Grand Union, 19 Minerva Works, Fazeley Street, Birmingham B5 5RS
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Saboury utilises her own body to explore the landscape of Digbeth - an area of Birmingham’s industrial heritage, which is rapidly changing due to recent gentrification – through various sensory devices including touch, sound and taste. Review by Louisa Lee
St Barnabas’ Church, High Street, Erdington, Birmingham B23 6SY
‘Clipping the Church’ demonstrated the transformations that communities naturally undergo, and ignited a much needed sense of what a unified community can be, when words are left aside in favour of a spirit of simple togetherness. Review by Dominika Mackiewicz
Ikon, 1 Oozells St, Birmingham B1 2HS
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The Ikon building lends a somewhat cosy and domestic vibe to Flavin’s work, which I enjoy far more than some of the often starker forms of presentation in larger institutions. Indeed pairing, or starting a conversation, between Flavin’s work and Ikon’s former school house architecture is central to the exhibition’s design. Review by Sacha Waldron
Grand Union, Minerva Works, 158 Fazeley St, Birmingham B5 5RS
Kate Self reflects on research into Birmingham's canal networks and communities undertaken by artists Moschopedis and Rushton as part of their residency at Grand Union.
Grand Union, Minerva Works, 158 Fazeley St, Birmingham B5 5RS
Precarity Centre is an interdisciplinary framework and an experiment in social space rather than an exhibition. It sets out to be a much more fluid entity – one that is unfolding over time, has multiple points of access and a sense of precariousness to its content and form. Review by Anneka French
Grand Union, Minerva Works, 158 Fazeley St, Birmingham B5 5RS
big MOUTH actively questions the values of photography, just as it questions the making of objects through new works that draw from the nagging bodily anxieties of daily life. Review by Cathy Wade
The New Art Gallery Walsall, Gallery Square, Walsall WS2 8LG | Library of Birmingham, Centenary Square, Broad Street, Birmingham B1 2ND
Mat Collishaw’s approach to art is filled with respect for the past. Victorian and Baroque cultures in particular are being constantly reiterated in his oeuvre, with the artist seemingly spellbound by their dubious character. Review by Dominika Mackiewicz
Birmingham Open Media, 1 Dudley St, Birmingham B5 4EG
Karaoke(ART) activates video through invitation - for contemporary artists to reinterpret the available space of karaoke, to use it as they wish, to add, unbalance, distort or reveal truths that can be pulled from the undercurrents of their chosen song. Review by Cathy Wade.
Eastside Projects, 86 Heath Mill Lane, Birmingham B9 4AR
I got all kinds of reactions from friends and family when I told them I was off to sleep with a curator. Your idea of hell or unique, horizontal networking? Kate Self reviews
The Old Print Works, 506 Moseley Rd, Birmingham B12 9AH
Miguel Gutierrez makes performances ‘that are about things and are things themselves. The things they are about are big: how to live in the world, how to love, how to feel about being yourself’. Kim McAleese reviews
The Drum, 144 Potters Ln, Birmingham B6 4UU
Season Butler is a maker-upper of stories. She plays provocatively and evocatively with truth and fiction, musing on the difference between what is unlawful and what is against the rules. Marlene Smith reviews
DanceXchange, Thorp St, Birmingham, West Midlands B5 4TB
There is a power struggle between us, the audience, trying to fix our own meaning onto these multiplicitous bodies, and these bodies constantly tricking us, evading us, sending us on a wild goose-chase. The show teases us, castigating us lightly for trying to force the violence of our own perception and interpretation on these bodies. Louise Orwin responds to Supernatural.
mac birmingham, Cannon Hill Park, Birmingham, B12 9QH
Atom Egoyan, a Canadian film director renowned for his movies concerning themes of displacement and mechanisms of time and memory, has always been fascinated by Beckett and his pursuit to tackle the inexplicable within the brackets of language. Review by Dominika Mackiewicz
Various locations, Birmingham
In Victoria Square, performers play with the topographical change of the public realm, rolling their bodies against the Town Hall wall like water settling at the bottom of a valley. Review by Alessandro Columbano
