Kelvin Hall, 1445 Argyle Street, Glasgow G3 8AW
In ‘Bright Bodies’, a new installation for Glasgow International, Barclay’s sensitive and highly physical choreography is engaged in a course of action through the history, archives and social spaces of Kelvin Hall. Review by Alexander Hetherington
Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow G2 3JD
Although without the immediate dialogue of shared sight-lines, Bailey and Day’s pairing creates a multi-layered, sometimes contradicting, but always lively discourse, drawing out new meanings, and deciphering in each other’s those that are less clear. Review by Cicely Farrer
Turner Prize 2015
Assemble's Turner Prize win is a fantastic coup for the collective, but the long-term prize for Granby Four Streets will be a community finally and deservingly restored. Text by Laura Harris
David Dale Gallery & Studios, 161 Broad Street, Glasgow G40 2QR
Despite working primarily across painting, Mcgurn and Musgrave’s practices are congruous not through their shared medium, but through a commonality in processing subject, and the translation of narratives to the viewer.
The Common Guild, 21 Woodlands Terrace, Glasgow, G3 6DF
Thomas Demand's latest solo exhibition includes new and recent works from his series ‘The Dailies’, presented in an installation devised specially for the particular nature of the spaces at The Common Guild.
David Dale Gallery & Studios, 161 Broad Street, Glasgow, G40 2QR
Hardeep Pandhal's multi-media installation at David Dale is punctuated with large scale wall drawings of Bhagat Singh, an activist who disguised himself by cutting his beard and replacing his turban with a trilby to commit violent acts of protest during the Indian independence movement.
Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow G2 3JD
There is a curious feeling of being a permitted observer, a guest who has unwittingly blundered into a study and begun to poke and pry into the collections of obscure information neatly organised in enigmatic order. Review by Alexander Storey Gordon
Mary Mary, Suite 2/1, 6 Dixon Street, Glasgow G1 4AX
‘Material Languages, Or All Truths Wait In All Things’ is ultimately a command to think abstractly. Review by Alexander Storey Gordon
Tramway, 25 Albert Drive, Glasgow G41 2PE
In ‘California wow!’ Aldridge’s artistic process takes centre stage, and the colossal Tramway 2 gallery gives the artist space to draw from all areas of her practice to fully immerse us into her world. Review by Laura Campbell
Hunterian Art Gallery, University of Glasgow, University Avenue, Glasgow G12 8QQ, Glasgow, G12 8QQ, Scotland
Caught here are Skaer’s investigations into the essence of things and realities: intuitive, organic thought articulated in exquisite structures and meticulous processes. Review by Valerie Norris
Glasgow Women’s Library, 23 Landressy Street, Glasgow, G40 1BP
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HOUSE WORK CASTLE MILK WOMAN HOUSE seeks to record the history of the 'Castlemilk Womanhouse' project in a way that resists reducing it to a one-dimensional, mythological ‘participatory’ piece, retaining feminist politics by writing narratives from the ground up. Review by Catherine Spencer
The Modern Institute, 3 Aird’s Lane Glasgow G1 5HU
Morton’s exhibition at Aird's Lane focuses entirely on painting. Presenting a cycle of five large-scale oil paintings which specifically respond to the space in terms of their size and installation, offering a site for reflection.
The Modern Institute, 14-20 Osborne Street, Glasgow G1 5QN, United Kingdom
Stemming from an uninvited walk onto a Scottish grouse moor, Jeremy Deller’s exhibition at The Modern Institute focuses on land.
Modern Institute, 3 Aird’s Lane, Glasgow G1 5HU
Richard Wright continues his work with York Glaziers Trust - Britain’s oldest stained glass conservation studio, who have a special connection to the medieval windows at York Minster. For this project he has made four leaded glass skylights in the ceiling at Aird’s Lane.
