bluecoat, 2015, Installation view

RESOURCE engages with the Bluecoat’s original interdisciplinary ethos, not simply presenting art, design and literature next to each other but providing a platform for their intersection. Review by Beth Bramich

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The Whitworth, The University of Manchester, Oxford Road, Manchester M15 6ER

The M+ Sigg Collection: Chinese Art from the 1970s to Now

The M+ Sigg Collection: Chinese Art from the 1970s to Now, The Whitworth, Manchester. Central Gallery

Uli Sigg’s unique collection of Chinese Art is currently being displayed in Manchester’s Whitworth Art Gallery for the first and only time in the UK. All of the works - through their very existence under a noticeably oppressive state - are unified by a polemic of self-expression. Review by Josh Wilson

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KARST, 22 George Place, Stonehouse, Plymouth PL1 3NY

Keith Harrison: Heavy Rock | Plymouth Sound

Keith Harrison, Heavy Rock | Plymouth Sound at KARST, Plymouth, 2015

Inspired by a painting in the collection of Plymouth City Museum, Keith Harrison has developed the intriguing project ‘Heavy Rock | Plymouth Sound’, a sculptural commission and exhibition, currently partly on show at KARST. Review by Edith Doove

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Library of Birmingham, Centenary Square, Broad St, Birmingham, West Midlands B1 2ND

Bettina von Zwehl and Sophy Rickett: Album 31

Album 31 exhibition at the Library of Birmingham

The latest exhibition at the Library of Birmingham epitomises the idea of a photograph that is a trace of reality and, most importantly, an encounter with the unreal. Review by Dominika Mackiewicz

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