Viewing articles tagged with 'Installation'
Auto Italia, 44 Bonner Rd, London E2 9JS
‘Feral Kin’ is London’s first glimpse into Auto Italia’s collaborative, ongoing project ‘On Coping’. From Johannesburg to Copenhagen, Auto Italia has brought ‘On Coping’ across the world. Working locally with artists in each city, the project seeks to unpack the artist precariat by developing systems of growth through collaboration. Review by Ashley Janke
BALTIC Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA
It is no exaggeration to say there are many layers to Holly Hendry’s ‘Wrot,’ both literally and metaphorically. In her first major institutional exhibition, the emerging British artist presents an imaginative body of work that demonstrates her boldness and ingenuity. Review by Christopher Little
Wysing Arts Centre, Fox Road, Bourn, Cambridge, CB23 2TX
‘All Channels Open’ is similar to a compilation played within a subdued, minimally lit dance floor. An imaginable mic is passed to each artist in an effort to amplify her or his voice and position in the space. Review by Jaime Marie Davis
Blain|Southern, 4 Hanover Square, London W1S 1BP
Their exaggerated expressions, dishevelled hair and naked bodies rendered with a cartoonish aesthetic make an adequate mockery of the Mayfair surroundings. The artists are seemingly running riot in their white cube play-pen. Review by Cleo Roberts
Thomas Dane Gallery 3 Duke Street St James's London SW1Y 6BN
'Beautiful Minds’ at Thomas Dane Gallery presents a collaborative sculptural installation that interrogates notions of authorship, performativity and our relationship to technology. Review by Zoe Marden
Cell Project Space, 258 Cambridge Heath Rd, London E2 9DA
The display overwhelms by its absence of images and presents instead a series of glass wall panels bracketed inside aluminium structures. These panels, covered with black vinyl texts, spell out incidental conversations, unsolicited quotes, traces of speech. Review by Rafael Barber Cortell
J Hammond Projects, Unit 2B2 Bomb Factory, Boothby Road, London N19 4AJ
The objects we choose to accumulate and surround ourselves with represent a manicured veneer, and what we throw away is more revealing. Isn’t it more exciting to think about how someone would rather not be perceived? Liam Hess considers group exhibition 'Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight)?'
Palacio de Cristal, Parque del Retiro, Madrid, Spain
Baumgarten’s works have long been concerned with ethnography, anthropology and the corruptions of colonialism. ‘The ship is going under, the ice is breaking through’ continues a body of research on nature begun during the 1960s. Review by Anneka French
Tenderpixel, 8 Cecil Court, London WC2N 4HE
In the hot, damp climate of the rainforest, no sooner than an animal or plant dies, it begins to decay, feeding the maggots and soil from which new life grows. The tropics are an uncompromisingly ugly environment. The notion of nature’s immutable beauty is a human construction; one, as Tenderpixel’s group show ‘Tropical Hangover’ reveals, perpetuated by art. Henry Broome reviews
The Showroom, 63 Penfold Street, London NW8 8PQ
Her omnipresence comes from a series of movements through the landscape as a squatter and activist. It is through Oldfield Ford’s political ideologies that the thematic of resistance in her work surfaces. Review by Sophie Risner
Focal Point Gallery, Southend-on-Sea, Essex, SS1 1NB
Focal Point Gallery present ‘On Peacock Island’, the first major solo exhibition of the German artist Volker Eichelmann. The exhibition features a series of new work by the artist, incorporating an arrangement of drawings by Stephen Tennant.
Centro de Arte Andaluz Contemporáneo (CAAC) and Sala de Exposiciones Santa Inés, Seville
One way to approach the recent body of work from Leonor Serrano Rivas is to understand it as a deconstruction of sorts of what would make a theatrical event. The Spanish artist has presented three key elements of a theatre play – the stage, the costumes and the backdrop – across two venues. Text by Lorena Muñoz-Alonso.
Pump House Gallery, Battersea Park, London SW11 4NJ
Pilvi Takala's ‘The Committee’ is a charming and timely exhibition that comments on the value of creativity for children, the opportunities it affords them and, significantly, is told from their perspective. Bobby Jewell reviews