Bermondsey Tube Station, 142-154 Jamaica Road, London SE16 4RX
Earlier this month, Art Licks partnered with Art on the Underground to bring some of the 'Stop, Look, Listen!' performances to Bermondsey tube station. Edwina Attlee reviews Ilona Sagar and Patrick Coyle's work.
Ryan Renshaw Gallery, 137 Warry St, Brisbane QLD 4006, Australia
Peter Alwast's signature piping snakes through his solo exhibition at Ryan Renshaw Gallery. Tim Walsh reviews.
Laura Bartlett Gallery, 4 Herald St, London, E2 6JT
Bearing in mind the tensions between introverted and extroverted desires, and an attraction to the margins of narrative, Katz freely employs quotation and surprising combinations of colour and form.
AE Harris, 110 Northwood Street, Birmingham. B31
Before 'Becoming an Image' begins, the audience stands, at a respectful distance, in a circle around a human-sized obelisk of unfired clay. Its pitted surface is lit from above, and there's an atmosphere of, if not veneration, then certainly hushed, ritua
Minerva Works, Fazeley Street, Digbeth Birmingham. B5 5RS
The first thing that one thinks about on leaving Kate Mcintosh's piece 'Work Table' is the nature of the creative act, and how destruction is an inevitable part of that process.
AE Harris, 110 Northwood Street, Birmingham. B31
The voice is black - like the shadow that engulfs the room. I follow it down a red satin corridor and find myself in front of its owner. Review by Joon Lynn Goh
Birmingham Town Hall, Victoria Square, Birmingham. B3 3DQ
The panels set around the edges of the Old Town Hall depict numerous catastrophes, ruinous acts of man and nature that eradicate and void. To engage children with these disasters feels unimaginable, yet they are the people who will develop solutions to re
Edible Eastside, 122 Fazeley Street, Birmingham. B5 5RS
The full moon in October is termed the Blood Moon. An act of naming that defies the reassuring yearly cycle of harvest festival traditions recognising the liminality in the transitional power of the Autumn dusk. Review by Cathy Wade
Club PST, 71 Lombard St, Digbeth, Birmingham. B12 0QU
Fierce Festival is 15 this year: the precipice of the age of consent. When you're 15 you think that you've done your growing and you've done your learning and you just want to get on with being a grown up already and being able to do all those things that
AE Harris, 110 Northwood Street, Birmingham. B31
Fierce's 15th anniversary programme is full of the doubt, wonder, enthusiasm and questioning that its teen-age demands. On the second night of Fierce 2013, two Club Fierce programmes are presented, both of them trembling with the uncertainty and the arrog
mac Birmingham, Cannon Hill Rd, Birmingham B12 9QH
At the age of 20, Brian Lobel was diagnosed with testicular cancer. Unsurprisingly, his illness changed the course of his life, leading ultimately to his decision to study performance and become an artist. Now 31, Lobel has frequently returned to cancer a
Birmingham Ormiston Academy, 1 Grosvenor Street, Birmingham. B4 7QD
This body is shape-shifting; it leaks and dances to the tunes of Britney Spears; it hoola-hoops as if stuck in endless repetition. Sometimes, it gains an identity, although brief and uncertain. Review by Diana Damian
DanceXchange, Birmingham Hippodrome, Hurst Street, Southside, Birmingham. B5 4TB
Knights of the invisible is a solo dance performance by Iona Kewney accompanied by musician Joseph Quimby. The two of them are onstage throughout, Iona at the front and Joseph the back, a eurythmic Eurythmics, her dancing unrelentingly to his forest of lo
