Viewing articles tagged with 'Group'

The Miller’s House, Three Mill Lane, London E3 3DU

Changing Places

Changing Places at the House Mill - Residue by Desire Machine Collective.

‘Changing Places’ is a touring exhibition of recent film and video work from South Asia. Curated by Mariam Zulfiqhar and Film and Video Umbrella, the show has been supported by the Canal and River Trust and is being shown in heritage buildings and sites along its network across England. The intention of this in the 70th anniversary of the end of British rule in India is to make a link between sites in the UK that developed through imperial trade and the contemporary experience of South Asian artists in order to reflect upon the legacy of colonialism and globalisation. Review by Piers Masterson

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Tate Modern, Bankside, London SE1 9TG

Soul of a Nation: Art in the Age of Black Power

Faith Ringgold, America People #20 Die

Covering the period 1963 to 1983 the choice of theme for ‘Soul of a Nation: Art in the Age of Black Power’ is a timely move, bringing together a disparate selection of work around the theme of artistic responses to the American civil rights and Black Power movements, and the specific experiences of artists as activists for or from the African-American community. Review by Piers Masterson

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David Roberts Art Foundation, Symes Mews, London NW1 7JE

(X) A Fantasy

Installation view of (X) A Fantasy at DRAF, 2017

‘(X) A Fantasy’ is David Roberts Art Foundation’s 10th year anniversary exhibition, its final in the current Camden space. The show brings together twenty-five paintings, photographs, friezes, sculptures, installations and videos by close to twenty artists. Series are rife, their repetitions and alterations mirroring the mechanisms of fantasies. Review by Edmée Lepercq

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KELDER, Basement of Mercer & Co., 26A Chapel Market, London N1 9EN

I Want My Ideal Paste

Col Self & Body Drift, BLK Vapour Purity Ritual, 2017

‘I Want My Ideal Paste’ takes the viscous semi-state of slime as its focus, bringing together artists, practitioners, youth workers and filmmakers to investigate the potentials held in all things that creep, shudder, stretch and burst. Review by Freddie Mason

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Folkestone Triennial, various locations

Folkestone Triennial

Bob and Roberta Smith, FOLKESTONE IS AN ART SCHOOL.

Folkestone Triennial is a story within a story. It beckons the visitor to open the book of Folkestone with its historical tales of Roman Villas, bustling ports, French connections and abandoned trade routes. Beyond chapters of the past, it's also a place actively grappling with its identity and future. Review by Jillian Knipe

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The Ferens Art Gallery, Queen Victoria Square, Hull, HU1 3RA

Turner Prize Exhibition Opens

A Fashionable Marriage, 1987 Wood cut outs (various types of wood), Acrylic paint, Newspaper, Rubber gloves, Glue, Plastic (dinner plates), Paper, Tissue, Foil, Wicker basket, Selection of books, Cardboard, Canvas, Charcoal Loaned from Hollybush Gard

The Turner Prize will be presented at the Ferens Art Gallery in Hull for the first time, with an exhibition of work by this year's shortlisted artists: Hurvin Anderson, Andrea Büttner, Lubaina Himid and Rosalind Nashashibi.

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Jerwood Visual Arts, Jerwood Space, 171 Union Street, Bankside, London, SE1 0LN

Jerwood Drawing Prize

Installation View – Barbara Walker, Exotic Detail in the Margin, 2017. Jerwood Drawing Prize 2017, supported by Jerwood Charitable Foundation.

This wide scope has been a cornerstone of the project since it was founded in 1994. The longest running and largest annual open exhibition for drawing in the UK, it has developed a reputation for celebrating the considerable diversity that exists within contemporary drawing practice. As the 2017 iteration shows, it is also a platform that highlights the value of drawing in both an artistic practice and within communities. Review by Kaitlyn Kane

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The Koppel Project Hive, 26 Holborn Viaduct, London EC1A 2AT

The Hive Mind

The Hive Mind installation downstairs

‘The Hive Mind’ is a group exhibition consisting of sculpture, painting, video and print work by new and established artists, that probes the question of connectivity in an increasingly dysfunctional and meaningless reality. Review by Evie Ward

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Thomas Dane Gallery 3 Duke Street St James's London SW1Y 6BN

Naming Rights

Naming Rights at Thomas Dane Gallery 2017, Installation View

‘Naming Rights’ is a unique exhibition that discloses the arcane mechanisms of an artist run project space, converting the gallery into a place for artistic research and experimentation. The result is a distinctive presentation of works by international artists. Review by Fiorella Lanni

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White Cube Bermondsey, 144 – 152 Bermondsey Street, London SE1 3TQ

Dreamers Awake

Dreamers Awake, Installation view, 27 June - 17 September 2017

The bodies without eyes, without hands, fragmented and uncanny, as portrayed by the multiple generations of female artists presented in ‘Dreamers Awake’ hijack Surrealist tropes and techniques, and both reproduce and resist the voyeuristic gaze. Review by Anya Smirnova

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Marian Goodman Gallery, 24 West 57th Street, New York, NY 10019

Sunset Décor - Curated by Magalí Arriola

Sunset Décor 2017 Marian Goodman Gallery, New York, Installation view

At a time when populations, cultures and the environment are fighting to resist conservative thinking and political assault, Sunset Décor puts into perspective the instrumentalization, now as then, of nature, the individual and the land for the production of a symbolic order in the name of freedom, civilization and democracy.

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Rhubaba Gallery and Studios, 25 Arthur St, Edinburgh, EH6 5DA

You hardboiled     I softboiled

Installation view, You hardboiled I softboiled, Rhubaba Gallery and Studios, 2017 (Valerie Norris, Music for Intelligent Young Ladies (2013), and, bedroom furniture (2013)).

In this intriguingly titled and intimately composed exhibition, ideas of how love and its stories might be practiced, sought and appropriated move between the published page and spoken word, and are heard through sound and audio. Love is also framed within filmed moments and presented in painted gestures; it is seen in close proximity and recognised across vast distances. The love stories described here are sensed in places, portraits, correspondences and spectres. Review by Alex Hetherington

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BALTIC Centre for Contemporary Art, South Shore Road, Gateshead NE8 3BA

BALTIC Artists’ Award

Eric N. Mack, A Lesson in Perspective 2017, activated by participant, BALTIC Artists' Award 2017, installation view, BALTIC Centre for Contemporary Art Gateshead.

The BALTIC Artists’ Award is a clear attempt to combat some of the issues associated with prize exhibitions through a format that provides an actual and equal opportunity for four artists to develop and showcase significant new bodies of work. The award has no limit on age or nationality, is selected by some of the world’s leading contemporary artists (who also mentor the shortlisted artists) and has no ‘winners’ or ‘losers,’ with prize money (totalling £30,000 per artist) shared equally amongst the four. Review by Amy Jones

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