Viewing articles tagged with 'London'

Matt's Gallery, 92 Webster Road, London SE16 4DF

Patrick Goddard: Trip to Eclipse

Patrick Goddard, Trip To Eclipse (2020), installation shot.

‘Trip To Eclipse’ is a new installation by Patrick Goddard, exhibited at Matt’s Gallery following his participation in the Blackrock Residency in 2016, a collaboration between the gallery and the Lydney Park Estate. The title is a reference to a 1990s clothing label, which was more popular amongst children and teens than the actual rave culture it proposed to represent. Think: bomber jackets and ultra-baggy jeans, graffiti and spliffs. Review by Chris Hayes

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Gasworks, 155 Vauxhall Street, London SE11 5RH

Lauren Gault: C I T H R A

Lauren Gault, C I T H R A, 2020. Installation view. Commissioned by Gasworks.

Lauren Gault’s exhibition ‘C I T H R A’ at Gasworks, London, is a show of strange encounters. The installation continues the artist’s interest in the possibilities of materials, using ‘sculptural language as a connective tissue’ for her wider research. Review by Tess Charnley

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Live Art Development Agency, The Garrett Centre, 117 Mansford Street, London, E2 6LX

LADA Screens: selina bonelli

LADA presents a screening of (re)collecting (f)ears, a film documenting a number of performances by the artist selina bonelli. The event also features readings from (re)collecting (f)ears, a publication featuring artistic responses to the project, and a conversation between selina bonelli and Joseph Morgan Schofield (LADA).

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Jerwood Arts,171 Union Street, Bankside, London SE1 0LN

Jerwood/Photoworks Awards

Silvia Rosi, Jerwood/Photoworks Awards 2020 supported by Jerwood Arts and Photoworks. Installation view at Jerwood Space, London.

The Jerwood/Photoworks Awards is a significant opportunity for an early career artist to develop their work over the course of a year with the benefit of financial support and a program of mentoring. The 2020 winners are Silvia Rosi and Theo Simpson and their commissioned work is currently on view at Jerwood Arts. The award boasts its effort to encourage artists who engage with photography in an experimental way. Review by Katie McCain

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SPACE Ilford, 10 Oakfield Road, Ilford, IG1 1ZJ

Lindsey Mendick: Regrets, I’ve Had a Few

Lindsey Mendick: Regrets, I've Had A Few, 2019. Mixed media installation including: ceramics, paint and fabric.

Many of the works comprising Lindsey Mendick’s exhibition are the culmination of a series of ceramic workshops she led for Ilford-based over 65 year-olds, including over 70 ceramic sculptures – ranging from Dorothy Gale-style red stilettos and a bird bath, elaborately decorated vases and colourful crockery, fabric clad angel figurines and anthropomorphic animals at sail in a fictional sea – together with painted wall murals, fabric banners, and sculptural display structures. The show marks the grand opening of the new SPACE Studios in Ilford situated in the rear of the Town Hall. Review by Tyler Woolcott

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Southard Reid, 7 Royalty Mews, London W1D 3AS

Prem Sahib: Descent II. Cul-de-Sac

Prem Sahib, Archive, 2019, wood, painted steel, acrylic, archival material belonging to Kamaljit Sahib.

Sheena Carrington reviews the second of a three part exhibition by Prem Sahib titled 'Descent', a project with an overarching narrative that explores socio-political architectures and acts of resistance.

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Camden Arts Centre, Arkwright Road, London NW3 6DG

Vivian Suter: Tintin’s Sofa

Vivian Suter, Tintin’s Sofa, installation view, Camden Arts Centre.

The dramatic arrangement of works suggests the organic and vegetal profusion of a complex living system such as a rainforest. This is a deliberate echo of the rainforests which surround Vivian Suter’s lakeside studio in Guatemala – a place that plays a fundamental role in the making and meaning of the artist’s work, and which leaves its physical traces on her paintings. Review by Anna Souter

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David Zwirner, 24 Grafton Street, London W1S 4EZ

Jockum Nordström: The Anchor Hits the Sand

Installation views of Jockum Nordström: The Anchor Hits the Sand at David Zwirner London, 22 November 2019 - 19 December 2019.

David Zwirner recently featured ‘The Anchor Hits the Sand’, a solo exhibition by Swedish artist Jockum Nordström. Upon entrance, visitors encounter a collection of Nordström’s watercolour collages. The motifs that comprise the works illustrate Nordström’s imaginative spirit and oeuvre. Each composition is peculiar and ambiguous, characterised by various scenes, with figures who seemingly have no apparent relation to one another. Review by Sheena Carrington

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V&A, Cromwell Road, London SW7 2RL

Tim Walker: Wonderful Things

V&A Tim Walker Wonderful Things Exhibition Installation View - 'Pen & Ink' Section

One corner of the V&A has been transformed into Wonderland. Tim Walker’s exhibition, ‘Wonderful Things’ houses a vast portfolio of his photography, ranging in style from sharp and stark portrayals of singular subjects to impossibly complex ethereal fantasies. Review by Zoe Ettinger

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Richard Saltoun Gallery, 41 Dover Street, London W1S 4NS

Matrescence

Matrescence, installation view, Richard Saltoun Gallery London.

The business of being a mother is a messy one. Richard Saltoun’s new exhibition is the first of two shows hosted by the London gallery to address the triumphant and tragic path of motherhood. The title ‘Matrescence’ (you’d be forgiven for drawing a blank) refers to an anthropological science developed by American doctor Dana Raphael in the 1970s, which discusses the process of becoming a mother – psychologically and physically speaking. For the uninitiated, it was also Dr Raphael who coined the term “doula”. Review by Claire Phillips

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Victoria Miro Gallery, 16 Wharf Road, London N1 7RW

Celia Paul

Installation view, Celia Paul, 13 November - December 2019.

“I am no bird; and no net ensnares me: I am a free human being with an independent will.” These are the words that Jane Eyre uttered defiantly to Mr Rochester in Charlotte Brontë’s tale of love and woe. And like Brontë and her sisters, living in the restraints of their father’s parsonage, the British artist Celia Paul spent her youth surrounded by women in the Devonshire and Yorkshire countryside, where her father was the Bishop of Bradford. Review by Claire Phillips

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The Sunday Painter, 117-119 South Lambeth Road, London SW8 1XA

Chips and Egg

Milly Thompson, Nor playing the flute, 2015, Oil and acrylic on board, 61 × 51 cm

‘Chips and Egg’ quotes a classic piece of British cinema,’ Shirley Valentine’. The film tells the story of a Liverpool housewife breaking out of her world of domestic cliché to embark on a spontaneous Greek holiday and find love and adventure only to end up in another set of clichés. This is precisely the self-digesting system of cultural production that’s light-heartedly recognised by this exhibition. The success of ‘Chips and Egg’ lies in highlighting the beauty and sincerity in seemingly futile repetition for the sake of care, survival, indulgence and art. Review by Sonja Teszler

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Jerwood Arts, 171 Union Street, London SE1 0LN

Jerwood Collaborate!

 Keiken + George Jasper Stone, Feel My Metaverse, 2019

For ‘Jerwood Collaborate!’ Jerwood Arts commissioned four emerging and early career collectives and collaborative practitioners, Array, Languid Hands, Shy Bairns and Keiken + George Jasper Stone, enabling the groups to create new work and build on their existing practices. The variety in the practices exhibited demonstrate the different modes and outcomes of working together, encompassing everything from protest banners and marches, zine making and friendship quizzes and video and CGI work. Review by Emily Hale

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