MMK Museum für Moderne Kunst, Domstraße 10'60311, Frankfurt am Main
Hélio Oiticica: The Great Labyrinth
It would be many years before the terms "participation," "environment" and "proposition" would come to dominate artistic discourse in Europe and North America; Oiticica already formulated them at an early stage in his career.
Tanya Leighton, Kurfürstenstraße 156, 10785 Berlin
Dan Rees: Space Invaders 2
Dan Rees' recent exhibition, Space Invaders 2, explores notions of trace through photography.
Hamburger Bahnhof, Invalidenstraße 50-51, 10557 Berlin, Germany
Hilma af Klint: Pioneer of Abstraction
Hilma af Klint (1862-1944) stipulated that her abstract works should not be shown until 20 years after her death. It has taken until now to mount a full retrospective of her creative output. Review by Beatrice Schulz
Heather & Ivan Morison: The Opposite of All Those Things
Rod Barton, 1 Paget Street, London EC1V 7PA
Chris Succo: Total Recall
Chris Succo's work reveals its layers and hybrid qualities to those who take the time to look. Review by Karl Musson
TINTYPE Contemporary Art, 107 Essex Road, London N1 2SL
Jo Addison: Not Trees and People
'Like children, the objects have a sense of certainty, even when they appear ambiguous.' Review by Ciara Healy
Jerwood Visual Arts, 171 Union Street, Bankside, London, SE1 0LN
Jerwood Drawing Prize 2013
Catrin Davies reviews the latest eclectic and thought-provoking selection at Jerwood Visual Arts
Cell Project Space, 258 Cambridge Heath Road, London E2 9DA
Rachel Reupke: Wine & Spirits
Reupke uses humour and boredom as means of critique, making the viewer look again at a society that is missing its own punch line. Review by Maru Rojas.
Zeno X Gallery, Godtsstraat 15, 2140 Antwerp Borgerhout, Belgium
Michaël Borremans: The people from the future are not to be trusted
Work by the Belgian painter Michaël Borremans is on display at Zeno X Gallery's extended new space. Review by Annelies Thoelen
Blain|Southern, Potsdamer Straße 77'87, 10785 Berlin
Francesco Clemente: Tents
'To analyse Francesco Clemente's painting is inevitably to look into the world of modern dreams and desires.' - Norman Rosenthal
