The Tetley, Leeds, 19 May 2018

The Tetley Weekender | Experiments Workshop

The Tetley Weekender is our annual micro-festival that takes its inspiration from our next exhibition, with activities for all the family, artist-led performances, events and talks, plus great food and drink. It’s a perfect introduction to everything we do at The Tetley! Plus great food and drink offers over the weekend and even more to be announced! There is going to be lots to do for the whole family. FREE and open to all over the weekend between 11am–5pm.

The Experiments Workshop will form the centrepiece of the Material Environments exhibition and this year’s Weekender and we are excited to have four artists from the exhibition with us over the weekend.

Schedule

  • Thu 27 February 2020

    RCA / ARCHIVE / Olivier Richon and Victoria Walsh

    Soah Research presents:

    Liberté

    Deactivating Desire. Albert Serra’s latest film, Liberté with Alexander García Düttmann

    This is a dark tale of the Enlightenment, a formal costume drama where excess is the methodology for the exploration of desire, language and representation.

    The screening will be followed by a discussion with Olivier Richon.

    After growing up in Barcelona, Alexander García Düttmann studied in Frankfurt am Main with Alfred Schmidt and in Paris with Jacques Derrida. Since 1992, he has lived in San Francisco, New York, Melbourne, and London, and he has taught at Stanford University, The University of Essex, Monash University, New York University, Middlesex University, Goldsmiths College, and the Royal College of Art. He is currently Professor of Aesthetics and Art Theory at the University of the Arts, Berlin.

    In 2015, García Düttmann published “What Does Art Know? For an Aesthetics of Resistance” (Konstanz University Press). In this book, he claims that art is a form of thinking and that for this reason it does not produce knowledge. Alexander García Düttmann has translated some of Derrida’s works into German, and Benjamin’s essay on Julien Green into French. He has also “Theory and Practice”, an unpublished seminar by Jacques Derrida on Marx (Éditions Galilée 2017). What is Contemporary Art? On Political Ideology (Konstanz University Press) appeared in 2017, Love Machine. The Origin of the Work of Art (Konstanz University Press) in 2018.

  • Tue 17 March 2020

    RCA / Research presents (Public) / CORRESPONDENCE / Rebecca Fortnum and Gemma Blackshaw

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  • Wed 25 March 2020

    RCA / research presents (Public)  / PUBLIC(S) / Sarah Teasley & Mel Jordan

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  • Thu 2 April 2020

    RCA / SoAH research presents (Public) / ENTANGLEMENT / Johnny Golding & Emma Talbot

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