Viewing articles tagged with 'Group'

Richard Saltoun Gallery, 41 Dover St, Mayfair, London W1S 4NS

Women Look at Women

Installation view, Women Look At Women, Richard Saltoun Gallery, London 15 February - 31 March 2018

The show opens with Renate Bertlmann’s ‘Transformations’ (1969/2013), a series of 53 black and white photographs which address an analysis of gender-specific social roles through the role-play sequence of staged photography. Indeed, the importance of inventing alter-egos in performance seems significant throughout the exhibition. Review by Matthew Cheale

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New Museum, 235 Bowery, New York, NY 10002, USA

2018 Triennial: Songs For Sabotage

Photo caption - Installation view, 2018 Triennial: “Songs for Sabotage”

While each painting on view in the 2018 Triennial: Songs For Sabotage, at the New Museum, New York, might pack a punch on its own, when grouped, this pervasive, globalized homogeneity only undercuts the swollen pomp ascribed to Songs of Sabotage by its organizers, and points, perhaps, to a more sinister condescension afoot in the galleries themselves. Review by Torey Akers

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Cell Project Space, 258 Cambridge Heath Rd, London E2 9DA

No, No, No, No

No, No, No, No Installation View, 2018

Through the use of verbal and visual puns, the works displayed in ‘No, No, No, No’ convey irony and humour, and challenge the audience by playing with ideas of authorship, making and presenting art, and even appropriating existing artworks. Review by Fiorella Lanni

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Hestercombe Gallery, Cheddon Fitzpaine, Taunton, Somerset TA2 8LG

Odyssean: Topographies

Natasha Rosling and Vilma Luostarinen, Edible Coastlines, 2018.

Beginning high up in the Orkney Isles and journeying to the South West of England, ‘Odyssean: Topographies’ is a cognitive, visual and, at times, physical expedition into hidden and imagined spaces. The culmination of four artists' Orkney-based residencies, the exhibition throws into question the ways in which humans formulate perceptions of nature and place in an era rife with technology. Review by Selina Oakes

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Rotterdam, Netherlands

International Film Festival Rotterdam

SLEEPCINEMAHOTE installation view IFFR 2018

The International Film Festival Rotterdam 2018, now in its 47th edition, flirts with the boundaries of art and film throughout the city with powerful and exciting works by Nicolas Provost, Hiwa K, Agnieszka Polska and Artur Zmijewski among others. But just how far does the synthesis between cinema and fine art achieve new experiences in viewing? Review by Laurence Scherz

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Cass Sculpture Foundation, New Barn Hill, Goodwood, West Sussex PO18 0QP

The Sleeping Procession

CASS Projects: The Sleeping Procession exhibition. Curated by Sean Steadman and Gabriel Hartley

‘The Sleeping Procession’, a bright and upbeat group exhibition curated by emerging artists Gabriel Hartley and Sean Steadman occupies the gallery with ease. It is a jovial gathering, inspired by the Foundation’s archive of maquettes which the pair have put in dialogue with works by their peers and a number of artists whose work they have found influential. Review by Rebecca Partridge

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Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

From Ear to Ear to Eye: Sounds and Stories from Across the Arab World

Joe Namy, Red Filled the Intervals; Between the Musical Notes, 2017/2017. Courtesy of the artist. Installation shot, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photo Stuart Whipps.

‘From Ear to Ear to Eye: Sounds and Stories From Across the Arab World’ at Nottingham Contemporary explores sound, music and listening in the Arab world, revealing different layers of meaning, intertwined histories, complicated political situations and complex questions. This expansive exhibition spreads across six rooms and showcases works by almost 20 artists who work with sound, are musicians or explore oral stories. Review by Roma Piotrowska

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National Galleries of Scotland, 73 Belford Road, Edinburgh, EH4 3DS

NOW | Susan Philipsz, Michael Armitage, Yto Barrada, Kate Davis, Hiwa K, Sarah Rose

Seven Tears, 2016

NOW is the second in a six-part series of exhibitions presented by the Scottish National Gallery of Modern Art exploring the work of international contemporary artists. It is dominated by a 5 room display of works by the artist Susan Philipsz alongside works by renowned artists Kate Davis, Sarah Rose, Hiwa K, Michael Armitage and Yto Barrada. Review by Rosie Priest

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Access Gallery, 222 E Georgia St, Vancouver, BC V6A 1Z7

Some Spontaneous Particulars: Vanessa Brown, Heide Hinrichs, Kathleen Ritter

Some Spontaneous Particulars,  Installation view

Some Spontaneous Particulars presents never-before exhibited work by three artists whose research-based practices have drawn them to the work of historical women artists Marianne Brandt (for Brown), Theresa Hak Kyung Cha (for Hinrichs) and Mina Loy (for Ritter), whose own production and memory has been overlooked or stifled within the art historical canon.

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V-A-C Collection, Palazzo delle Zattere, Dorsoduro 1401, Venice

The Electric Comma: V-A-C Collection

Installation view, The Electric Comma

Taking its title from Shannon Ebner’s installation The Electric Comma, the exhibition focuses on shifts in language, perception and understanding in the age of artificial intelligence. Through varied practices and from different backgrounds, participating artists deal with the negotiations between the conscious mind and today’s pervasive learning machine, imagining pathways of exchange between human and nonhuman, ranging from the poetic and intuitive to the algorithmical and analytical.

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Museum of Contemporary Art Chicago, 220 E Chicago Ave, Chicago, IL 60611, USA

Woman With A Camera

Skatepark

The exhibition Woman with a Camera presents a selection of 18 works from the Museum of Contemporary Art Chicago's collection, featuring work by established masters Marina Abramovic, Sophie Calle, Catherine Opie, Laurie Simmons, and Carrie Mae Weems, as well as emerging artists Anne Collier, Xaviera Simmons, and Mickalene Thomas. Together, the women use photography to explore central themes in contemporary photography: rendering the human figure, capturing public and private spaces, and commenting on our media-saturated culture. Other works from the gift will be incorporated into MCA exhibitions throughout the year.

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OMR Gallery, Córdoba 100, Roma Nte., 06700 Ciudad de México, CDMX, Mexico

TROIKA: Compression Loss

Installation view, Compression Loss

The works in the exhibition stem from Troika’s continuing interest in the various models and belief systems used to detail and understand the world. Incorporating the opposing frameworks of technological advancement and mythology, Troika’s works investigate how the application of a purely rational and scientific method onto practical life is often at odds with the subjective and unpredictable.

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Museum of Contemporary Art San Diego, 1100 Kettner Blvd, San Diego, CA 92101, USA

Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985

Installation view of Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985

Memories of Underdevelopment is set within the context of Latin America during the 1960s to 1980s, a period that coincides with both the apex and unraveling of the developmentalist project in many countries in the region, most notably Brazil, Argentina, Venezuela, and Mexico. In contrast to dominant ideologies that guided the modernization process in these countries, Memories of Underdevelopment traces the emergence of a distinct set of artistic practices that questioned the developmentalist rhetoric and proposed alternative forms of cultural production that responded to this situation of cultural and economic dependency.

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